Dr. Jekyll and Mr. Hyde

Certain roles, like Hamlet, Ebenezer Scrooge, and Dr. Jekyll, are continually redone. Usually it's because big stars wish to show off their acting chops and play these iconic roles, and no matter how many times we've already seen the story, we usually flock to the theaters and support our favorite leading men. The only versions of Robert Louis Stevenson's story Dr. Jekyll and Mr. Hyde I've seen are the ones starring Michael Caine and Kirk Douglas! Where my celebrity boyfriends go, I go.

In this television musical, there's a juxtaposition of two very different movies. One movie is a classic adaptation of the spooky drama in which a respected scientist takes his experiments too far and transforms into a monster. The other is a very silly musical with very silly songs. As the music and lyrics were written by Lionel Bart, of Oliver! fame, you might think the contrast of a very dark story with silly songs might work out. Unfortunately, in this case, it doesn't. As hard as Kirk Douglas tries to inject a little class into the movie, he's given such lousy raw materials to work with, there really isn't any chance that the audience can take the movie seriously. The opening song, in which passersby believe Dr. Jekyll to be a man of good character, is pretty cute. But, after you've heard the last chorus of "Whatever it is, whatever Jekyll's doing, I'm sure it's something very, very good!" you've heard the last cute song. The rest are so silly and simple they just might turn you into your own version of Mr. Hyde.

With the death of Kirk Douglas a couple days ago, I was in the mood to watch one of his films. However, I've seen most of his work and so after a bit of research I found something I haven't seen...nor knew that he ever made in the first place. It seems that back in 1973, he starred in a made for TV musical version of "Dr. Jekyll and Mr. Hyde"! While this sounded just dreadful, it did make me curious...and when I found it on YouTube I knew I just had to see it.

Before you decide to watch this one, there are a couple things you should know. Even for YouTube, the quality of the print is simply awful...so bad that a sane person probably wouldn't bother--which says a lot about me! Also, there are blank gaps in the film where the commercials used to be...so be sure to speed through them.

So is the film good? No. While the sets and costumes are lovely, the music really didn't work. The songs weren't very good (why a song all about bicycle?) but also it seemed strange having Douglas in the lead singing most of the songs as he really didn't have a great voice. Why not pick an actor with a strong voice, such as Gordon MacRae or Howard Keel? I also couldn't understand why they didn't stick closer to Robert Louis Stevenson's novel? The original motivation for the Doctor's work was to unlock the dark side of a human being....here he's a neurologist who is trying to cure insanity. Why the change? I also thought the makeup to make Jekyll become Hyde was cheap and silly--mostly just cotton stuffed in Douglas' mouth! It made me laugh when folks didn't recognize him...when he simply looked like Jekyll with mumps! I also laughed when Jekyll keeps talking to describe EVERYTHING he's thinking and doing...didn't this seem awkward to anyone when they did it?

Overall, this is a silly and misguided film project. Good for a laugh...and not much more.

If `Oliver!' was Lionel Bart's `Sgt. Pepper,' then `Dr. J & Mr. H' was his `Let It Be.'

But I don't blame him nor the brilliant cast for the dullness of this made-in-the-UK-for-NBC production. It would never have been made in the first place if some ratings-hungry hack at 30 Rock wasn't desperate to sell an idea.

At the time PBS' `Masterpiece Theater' was scoring Sunday night ratings airing the opulent British costume serials then being made. Said hack had the idea of putting a famous Yank in that sea of British accents. They even made sure they cast Susan Hampshire, who was in just about everyone of those serials, plus some Brits the American audience knew from the movies (Donald Pleasence, Stanley Holloway, Michael Redgrave.) The guy from `Oliver!' has some other songs? And he's broke? Great! Get him, too! Have it ready by such & such date!

It was hyped to the nines in the U.S. media, only to crash in the ratings and the columns. I know of this only because of on-line research; I was fascinated why I'd never heard of such a teaming of talent. I even bought an old copy via eBay; I found myself yawning and fast-forwarding.

Apparently, great players alone don't make a team; the coach must know what he'll do with them. If they're going to play on their home ground, it helps if they play for their home crowd, too. (`Covington Cross' flopped for the same reason.)

This TV production did not have songs cut from Oliver, The score was to be an original by Oliver's composer Lionel Bart. Uncredited composers were brought in to "doctor" Bart's awful score. Certainly that horrid graveyard number with Jekyll playing a gravestone shaped like a piano has to be the worst moment in the film. On the other hand some of it is so unintentionally funny you end up enjoying it anyway. Kirk Douglas' performance is pretty good, his singing isn't. Still compared to the David Hasselhoff video of the Broadway musical this could be called a masterpiece. Maybe Jekyll and Hyde shouldn't be musicalized, or at least should be given to more talented creators.

It has always been my humble opinion that the best player in the history of the screen who could go quickest into a rage and convince you of it is Kirk Douglas. So the dual role of Dr.Jekyll/Mr.Hyde should have been a natural for him. And when it's strictly acting Kirk takes his place along side John Barrymore, Fredric March, Spencer Tracy even to the guy who created the role in the Victorian era theater Richard Mansfield.

But this musical adaption of Dr.Jekyll And Mr. Hyde fails precisely because of that, it's music. Lionel Bart who wrote so many good songs in the 60s for British pop stars and the score of the musical Oliver was in a lot of financial and health problems. The story goes that Bart opened the trunk and provided a lot of previously unpublished stuff for the score. It hadn't been used because it wasn't that good.

Can't critique the cast here though only Stanley Holloway as Poole the butler could be properly identified as a musical performer. Kirk Douglas had sung on the big screen previously in 20,000 Leagues Under The Sea and Man Without A Star, but he had better material there. Donald Pleasance is his usual slimy self as the man from London's underworld who discovers Douglas's dual nature.

The women in the story no matter which version also emphasize the dual nature. Susan Hampshire is the daughter of Michael Redgrave who Douglas courts as Jekyll. But it's Susan George as the music hall performer who Hyde wants to make his love slave.

I wish Kirk Douglas had done a straight dramatic version, it would have been better received.