Dracula et ses femmes vampires

Leave it to a film class student to come up with a ridiculous, negative review (see below)! The Dan Curtis _Dracula_ was the first version to add the variation of the long-lost love angle to the traditional vampire story. Curtis's variation seems to have worked; it's showed up in several other later versions. What's more, the adaptation of Stoker's novel "feels" right and is very faithful to the original. Jack Palance, far from looking constipated (see review below), brings an eerie ambiguity to the film with his odd expressions--is he in pain? Is he sad about what he does? We don't know, and that makes the film worth seeing again and again. As in Curtis's well-known series _Dark Shadows_, the suspenseful music (by the marvelous Robert Cobert) is made to tell a great deal of the story. And as always, the music fits the images like a glove. The supporting actors are _all_ fabulous--I'm a big fan of Nigel Davenport. And now that the film is available on DVD, one has a greater sense for Curtis's grand visual style. In short, this _Dracula_'s a keeper, one of the really great versions of Bram Stoker's wonderful novel.

This film is by Dan Curtis--the man most famous for bringing the world the TV show "Dark Shadows". However, following this show, Curtis made several excellent monster films--such as this Dracula as well as Dr. Jekyll and Mr. Hyde.

I admire this film for trying to be different. Jack Palance as Dracula?! Well, it does work provided you are willing to accept a Dracula that looks and acts NOTHING like the one from Dracula (1931) or Nosferatu (1922). Instead of the monstrous Dracula or the weird Dracula, this Dracula is a combination of the vampire and the real-life Vlad the Impaler (who was named "Dracula"--literally, "son of the dragon"--a 15th century maniac who fought against the Muslim invasions of Europe). And, because it is so different, it does work. While not "earth shaking", it is very satisfying and fun to watch. After giving this a shot, also try to find a copy of Palance's earlier DR. JECKYL AND MR. HYDE. They're both pretty good.

By the way, look as Van Helsing is sinking a stake into the vampiress' heart late in the film. When she screams, you can clearly see several very modern fillings in her teeth.

This seldom-seen, seldom-discussed Dracula film is all in all pretty entertaining. It is a fairly faithful adaptation of the Bram Stoker novel, although it integrates the Vlad Tepes myth into the storyline as well. One definitely can see this film being an inspiration for Francis Ford Coppola's trashy film of the 90's. Jack Palance may not have been the best choice for the role of the toothsome lead. He does overact with his somewhat ludicrous sneers and temper tantrums, but that not withstanding the rest of the cast is quite good(all of them British coincidentally) with Nigel Davenport standing out in a Van Helsing role which I wish had been bigger and Fiona Lewis just being scrumptuous! Dan Curtis does a very competent job directing and the sets, costumes, props, etc... are lavish and beautiful. This is certainly an interesting film to see in the long line of Dracula films made.

Bistritz, Hungary, May 1897: Natives in Transylvania seem afraid when they learn solicitor Jonathan Harker (Murray Brown) is going to Castle Dracula.

Who thought that Jack Palance would make a good Dracula? Clearly director Dan Curtis, who had previously worked with Palance on "The Strange Case of Dr. Jekyll and Mr. Hyde", saw the potential. He has a very distinctive look, different from what might be called a traditional vampire look. And yet, Palance is amazing.

The rumor is that Palance turned down offers to play Dracula again. True or not, it would be no surprise if he received such offers -- his performance is incredible, and he really threw himself into the role. (He reportedly said he felt that he was "becoming" Dracula more than he wanted.)

The director? Dan Curtis. Already famous for "Dark Shadows", he would go on to become legendary. This film played no small role in that. Curtis is a horror legend that we were unfortunate to lose. Along with Bob Clark, these two directors came from a generation we cannot replicate.

"I Am Legend" novelist Richard Matheson co-wrote the script with Curtis. Matheson may be the greatest horror screenwriter ever, having done a fine job adapting Poe stories for Roger Corman, among others. While many adaptations of Dracula have been written and filmed, Curtis and Matheson still found a way to make the story fresh and new, focusing on a love interest that is not present in the source material.

All in all, this may be the best adaptation up to that point, most likely. A bold claim given the dozens of versions from Bela Lugosi to Christopher Lee and beyond, but Palance delivers and the costumes and scenery really set the tone. Francis Ford Coppola's "Bram Stoker's Dracula" (1992) is now the benchmark and overall superior, but even that does not match this film's tone.

MPI released the film on DVD in 2002 and again on Blu-Ray in 2014. The difference is unclear. If the picture and sound have been improved, the package makes no mention of that. The running time is decreased from 100 minutes to 98, which is probably a print clarification rather than an actual cut. The Blu-Ray adds outtakes and TV cuts, as well as a French audio track. Apparently, however, the French subtitles have been removed (or they still exist but are not worth mentioning). Both feature vintage interviews with Jack Palance and Dan Curtis.

Generally speaking, Blu-Ray releases are superior to older DVD versions. And if you own neither, the Blu-Ray is the only choice. That being said, if someone already has the DVD, an upgrade may not be in order... this is not a "special edition" and fans will gain little by buying the film again.

Other fans of DARK SHADOWS will recognize the lost-love element as having come from Barnabas Collins' tragic situation in that series. It adds a magnificent new element to the Dracula story without diluting the original. Bob Cobert's music, also familiar to DARK SHADOWS fans, is the perfect accompaniment to the tale of the vampire count. I have watched this numerous times since it became available on tape.

The various film adaptations of DRACULA have covered probably most of the ways this can be interpreted, from implied sexual perversion (1931), raw sexuality (HORROR OF DRACULA), flagrant, swept-off-one's-feet romance (1979), to historical retrospective (1992), to modern revisionism (2000). This film takes elements of most of these in a neat TV package with an appropriately British supporting cast.

Watch every version anyway; Dracula is a unique addiction!