L'évadé de l'Île du Diable

I saw this way back in 1983 when it was shown late one night on television , and I`m talking network televison in those days you didn`t have satillite or cable at least not in Britain where we were confined to a total of 4 channels. And the most shocking thing was that it contained very strong language , back then very very few films shown on television had swearing left intact but here it was untouched which was amazing when nearly every sentence contains the word " F*** " though much of the gore and gay sex seems to have been edited ( And badly edited at that ) for transmission especially a shark attack scene where it cuts to a shark fin then cuts to a man waving his bloody stump at the camera then cuts to a couple of fingers floating about the water , very strange and I ESCAPED FROM DEVILS ISLAND also has that low budget production value feel seen so often in video nasties that I can`t help feel that it in unedited form it would would be classed as a video nasty .

Despite its flaws it`s a lot of fun , I can put my hand on heart and say I enjoyed it far more than PAPILLION and we get to see a sadistic guard who calls homosexuals bad names while twisting their nipples . Can`t get more sadistic than that

I saw this at 1 am Saturday on this TV out of Indianapolis and couldn't tape, tiVO or DVD it, so I stayed up to watch.

I liked the rough, LOW budget Corman style of this movie without the "composition and mannered shots" of the big budget Papillon with McQueen and Hoffman.

You could feel the roughness, smell, and atmosphere of being in prison in the middle of nowhere. The pig skinning was very realistic as was the language and full nudity.

This is not Camp Granada.

James Luisi goes on to become the constipated Lt. Doug Chapman in Rockford Files and Christopher George becomes an action cop on Hawaii five-O.

James Brown is the lead, but absent in the top of credits on IMDb, and Corman utilizes this low budget action star who was in many low budget films to interesting effect.

The guards, the brutality, the hopelessness... are all there in the French prison.

It almost feels like a documentary through the kinetic energy and cutting of the movie.

I really like Corman's attitude of "get 'er done" way before it became a catch phrase.

Enjoy.

Not a totally wretched film, as I had expected, but pretty boring nonetheless. Should actually be "We escaped..." since its Jim Brown, Christopher George, and a couple others that do escape [no spoiler, it happens, without incident in the first 30 minutes]. And what I really mean by that is that its difficult to tell [until the bitter end] who the focal character was. Has some interesting Marxist/Communist subplot, that gets buried under the rug after they escape. Let's see...you also get a really disappointing Shark attack, a leper colony cameo, Jim Brown falls in love[!] and an exotica Les Baxter score! Looks like it was filmed in Mexico by the Cormans.

So basically, the title gives it all away. Interestingly enough, check out director William Witney's career! Geez! and Darktown Stutters!!! Well, why couldnt he have made this that fun?? I escaped from Colonel Sander's Chicken Fryer?!?!

If they had released this movie in Britain, it would have likely become one of the infamous video nasties. It has all the elements: low production costs, natives in various stages of undress, animal abuse, shark attacks, cannibalism, torture.

It just didn't really cross the line, however. The torture was not overtly explicit, the cannibals were never shown eating their victims, the undress was not excessive.

If it had come out a month later and starred Steve McQueen and Dustin Hoffman, instead of Jim Brown and Christopher George, they might have named it Papillon, and given it an Oscar or Golden Globe nomination. But, this is a Roger Corman production, so it is the R rated version of Papillon.

Paul Richards, as Major Marteau, the head of Devil's Island, gave the best line after they tortured a woman to get information on the escaped prisoners: "She doesn't know any more. Anything else would be lies." He knew even then the uselessness of water-boarding.

Great ending!

Straying from his usual racially-driven blaxploitation, Jim Brown in I ESCAPED FROM DEVIL'S ISLAND is not only pure exploitation, attempting to bank on the popularity of the novel turned adapted motion picture PAPILLON about a French prisoner who escapes this movie's titular island, but it's practically an outright remake...

Jim Brown has the Steve McQueen part, strong, brave, and escape-minded while the weak-link Dustin Hoffman sidekick part goes to Christopher George, a passive progressive that Brown has to carry (while semi-strong arms Robert Phillips and James Luisi both fill Woodrow Palfrey's middleman shoes), and, starting from the beach-set makeshift prison, where brutal guard Richard Rust (UNDERWORLD USA) reigns, there's even a resilient homosexual escapee...

The budget is excruciatingly low, almost a no-budget indie, resembling more of PAPILLON author Henri Charrière's 1971 heist-flick THE BUTTERFLY AFFAIR, each being nearly impossible to see the actors or their actions at night -- although much of this initial escape's under bright sunlight, lying on familiar makeshift-coconut rafts: which ends the McQueen feature and is the center-piece here (meanwhile a stock footage manipulated shark attack is included)...

Thereafter, much of the rather sluggish adventure takes place in what's intended as the jungles of Venezuela (actually shot in Acapulco, funded by producer Roger Corman) where, like McQueen, Brown's given his own Indian girl for sex and a cozy hut... even better than the criminal life in homeland France, which -- during the 11th hour at a colorful carnival - only Christopher George yearns for, but not without Brown's further assistance, doing his usual action-blasting thing, and even a nostalgic football tackle in what seems more fun to have filmed than to actually watch -- after all, who wouldn't rather work in the tropics than the slums?