Medusa

According to what I've read about Medusa it was partially produced by "star" George Hamilton which puts it into the category of vanity projects that tend to become tedious stories that overexpose the actor who in some way feel that their particular talents aren't utilized more. Clocking in at a whopping 103 minutes, Medusa, a title that bares no significance whatsoever to the plot, delivers a dagger to any possibility of Hamilton seen as anything other than a hammy, Warren Beatty clone.

George Hamilton plays the role of Jeff an American playboy, drunk, gambler, screwup delux that is purportedly in line to inherit millions through a will. Jeff has a very unhealthy relationship with his sister, here played by Luciana Paluzzi who has been betrothed to financially successful Theodore Roubanis as Nikos. The fact that Jeff and Sarah are brother and sister when Hamilton is unabashedly American and Italian Paluzzi, thick accent and all, seem so odd that it would have been better to say that perhaps they were former lovers than siblings. They certainly act the lovers part anyway. Jeff desperately needs to be included in the will because he owes money to friend and gangster loan shark Angelo, ( Cameron Mitchell) who in turn owes money to his bosses. Mitchell is the loan bright spot as he appears to have fun as the tough-talking wise ass who seems conflicted with what to do with Jeff. The rest of the film is about Jeff's decline into the depths of darkness as he and a "mysterious" accomplice go on a murder spree in order to extract information about the will. Takis Kavouras rounds out the cast as a Greek inspector with the hairiest hands I've every seen!

Between Hamilton's mugging to the camera and the dragging plot it truly is a task to watch this in its entirety. George even manages to cast his wife, Alana Stewart, in a pointless role as Eleana. Gordon Hessler of MST3K's Master Ninja fame directs this made for television clunker that provides no surprises whatsoever. There is a Greek musical score that is bashed over your skull repeatedly. If a viewer drank a shot of ouzo every time it blares onto a scene you might actually be drunk enough to make it through Medusa in one sitting. I did not succeed.

With a bow to Sunset Boulevard with the late George Hamilton narrating as William Holden did in that Billy Wilder classic just how it came that he got himself dead, Medusa did an impossible thing. It has the beautiful scenery of the Grecian Isles, photographed in color and it's in one dull and confusing picture.

When Hamilton and his sister Luciana Paluzzi are not living totally useless lives as international playboy and playgirl, he's got a very interesting sideline killing people just for the thrill of it and he's got Luciana cleaning up after him.

One of the folks he kills is a guy who does a little of it himself in his line of work, gangster Cameron Mitchell. That one might have had some rational basis because Hamilton's in deep and he's been cut out of his late father's will so no payback money from that source. Truth be told Mitchell's on the hook for that particular bad investment with his bosses.

In the end one really doesn't care one way or the other how Geroge got dead.

Confusing tale of hell-raising playboy (Hamilton), a rogue mercenary thief based in Greece and living a bizarre double life as a cold blooded murderer. Enchanting though she may be, Paluzzi's Medusa connection is tenuous, instead the film focuses on Hamilton's bloody conquests with a succession of exotic imports, among them, Alana Stewart and the beautiful (and unknown) Nora Valsami. The rub of course is that Hamilton never actually recalls doing the deeds, while the manipulative Paluzzi disposes of the evidence (complete with mop and bucket) before suspicion is aroused.

Takis Kavouras is effective as the no-nonsense, yet ineffectual police inspector, while Cameron Mitchell is wasted as a local mobster who ends up, literally, swimming with the fishes in a sadistic demise. Hamilton is suitably hammy as he feigns drunken stupor one moment, fractured lunatic on the edge the next. The relationship between Paluzzi and his character is complex and, to my mind, never properly revealed (there's an implied incestuousness never realised). Paluzzi, for her part is assured and suitably sinister as the title character, with just a hint of the mythology to make the title linkage (revealed in the film's final act).

Authentic and attractive location work, combined with some effective chills and suspense are hampered by the convoluted storyline, making for a very uneven thriller. "Medusa" seems to dramatically change track at intermission, switching from a routine crime drama to a twisted "Bonnie & Clyde". Director Hessler's plot is full of sadism, lust and jealousy - just the ingredients necessary for a Greek tragedy of this ilk, but it ultimately lacks cohesion and sense.

George Hamilton. What an argument for birth control. I have never seen this guy in anything worthwhile, yet he still seems to hang around. This terrible film involves his being tiresome and obnoxious. He goes from place to place, acting like an idiot, drunk, living a life he wants to continue. If this is why he needs the money, don't give him any. He serves no purpose at all. The title of the movie is misleading. If someone can explain it to me. I found it in a horror collection. I thought it was about Greek mythology. There is no Medusa. That's the thing that when looked at would turn a person to stone. Just about the same thing happened to me. Only I was snoring the whole time. There is nothing campy or bad movieish about this. It is an hour and half of dreadful dullness. Oh yes, George is known for his tan.

I got this as part of a box set and ignored it for years. Desperate to tidy up the unwatched films in my collection prior to Christmas, I threw this one on and watched it in a flu haze. George Hamilton sure is annoying, isn't he? This film is part crime caper, a quasi-giallo for a while, then a tragedy. I must have very low standards because I didn't find this one too slow at all, but the over-acting of George Hamilton really scuppers the film. His character is so absolutely smug and irritating it nearly derails the film. On the other hand, Cameron Mitchell, who is also way over the top here, manages to entertain as a cackling old gangster.

What you have here is a bunch of people you don't care about after an amended will. A mysterious person is killing off folk involved, but it ain't that hard to figure out who it is. Medusa was worth one watch, but throughout I wanted to reach into the screen and strangle George Hamilton, who constantly acts like a moron who's been put in front of the camera for the first time.

You can get this film free through public domain - that should ease the pain a little.