Ladies and Gentlemen: The Rolling Stones

The movie is of 2 performances in Fort Worth on 6/24/1972 (afternoon & evening), and 2 in Houston (University of Houston) on 6/25/1972. Of the 15 songs, 9 are from the Houston shows (5 from the afternoon show) & 6 from Fort Worth. The Houston afternoon show was my first concert, thanks to my brother (ticket price $5.50). You can tell the Fort Worth shows by the lights behind the stage that are aimed at a high reflecting fixture above and in front of the stage which would bounce the lights onto the stage. Hofheinz Pavilion's ceiling in Houston was too low for this setup, so you have the basic light setup for the time. Seeing the Stones 15 times, this was the only time I saw Mick Taylor play with them. His guitar work on Love in Vain and Gimme Shelter is great, and the way the guitarists lock in together on Tumbling Dice and Rip This Joint is something to see. Other highlights - the energy of the show opener Brown Sugar, Keith on Bye Bye Johnnie, Mick's confidence on Street Fighting Man, Charlie Watts & Bill Wyman throughout, the horn section (both Texans), and Nicky Hopkins (you can hear him once in a while in the film - live, he was pretty drowned out). I also think Ian Stewart is at the piano for Brown Sugar. Anyone interested in the Stones should see this film. A great band at a critical time.

The Stones at their amphetamine-and-heroin-fueled best, tearing through half of "Exile On Main Street" and selected other favorites on the Texas leg of their infamous 1972 tour. With their sound fleshed out by sax, trumpet and piano, and their musicianship raised by the addition of virtuoso blues man Mick Taylor, "Ladies and Gentlemen" offers definitive versions of "Love In Vain", "Sweet Virginia", "Jumping Jack Flash" and other Stones classics.

Taylor's remarkable slide guitar playing on "Love In Vain" convincingly mimics harmonica and train whistle to great effect. A couple of tunes don't quite work: "You Can't Always Get What You Want" in particular is too slow (drummer Charlie Watts could never master its shuffling rhythm and the Stones' producer Jimmy Miller actually plays on the record) while Taylor seems out of his comfort zone on his solo. But on "Midnight Rambler" - for years the centerpiece of Stones shows - the whole band returns to form with a blistering 11+ minute mix of Robert Johnson and Jack The Ripper. The widely-bootlegged Brussels '73 show might be a better performance of "Rambler", but here the visuals of Mick Jagger's showmanship before he became a self-parody carry the day.

The camera most often sets its sights on Jagger (indeed the film could've been accurately titled "Ladies And Gentlemen: Mick Jagger and Seven Other Blokes"), though you get glimpses of Keith Richards playing band leader and Watts having a smashing good time pounding his skins. No playing to the camera, and no silly crowd shots. All in all, LAGTRS shows a band at the top their game - both believing all the hype and committing themselves to going to an even higher level.

Forget Hyde Park, forget Altamont: if you only buy one RS live performance, it must be Ladies and Gentlemen. Here is a band at the peak of their prodigous powers, consistently rocking on every number across a veritable feast of classic tunes. This 1972 film captures the band in fine fettle in Texas on their Exile on Main Street tour. It is a straight show, no backstage footage, no interviews, no filler, no lame alternate versions, just straight forward rock n roll.

Why this film has never been given an official release is beyond me. It is long overdue for release. Instead the public are treated to turkeys such as the Hyde Park show.

If you're a classic rock fan and haven't watched Ladies n Gentlemen, get a copy, you won't regret it.

Excellent! This is the concert film with the Stones. It is a mystery why this film is not officially released. I've always been disappointed with the Stones live films. I've never understood what made people rave about why the Stones were so great live. Look to "The Stones in the park" 1969 or the horrendous "Let's spend the night together" 1981 and you'll see my point. However for this tour, the Exile on main street tour, they seem to up the ante. Everything seems to click. The Stones, a tight unit! Live playing, records, coolness, image, this is where they reach their zenith. They have just finished the four best records of their career and are really flying. It's hard to understand why they are so good here and so unbelievably under par before or years to come. Maybe it's the drug use? which in Keith Richards' case, really started to escalate from here on. Maybe it's because Mick Taylor really found his groove with the band? I don't know, but it's a crying shame that this feature hasn't been released with restored sound and pictures ala the excellent "Gimme shelter" DVD. If you really want to know what The Stones could be capable of at the peak of their career, get this film one way or the other!

1972 shows the Stones in their PRIME. The actual "stage show" is not as good as 4 Flicks but the playing is incredible.

The entire band is awesome. Mick Taylor steals the show (as he did throughout 1972-73). Highlights for Mick are Gimmie Shleter, Love in Vain and YCAGWYW. His solos are beyond belief. At this point Mick Taylor was probably the most fluid, brilliant guitarist in ALL of R&R.

Keith has moments as well. Bye Bye Johnnie is fantastic. Fans that are familiar with the recent Keef will be surprised how well he plays (without the sloppiness of recent years). He also does not cut corners in 1972. Listen to all the detailed chords he hits (for example on Tumblin Dice) vs 4 FLicks.

The only negatives: all the songs are played faster than normal and the set list is short.