Nightmare Honeymoon

That's not the Elliot Silverstein's film that we'll remind the most, compared to A MAN CALLED HORSE, CAT BALLOU or THE CAR, but that remains a good film, solid and typical of the savage and loose seventies period. It needs to be discovered again. I found it late actually, not in the eighties. The film itself is not an astounding one, not DEATH WISH nor STRAW DOGS, but I repeat, it's worth the watch. I would have prefered something more brutal, grittier, more gloomy and downbeat. I don't remember this film mainly because there is no known actors; for instance Dack Rambo; never heard of him. I know however another Rambo, not this one.

A young groom goes on a vengeance after he witnesses a killing and then has his wife raped, by some rural thugs, on his wedding night. Pretty much loses all relevancy when he tracks down the killers by remembering the names said during the killing and then using the TELEPHONE BOOK!!! To use a exact quote by it's super hunk star Dack "It's a magic detective book filled with the names of murderers and innocent victims. All the names, all the addresses." Has anyone ever heard of UNLISTED number. Oh well somebody better go tell the police and F.B.I. this so they can quit wasting so much money on their sophisticated networking and computer systems. Actress Smith has one of those 'put on' southern accents that almost immediately becomes annoying and after she is 'violated' has a look of constipation for the rest of the time. So mind numbingly standard that it makes a episode of THE A TEAM look creative. As memorable as spending ninety minutes cleaning between your bathroom tiles.

Couple on honeymoon... wife is raped... they get revenge. There's not much more than that. Some over dramatic acting bordering on hammy, sparse locations, thin plot, and minuscule action make up a snooze fest with some pretty huge plot holes.

Does anyone know where I may obtain a DVD of Nightmare Honeymoon? I am curious about one of the possible locations used for this movie. In 1972 I was planning a new golf course residential community and the owner of the land allowed a production company to shoot some scenes under the moss-draped oaks. The site was close to the Tchefuncte River near Mandeville, Louisiana. A decrepit mansion on the property was the perfect eerie location for a horror movie. This large home built in the 1930s is now beautifully restored, however. The director of the film I saw in production was badly injured when the boom chair collapsed onto him. Production was halted for a while and then another director showed up to continue the filming. Nightmare Honeymoon may not be the movie I watched being filmed but the title rings a bell. Any help would be appreciated. Thanks.

I liked this gritty and harsh exploitation/revenge feature, and don't quite understand why it's so unknown and forgotten (and the people who do know it don't even seem to like it). True, the script somewhat moves too slow and quite a few sequences easily could have been cut, but the main premise is fascinating, the two main characters are likable and the pivot scenes are often so full of tension you have any nails left to bite by the time they're finished. David and Jill couldn't be happier on their wedding day. Finally reunited after David spent two years in the hell of Vietnam and they even escaped Jill's family traditional wedding ritual where they "hunt" the newlyweds and hope to ruin their first night together. Whilst hiding in a sleazy Cajun motel, David and Jill witness the execution of a corrupt businessman by hired hit men. The crazed killers knock David KO and viciously rape Jill. After this tragedy they attempt to pick up their lives again, but Jill is an emotional wreck and David has exclusively set his mind on retribution. They embark on a search to find out the rapists identities, which leads them all the way to New Orleans. One of the great things about "Nightmare Honeymoon" – in my humble opinion at least – is that the character drawings are more realistic and identifiable. The reason why the film doesn't contain that much violent action or rancid sleaze is because Elliot Silverstein largely puts the emphasis on the series of emotions the newlyweds go through, together as well as separately. David becomes so increasingly obsessed with the idea of revenge, he's often frightening himself and Jill suddenly questions her marriage, her feelings and even her own femininity. The final confrontation with the deranged rapist Lee (excellent performance by John Beck) is rather overlong but atmospheric and you genuinely pray for the couple to walk out of the showdown alive. The performances are great with very convincing roles for Dack Rambo (awesome name, dude) as David and the cherubic Rebecca Dianna Smith as Jill. Elliot Silverstein's direction is tight and solid. He completed this little 70's gem in between directing his two most famous and much more publicly acclaimed achievements, namely the western drama (and predecessor of "Dances with Wolves") "A Man Called Horse" and horror-favorite "The Car", about a satanically possessed vehicle terrorizing the inhabitants of a small desert town.