Doctor Death: Seeker of Souls

If you are like me and grew up in the 1970s watching horror movies and Creature Features on TV you will love this movie! This was "lost" for years, never played on TV and barely got released to theaters. Odd because this was released by Cinerama (Bing Crosby owned this company --and they released other movies like "Willard" ) so it should have been more well known than it was. I won't tread through the plot again, but if this movie had big name stars and a big budget it would play like a classic Hollywood horror movie from the 1940s or 1950s. It's clear that the director loves the horror/thriller genre and it shows. I expected this to be like an average A.I.P. "Count Yorga" movie--but "Doctor Death" is a notch above. The photography, music, lighting, sets, acting and pacing are above your average 1970s pot-boiler. Remember Warren Publications ? They did the Creepy, Eerie and Vampirella magazines in the 1960s and 1970s. This movie looks exactly like one of their magazines made flesh by cinema. I actually cheered and applauded at some of the scenes in this movie and would LOVE to see this in a theater full of horror fans. The DVD has a amusing commentary track by "Doctor Death" himself and a moderator that is a true horror buff --so this guy asks all the right questions about the history and background of the film. Just perfect. "Doctor Death" is not as scary as say "Children Shouldn't Play with Dead Things" , but is wildly colorful and fun!

The above quote is not from the film but from Emil Sitka, a veteran Three Stooges supporting player who saw this at a drive-in and thought he looked "rather pathetic". In his final film appearance and one of the few he made without his fellow teammates, Moe Howard plays an audience member of the title character's demonstration of transferring an alive woman's soul to a dead woman's body bringing the latter back to life. His quip, "She's dead all right, I couldn't feel-uh, I couldn't hear a thing!" sounded like a blooper the producers decided to keep in. It was a funny enough line. The rest of the movie seems ridiculous especially when the title character keeps failing to bring certain souls to a certain dead body but it's entertainingly campy enough to keep one's attention. So I say give Doctor Death, Seeker of Souls a look. P. S. It's also amusing seeing Leon Askin-the former General Burkhalter of "Hogan's Heroes"-as mute assistant Thor!

Do you have an appreciation for 70's occult horror movies? Do you like over-the-top performances by effeminate satanists? Do you like your horror movies to be more weird than frightening? .... If you answered "yes" to at least two of these questions, you will find Doctor Death: Seeker Of Souls more than worthy of an hour and a half of your time.

Doctor Death has spent the past several centuries hopping around from body to body and kissing dead women. So why should the 1970's be any different? Seriously, this movie belongs in the same category as "Manos: The Hands Of Fate" and "Dungeon Of Harrow" - all belonging to an ambitious class of horror movies that had dialogue, actors, and set designs that well superseded their meager budgets. You will definitely find much more to laugh at than to cover your eyes in fear from, namely the completely ridiculous performance by John Constadine who will keep your eyes and ears glued to the TV as inane words are spurted out of his hammy mouth.

The other thing to watch out for are some excellent character actors (some of whom were quite famous decades before this production began) scattered throughout the film. Yes, that is Moe from the 3 Stooges playing an extra as a volunteer in Doctor Death's audience. Florence Marly deserves a special mention for her alluring mysterious performance as Tana, the wife of Doctor Death.

This is one of those DVD's that should come with a pre-rolled joint included.

This is the only feature directed by a man who otherwise worked primarily in TV (mostly as an assistant director), and despite some gore, it very much feels like an early 1970s television project, with the same kind of flat lighting, compositions, scoring and pacing. (It's exactly the aesthetic parodied by the recent "The Love Witch.") The script is a jumble of illogical nonsense even by horror standards-it's one of those stories that falls apart the second you ask "Why didn't our protagonist just call the police when he realized murders were being committed?"-and doesn't seem even halfway convinced by its own feeble reincarnation hocus-pocus.

John Considine does clearly enjoy camping it up as the villain, and Florence Marly behaves likewise in her briefer role. But the other cast members play it straight in a dull, square fashion, as if they were guesting on some routine network TV series. The movie seems to be halfway making fun of its own grisly silliness, but it's a testament to the pedestrian execution there's not much fun to be shared in watching it.

Under-rated veteran character actor John Considine relishes a rare leading role in this thoroughly enjoyable horror film. He plays the title character, who over a very long period of time has perfected the ability to transfer souls from one body to another. He's sought out by lawyer Fred Saunders (Barry Coe), who just can't let go of his recently departed wife Laura (Jo Morrow). A problem arises: Doctor Death can't find a soul willing to reside inside Lauras' body, and unwilling to admit defeat, proves himself eager to commit murder in order to obtain fresh souls.

This whole idea of "selective reincarnation" is a cool hook for this movie. It's not anything great, but it is entertaining. This is basically due to the story and to Considines' wonderfully hammy performance. The filmmaking isn't anything special, despite the use of some amusing scene transitions. Considine really is the main reason to watch, although it's also fun to see Leon Askin as Doctor Deaths' mute assistant and Florence Marly as his resentful associate Tana. The ladies are lovely, also including Cheryl Miller as Freds' secretary Sandy and Sivi Aberg as the young soul recipient Venus. There's much ghoulish humour to be found from the concept of Doctor Death trying over and over again, in vain, to fulfill his mission. One delicious sequence has the theatrical Doctor Death relating his entire lengthy back story to the inquisitive Fred. And there is a priceless sequence of one victim watching a late night spook show (featuring TV horror host Larry "Seymour" Vincent as a killer) while being visited by the real life menace of Doctor Death.

Appearances by the legendary Moe Howard (as an audience volunteer) and character actor Jim Boles as Franz the caretaker further add to the overall entertainment value. Coe and Stewart Moss, who plays Freds' friend Greg, can't help but come off as dull when you compare them to the magnetic Considine.

Worth a look for lovers of 70s horror films.

Seven out of 10.