Magnum Force

Dirty Harry is back! And this time, he's up against some vigilante cops who are blowing away all the mobsters in old San Francisco while being harassed by his superior officer Hal Halbrook. Not only that, but there's folks trying to rob stores, hijack planes, one of his buddies is going a bit mad, that guy's wife is hitting on Harry and his Chinese neighbour is looking for a bit of filthy squeezy. Where does a guy find the time? Harry does somehow (although the neighbour would have gone right to the top of the 'to-do- list for me). Even when the guy's trying to grab a burger he ends up pretending to be a jetliner pilot so he can plug a few holes in a hijacker.

There's not too much of a plot for this one (the film doesn't need one) – You can solve the mystery of who's behind the killings in about five seconds, but what you do get is loads and loads of bad guys getting what they deserve one way or another, and Harry almost, almost sympathises with the killers. But then doesn't because he's Harry Callaghan and states clearly that he does thing his own way. Because he's Harry Callaghan. And he does things his way. Because he's Harry Callaghan.

Also starring the guy who ate baby food in Robocop and David Soul. Loads of gunfights in this one. Maybe a little overlong, but who cares

Clint's Back!...Errrr....Dirty Harry's back I mean. Two years after the successful DIRTY HARRY comes its first sequel. Here, someone is out there killing all the city's dirtiest criminals. Soon enough Inspector Harry Callahan is on the case with his new partner Early Smith (Felton Perry).

Really gets a strong 7 out of 10 from me and has some great memorable scenes like the original, but it does bring some problems. Like the film does seem to go on for a little long after the biggest surprise is revealed. So the film may work better as a deeper look into Harry Callahan and his further thoughts on justice or injustice than it being looked at as a mystery which it pushes itself as. For there are way too few possible suspects especially when you watch the killer and his face.

Like the original a spectacular score from Lalo Shifrin and really some pretty good actors in supporting roles such as Hal Halbrook as Harry' boss Lt. Briggs and four new cops to the force in David Soul as Davis, Tim Matheson as Sweet, Kip Niven as Astrachan and the late Robert Urich as Grimes. Written by Michael Cimino and John Milius (who did uncredited work on the screenplay from DIRTY HARRY). In the end though, if you enjoyed the first one you will likely enjoy this one too. Followed by THE ENFORCER.

Second outing for Clint Eastwood's anti-hero is an absorbing thriller, let down by some sloppy characterisation and the lack of a killer (no pun intended) scene or even iconic dialogue. It starts off poorly with the title credits lamely played over an almost static shot of the title weapon (very "Sledge Hammer") but once we get past the token scene reminding us of Harry's "shoot first, ask questions later" policing policy, the main plot strand about an internal police death-squad violently taking out known felons dominates the film.

There are some humanising touches around Harry's character, although these stereotypically show him as irresistible to women, rebellious to authority and almost friendly and caring for his young black sidekick, so that nothing new is revealed about what makes him tick. There is something condescending about the treatment of these supporting characters, especially the portrayal of Callahan's young Oriental neighbour who despite hardly seeing him around, seems desperate to jump into bed with him.

Better to stick with the action of which there is plenty. There's intrigue as Callahan's instincts lead him to find the true identities of the assassination bureau and a good twist as their ringleader emerges from the shadows.

The acting is mostly fine, Eastwood naturally dominating in his typical laconic manner. Hal Holbrook is also excellent as his testy superior and David Soul shines in a pre-Hutch role. Ted Post directs with some flair with some blunt lapses while Lalo Schifrin contributes a typically gritty soundtrack. The film makes its main point about the dangers of vigilantism and cleverly uses Harry Callahan of all people as a counterpoint to its proponents.

Some might argue as to whether all the violence was necessary and I felt the grisly death of a black prostitute bordered on the gratuitous but on the whole this was superior cop-fare and a good sequel to the trailblazing "Dirty Harry".

Ted Post directed and John Milius and Michael Cimino wrote this first sequel to Don Siegel's classic gritty police drama, Dirty Harry (1971). Magnum Force (1973) is not as near as effective or powerful as the first and original film, but this sequel is watchable and has its merits, too. Harry is now investigating strange killings of criminals, pimps, dirty politicians and others, so the killer is killing "bad guys" this time. Harry starts to investigate the cases, and he has his doubts about all this. Then the truth is revealed and also, unfortunately, spoilt in most of the reviews and comments I've read.

Harry has again his usual opponents, mostly his colleagues and superiors who don't accept his tough style. Harry wants to do justice, but by using his own ways and moral. If talking doesn't help, then the magnum .44 will. I don't think this or the first film are fascist, but realistic and honest, and extremely bleak depictions of world and society which is more or less collapsing because of its inhabitants. This film manages still to tell something about that, but the next sequel, The Enforcer, is pretty lame in comparison.

Magnum Force has pretty fat plot and many different characters and sub plots, without being too confusing. Towards the end, the film becomes perhaps too predictable and unbelievable, and I think the ending should have needed little tightening. Now it is little unnecessary shoot outs and nothing else. The film runs two hours, which is the longest running time in the "series", but still this manages to interest and even surprise, but if they had finished the film some 20 minutest earlier, this would be even more noteworthy film. Now it has nothing too important to offer during its finale, and so the finale becomes little unnecessary, in my opinion.

As an action film, this is pretty exciting and shot with talent. The action scenes are often fast and full of gunpowder and fire, so director Post can surely direct with skill. The film is pretty brutal and violent at times, and this again shows the fact that films this gritty and violent are not made in Hollywood nowadays, at least not too often. Magnum Force is much more easier and "positive" film than its predecessor, and that's why it hasn't got so many things to offer and give. This is pure action film where the first film was also many other things, too, like social commentary and talking about things many would not want to talk about. Magnum Force gets 7/10, but fortunately still has its positive things and even little bit of the power that made Dirty Harry so immortal.

After a known criminal, with clout over the city, manages to escape the punishment of the law, he and his partners are gunned down by a vigilante dressed as a cop and with a .44 Magnum. Drawn to the case Infamous San Francisco Detective "Dirty" Harry Callahan starts to investigate as the vigilante continues to take out criminals citywide. Soon there are suspicions that the criminals are getting their information from inside the police force.

If there is one actor that can be plainly badass, macho, and tough in the most stereotypical way without making a fool of himself, it's Clint Eastwood. Never has an actor been so plain and stoic, yet so entertaining and funny at the same time. That's because Eastwood knows his limitations and, as a result, never becomes totally ridiculous. Whether he's dropping one liners, shooting his cannon of a revolver, or mysteriously seducing women with no effort whatsoever Clint Eastwood just plays it cool. Steve McQueen also managed the same with his classic "Bullitt" and Dirty Harry uses essentially the same formula, but it does it well with its own unique spin and style. Also Clint Eastwood has lived well past McQueen's early death so his films are more prevalent in the current movie mindset.

The film isn't quite perfect and there is one sequence in particular - at the airport where Harry takes out two hijackers single handedly - that seems to be just there to show that Harry Callahan is a badass who makes his own rules and gets things done. Yet this scene does nothing to advance the plot. With the film clocking in at over two hours this could have easily been dropped. Along with a few trimmings here and there for a slightly brisker film.

That said, the movie remains entertaining and a good part of Eastwood's action era. --- 8/10

Rated R for violence