Tout, tout de suite

This film is a perfect example of the Jamican city struggle, this film is a real depiction of Jamaican people. Technically it is poorly shot and edited, but if you can look past these issues you will have a greater understanding of Jamaican people, the struggles faced and a realization of how the ghettos developed. I lived in Kingston Jamaica in the 80s as a youth, through innocents I loved every part of Jamaica the music, food, people, beaches and weather but not the history or politics which a later learned more about. Jamaica has developed a society through mislead innocents of the youth, selfish politicians who cared for money and power created what Jamaica is today. Imagine coming in from the country as so many did in the 60's & 70's and learning the only work you could find was selling drugs or robbing, Oh no you wouldn't do that? but when a human being begins to starve they will do almost anything to survive it is instinct. This movie is about exactly that survivalist instinct and tendencies.

Ivan is a country boy in Jamaica who comes to see his Grandmother and `make it big' by recording a record. However when he finds himself exploited by a record producer he turns to drug running to make money. When he kills a cop who is in on the trade he goes on the run and finds fame as an outlaw standing up against `the man'.

I first saw this in a cinema in 1995 and it was fully subtitled, I watched it again last night and it had no subtitles. It was slightly hard to follow some of the very thick dialogue so I suggest if you have the choice that you go for the subtitles unless patwa is a very familiar dialect to you.

The plot takes swipes at the exploitative music business but also the nature of celebrity and the problems of drugs. However at it's heart it's a reggae gangster movie that is gritty and enjoyable. The story is involving but really it's the detail of the setting that carries the film. The camera allows a great sense of place and really captures the mood and place well, using crowd shots and wandering shots to music. Really the best scenes are all natural as music plays in the fore ground.

The music is one of the strongest aspects to the film – where the gangster element is sprawling and relaxed, the music allows us to accept this whole chilled out vibe as just part of the film. The cast also helps greatly by being very realistic without much effort, not trying to make the accent easier is a brave move if you want to sell the film! Cliff is easily believable and very watchable, likewise almost all the cast are great – many not being actors.

Overall the plot may wander in the way only a Jamaican can! But the music and the vibe more than make this a cult film that is well worth watching whether with subtitles or not!

I think "The Harder They Come" has been cut and re-cut many times over the years. I saw a current version of it recently, and it was not the same film I saw in 1972. There were many scenes I recall that were missing. I suspect no one commenting about the film on this site has seen the original 1972 release.

I have read that it was originally a revolutionary film, but was reduced to an anti-drug cliché diatribe through much re-editing.

When you saw it, did you see the following two things:

(1) On two occasions, when Jimmy Cliff's character got caned, they showed him stretched over a barrel with his penis hanging through a hole. Then he lost his water when the policeman hit him. They showed a close up of his penis hanging there with water coming out.

(2) When his character's new record became popular, a scene with a highly effeminate DJ, who used "love" and "lover" in every sentence, taking a telephone request for the record. "Hello Lover, this is Bob's love line. What do you want to hear, Lover?" Or some such.

I did not see these scenes when I saw the film recently, and I am sure there must have been many other things that were not the same as in 1972 original.

Does anyone know how to obtain and authentic 1972 version of this film?

Mike

I have always listened very much to all kind of Reggae(also ska and rocksteady) and the record "The harder they come" is one of the best record's ever. So I had really looked forward to see this film. First off all I must say that the songs are fantastic in this film with songs like for example: "Rivers of babylon", "Many rivers to cross", "Sitting here in limbo" and of course the title song.

Jimmy Cliff stars as Ivan, a country boy who comes to the big city looking for fame through music but is forced to become a "rude boy" and it will have big consequences. The film maybe is not a masterpiece but the music is and I thought it was so very funny to watch a film from Jamaica.

This is also one of the biggest cult classics ever and it is very entertaining. The ending is pretty amazing. The acting by the great singer Jimmy Cliff is actually good, and the rest of the unknown cast is also good. This film is a MUST-SEE! My rating would be a 8 or a 9/10

Though the low budget of this film is obvious, it is an amazing story, nonetheless so because it's based on a true one! It's also sometimes quite beautifully filmed.

What seems like it will be a simple country-boy-makes-good-in-the-city fairytale turns into a darker story of ego, searing poverty, class warfare, and a lust for fame. At first we're drawn to the Ivan, then gradually repulsed.

The compelling plot is built on a fantastic set of characters that weave a chillingly accurate portrayal of Jamaica in the late 60's -- a tapestry of desperately poor but infinitely resilient people.

To those IMDb reviewers who thought the story immoral - would you say the same thing about Bonnie & Clyde, Scarface, or Cagney's Public Enemy? This movie examines the effect of despair, desperation, and ambition. It's not a fairytale -- grow up.