Le Flic ricanant

I just got back from San Francisco and decided to watch this again. To my surprise, I liked it much more the second time.

Make no mistake, this is not a great flick, but it is an interesting one. There are a ton of false leads in the beginning of the movie and we don't even get to the meat of the plot - the killer, for instance - until way into the running time. If you like logical and linear plots, this one will disappoint.

But there a couple of very good points. First, the ensemble cast is great. The range of characters keeps things interesting. Lou Gossett, Jr. gets a very meaty part before disappearing. Joanna Cassidy is also good in a brief role.

The highlight of the film is the relationship between Walter Matthau and Bruce Dern. Dern gets to play an early non-psycho but he is a total jerk. Yet by the end of the film you wind up liking him. Matthau is worse - he never smiles and is totally cut off from his fellow officers and his family. He can't even confront his teenage son. Watching these two make an uneasy truce and develop a relationship is what the movie really is about.

The bad news is that, except for the opening sequence, the action scenes are flat - not terrible, just flat. There are a lot of loose ends floating through the plot and characters disappear at random.

Perhaps most interesting is the parallel between this film's style and the Italian Giallo genre going on a the same time. The black gloved killer, the grim detective, even the plot holes would be right at place in an Argento movie from 1973, not a Hollywood film.

Worth two looks.

Admittedly, the pace of "The Laughing Policeman" is pretty slow, but this is a well plotted murder mystery that gets a lot of juice from the marvelous chemistry between investigating detectives Walter Matthau (as Jake Martin) and Bruce Dern (as Leo Larsen). The supporting cast is likewise excellent and full of familiar faces. Producer / director / uncredited screenwriter Stuart Rosenberg makes great use of San Francisco locations, and keeps viewers intrigued with the police procedural aspect to the tale. The violence is pretty potent, and there's a certain amusement in seeing detectives Martin and Larsen work their way through the seedier environments of SF.

As the movie opens, a cop named Evans (Anthony Costello) follows a man named Niles (Louis Guss) onto a city bus; soon, a character known to Niles gets on board and pumps several passengers full of holes, including Evans and Niles. Martin, who happened to be Evans' partner, gets newly paired up with Larsen to work the case as their superior (Anthony Zerbe) demands results.

What's a joy here is seeing this cast at work. Matthau and Dern contrast nicely; what we come to know about Martin is that despite having a home and family, he's pretty much devoted to his job. Louis Gossett Jr. is fun as one of their colleagues; also making appearances are Val Avery, Cathy Lee Crosby, Mario Gallo, Joanna Cassidy, Paul Koslo, Frances Lee McCain, Clifton James, Gregory Sierra, Warren Finnerty, Matt Clark, and Wayne Grace. Albert Paulsen ("The Manchurian Candidate") has the most interesting role seeing that he actually has next to nothing in the way of dialogue.

The movie may get a little repetitive as it comes full circle at the end, but taking everything into consideration it's a good and solid example of its genre.

Based on the novel "Den Skrattande Polisen" by authors Per Wahloo & Maj Sjowall.

Seven out of 10.

In San Francisco, eight passengers and the driver of a bus are killed by a passenger with machine gun. Police detectives Jake Martin (Walter Matthau), Leo Larsen (Bruce Dern) and James Larrimore (Lou Gossett) find the body of Martin´s partner Dave Evans (Anthony Costello) among the victims. Lieutenant Steiner (Anthony Zerbe) assigns Larsen to be the new partner of Martin, who is obsessed by the murder of his former partner. He meets Evans' girlfriend that believed he was working in overtime with Martin. Now the detective is convinced that Evans was investigating the wealthy Camerero (Albert Paulsen), who was the prime suspect of a murder case two years ago.

"The Laughing Policeman" is a gloomy and gritty crime story with Walter Matthau and Bruce Dern in the leading role. The beginning is promissing with the massacre of passengers in a San Francisco bus. The pace is slow, and the plot is realistic, but dated. However, there are many parts that go nowhere, such as Larrimore with the pimp or the meeting with the Hell's Angels or the relationship of Jake Martin with his family. My vote is six.

Title (Brazil): "Matança em São Francisco" ("Slaughter in San Francisco")

This sullen, violent police drama is as detailed an investigation as you will find on film. The opening scene of The Laughing Policeman is extremely tense and sets the tone for a Dirty-Harry-style flick that delivers one of Matthau's moodiest performances. Basically, a mass murder takes place on a San Francisco bus, and we find out that a policeman was one of the victims. He turns out to be Matthau's late partner. Bruce Dern is assigned to be his new partner, working with Matthau, a conflict of interest, to find out why this SFPD detective was on the bus in the first place. Their subsequent relationship is a play the standard, portrayed in the Laughing Policeman as "mute cop/bad cop". So, teams of gritty cops (a young Lou Gossett) meander through the roughest neighborhoods of San Francisco bullying pimps, pushers, hip drag queens and sidewalking street-wheelers in an attempt uncover what turns out to be a very complex underworld fraternity. The purpose (seeing as this plays as a Matthau character study), to quell Matthau's melancholic contribution to this Dirty Harry spin-off. It is more violent and much more precise than Dirty Hary but not as entertaining. A must see, however, for all Matthau fans.

From a period before marketing departments and focus groups took over the movie industry and began pumping out formulaic happy-ended regurgitated baby food, The Laughing Policeman offers gritty urban drama, acted by the great character actors of the day, actors that filled out such classics as The Godfather, Dog Day Afternoon...

It's shortcomings are there, to be sure, but as a stylistic gem - as a sample of the type of movies they just don't or can't make anymore, it's worth watching. Matthau is as angry and as serious as you've ever seen him - a performance sterner that even the MTA traffic official in The Taking of Pelham 123.

There is no formula here - no overbearing Sargent hanging over the detectives, no goofing off in the office downtown to lighten things up. No romantic interest or hot sex scene crammed in between bullets.This is reality, harsh and complicated - if you can handle it, that is.