Mutations

Anytime Tom Baker graced the screen his characters were always memorable. Here he plays a freak with a self loathing that must be seen to be believed. The story concerns a scientist who tries to turn people into plants. He succeeds with a cross between human and venus fly trap. The makeup isn't great, but it does the job. First time director Jack Cardiff made a great little horror film. Donald Pleasence plays the doctor. I saw this on Cinemax during the 90's. Basil Kirchin from Abominable Dr. Phibes did the music. I wish this was out on DVD. Columbia Pictures has done worse.

This is a totally bizarre British horror film which deserves cult status of the highest order - I can't believe that this didn't have problems with the censor, it is a disturbing, nasty piece of work and should undoubtedly have cult status.

'The Mutations' has Donald Pleasence as a Frankenstein-inspired scientist, Prof Nolter, who in-between his lecturing is trying to fuse humans with plantlife, to create a creature which has the strengths of both species. The nature of the film is introduced early, with a travelling funfair complete with freaks ( played by real-life freaks as in Tod Brownings early classic ), and a hideously ugly normal-sized man, who moonlights as Prof Nolter's assistant.

The film has so many points of interest its difficult to know where to start - the similarities to 'Freaks' are acknowledged with a feast scene which includes the line "He's one of us - we accept you". The freaks are also shown to have more humanity than the other characters, although they do turn on their tormenter in the end, in a scene similar to the climactic chase in 'Freaks'.

There are also ideas and scenes close to the French classic 'Eyes without a Face'; Pleasance portrays a character similar to Pierre Brasseur's mad doctor, both living in a secluded mansion complete with pack of mad dogs.

As if all this were not enough, we are also treated to Julie Ege as the screaming heroine, showing of her acting limitations and bodily curves very nicely - special applause for the nude bath scene.

'The Mutations' is a real shocker, which viewed today has a strong impact - far more so than more famous 'shocking' films, like 'The Devils' and the earlier 'Peeping Tom', both of which viewed now seem relatively tame.

While not raising the film to any artistic height - it is a cheap 'B' Movie in all production areas - the film should really be seen by all film fans, and given its deserved status as a heavyweight of the gutter-horror genre.

I stumbled across this video at a pawnshop called "Cash Converters" at my town center. Once I blew off the dust I decided to buy it on a whim. I had never heard of it but its £2 price tag led me to believe I had nothing to loose. It now sits proudly in my horror collection. This film is in a word, freaky. It makes use of real life sideshow freaks to tell a disturbing story about a mad scientist and his ungodly experiments to create a plant man. The various mistakes that occur are put to use at the friendly local fair. The only problem this film has is the rather pathetic effects used when real freaks are unavailable. However, Donald's performance is as ever wonderful and the film maintains a creepy atmosphere. There is also some great titty shots of voluptuous young seventies women. Well recommended for horror fans (if you can track down a copy like I did).

This film is a definite cult-classic and a follow up to Tod Brownings FREAKS. Perhaps a bit poorly made, but with real freaks like the Alligator Woman, Pop Eye and many more. Julie Ege, Norwegian scream queen, is starring and making the best of it. If you ever want to see the definite B-film from British cinema during the Seventies: This is the one to see. The film takes place at a travelling carnival which also features a freak show. Donald Pleasance is the mad professor who mutates plants with humans and then puts them on display. The results are horrific and so are the monsters that looks like a mixture of broccoli and humans. The film is odd to say the least and the actors try very hard to make it believable. This is a film with a strange mixture of science, horror and drama. It moves along a bit slow, but you won't be bored. The last of the real "freak films".

I first became aware of this one from my, somewhat inaccurately named book, Sci-Fi Now which charted the science fiction which fell between 2001 and Star Wars. It turns out that this was a great era for the genre, seeing as the sci-fi in this period just seemed to go a bit weird. The Freakmaker on the other hand, seems to have resurrected that sub-category which was seriously antiquated even back in the 70's - the mad scientist movie. The story has the mad scientist abduct college students to use in his experiments where he is trying to create a crossbreed of human and plant; with his failed subjects being handed over to a circus to be used in their freak show.

This could be described as Frankenstein meets Freaks, with quite a heavy emphasis on the latter 30's Tod Browning classic. It even goes so far as to basically recreate scenes from that film, as well as finding roles for several actual sideshow freaks. To that end, we have a human skeleton, a human pincushion, the pretzel boy, Popeye (i.e. He really can pop his eyes out!), the frog boy, alligator skin woman and a good old bearded lady. We even get a section where we see an exhibition featuring these performers, so its pretty exploitative while being somewhat fascinating at the same time. Acting honours go to the ever-reliable pair, Donald Pleasence and future Dr Who Tom Baker; with the former going through the motions and given little to do, other than feed cute bunnies to giant carnivorous plants, while Tom Baker has a much more rounded part as a deformed self-loathing henchman afflicted with acromegaly. The story eventually has one of Pleasence's creations running amok through the town - it's a rubber-suited wonder which is half-man/half Venus flytrap, a man/plant, or as I prefer to call him, a mlant. There is a fair bit of things to like in this one, even if it does become increasing less interesting in its final third. Look out too, for the impressive opening credits sequence which features some nicely executed time-lapse photography plant action.