Ivan Vassilievitch change de profession

Shurik (a character in several other comedy films) is experimenting at home with an invention which goes wrong and puts him, a passing burglar, and the apartment supervisor back into the time of Ivan the Terrible. There are a lot of chases and action, so you can still enjoy the film even if some of the Russian dialogue passes you by. Good views of several historic buildings, and an insight into 1973 Moscow as well as a bit of a history lesson. Not all Russian films are doom and gloom.

For those Americans who cannot understand the movie and appreciate it entirely, I suggest that you watch it for its visual value. I myself have moved out of Russia when I was 7 so I did not get to study the history culture and language of Russia that much, so movie like these I use as an educational tool. I've learned a lot about the clothes, speech, and history from this movie than I did anywhere else. My heart is more in this than perhaps yours might be, but educationally this film is worth it, as well as providing humor and fun. It's not a preachy, soapy, cramped kind of comedy. It is fast paced, energetic, and fun.

This is one of the greatest comedies produced by the Soviet cinema. It continues to be hugely popular among Russian speaking people (who have all seen it). Even if one does not understand any Russian, the movie is quite watchable in subtitled versions.

The plot itself is a rather standard one about ordinary guys thrust into a strange culture with action and adventure. What makes the movie special is superb acting, witty dialog, good pacing, and engaging music.

This movie deserves a place along side other action-adventure comedies such as The Princess Bride.

This film is not only very funny, but also the product of a deep knowledge and love of classic Russian cinema. Some cadres are clearly inspired by Eisenstein's Ivan the Terrible, part I (Ivan Vasilevich looking from the window, Ivan Vasilevich sitting with the scribe) and their presence in the comedy context (in a world turned upside-down, as Bachtin would have it) is the silver bullet that provides laughter and delight to the intellectual as well as to the unsophisticated viewer, who may be content with recognizing on the apartment's wall a reproduction of Repin's "Ivan Grozny killing his own son". Building on this, Gaidai displays his own masterly craft: he can make you laugh with just one word (Tsar Ivan looking at contemporary Moscow - devastated by modern buildings - and bursting out "Beauty!"). Great acting by everyone, Miloslavski (Leonid Kuravliov) being my personal favourite.

I own two copies of this film, one purchased in Russia (no subtitles), and one I've acquired recently to show it to my wife with subtitles. She wasn't very excited about Russian cinema, she isn't a film person and hates to read subtitles, but this time she gave in.

As many reviewers mentioned before, majority of the humor relies on the verbal misunderstandings between the characters from different time eras, that of 1500's and that of 1970's.

I've paused the film no less than a dozen times to explain such details as the meaning of world "liapota," it being the ancient word for the modern equivalent of "beauty," and to explain Visotskii's (a Russian singer whom Ivan the Terrible listens) lyrics. Also, there are many little social comments that those who haven't lived in, visited, or studied Soviet Union wouldn't understand completely i.e. the obvious ridicule of the "social reports" and the black market commentary.

Nevertheless, she liked it, and I was dumbfounded.

This film is popular and remembered because of its many layers. You may enjoy it simply as slapstick, someone else can view it for the language, while yet others can view it as a social commentary. It adds up if you know the Russian language and history, but even if you don't you will still find it funny and charming because there is always something to take away.