Seven

It's kind of daring, making an action flick that's defined by quirky personality over action or plot. Each killing that opens the film is performed in a unique and unusual manner; each antagonist to whom we're introduced has some special trait or style; each hand-picked "good guy" to whom we're introduced is larger than life and has some particular defining characteristic. All this, and the assemblage of the party, fills a bit more than the first third, but the "personality forward" ethos of the picture persists. The villains' scheme, as described by "kind of sort of" protagonist Drew, is indistinguishable from the modus operandi of modern political conservatives; we're assured within that first third or so the approach will continue through to the end, as our heroes apparently have a single half-hour window in which to neutralize each of their selected targets; and the reconnaissance and preparation that fills the second act is filled just as much with the same lighthearted soft focus of charismatic self-realization first, plot and action second.

And so it goes on down the line: women's bodies, gratuitous female nudity, cinematography, editing, acting, writing, direction, music, costume design, hair and makeup, stunts and effects, and more. If Steven Soderbergh's 'Ocean's eleven' series were about assassinations rather than heists, and if it leaned even more heavily into unabashed frivolity, it would look like Andy Sidaris' 'Seven.' For what it's worth, all this is actually is well done and entertaining, including those stunts, effects, and action sequences first and foremost, and even some of the music is a blast. The feature wants only to be a ridiculous romp, and it is most certainly that. Some facets are definitely a smidgen tiresome (would-be comedy never lands as well as it wants to), and others break with the general mirthful tone; it also never achieves any peak of humor or thrills. Still, overall it really is light, rather cheesy fun all of its own accord. As if filming in Hawaii and showing off the islands weren't indication enough, in every last contribution both behind the scenes and in front of the camera it's readily evident all involved were having a great time, and those feelings are ably passed on to the audience.

No one is ever going to confuse this movie for a must-see classic, but then, it also doesn't try to be. 'Seven' knows what it is, and it's happy to play in the space it has carved for itself. Within the last act we do get the promised action, and it looks terrific; the proceedings might never earn the laugh they want, but it's solidly amusing - and despite the cheeky attitude the title adopts from the very start, no one could ever accuse the participants of slouching with the work they turned in. Truth be told my expectations were mixed to low when I sat to watch, and I'm actually rather pleased with how good it turned out to be. Rounded out with unconventional stylization for the credits and any text to appear on the screen, this is even a tad clever in its own right. There's no need to go out of your way for 'Seven,' but if you do have the chance to watch and are looking for something fairly uninvolved, this is an enjoyable little lark that holds up reasonably well - and sometimes that's all a film needs to be.

The movie is a lot of fun with plenty of over the top and almost comical death scenes combined with wonderful scenery of almost every variety. William Smith, as good guy assassin team leader Drew Savano, was very likable with his ability of conveying a natural charismatic leadership presence. A quiet confidence, if you will. As more or less the leading lady Barbara Leigh was also good as the hot Alexa who has a pretty weird scene with the creepy "Hermit" played well by Veteran Reggie Nalder. Barbara by this time no longer possesses the transcendent beauty that she enjoyed in the Junior Bonner days, but is still a foxy lady in this one. The rest of the cast and story is also terrific which ads up to a fine "B' movie for Mr. Sidaris.

This was Andy Sidaris' second film, and it follows the formula for all the ones that followed: spectacular scenery, even more spectacular women in various and frequent stages of nudity, good action scenes, goofy humor. The plot is about seven mobsters who get together and decide to take over Hawaii, and the government agent assigned to stop them. It's good to see big William Smith playing a good guy, and he seems to be enjoying himself (there's one scene, apparently unscripted but which Sidaris left in, where Smith is sitting, clothed, in a shower room and a gorgeous naked woman appears out of nowhere, sits down next to him and stares at him; Smith obviously wasn't expecting it and bursts out laughing, then looks offstage and shakes his head, as if to say, "Okay, you got me"). The cast is stocked with veteran character actors--Nick Georgiade, Art Metrano, Reggie Nalder--and everyone seems to be having a good time. So will you. It's a fun movie to watch. Pick it up if you can.

The almighty William Smith stars in this ingratiating action flick from cult filmmaker Andy Sidaris, known to his fans for following an exploitation film formula to the letter. Bill Smith plays Drew Savano, a loose-cannon government agent who recruits a seven-person team for the purpose of eliminating the criminal element that are poised to take over the state of Hawaii. His team includes Alexa (Barbara Leigh, "Junior Bonner"), the Cowboy (Guich Koock, "North Dallas Forty"), T.K. (Christopher Joy, "Sheba, Baby"), Kincella (Art Metrano, "Police Academy" 2 and 3), martial artist Ed Parker ("Curse of the Pink Panther"), playing a man named Ed Parker, and the "Professor" (Richard LePore, 'Switch'). Each team member is assigned to a different criminal figure.

Since we're discussing Andy Sidaris here, it hardly needs be said that among the assets involved are beautiful island scenery, equally gorgeous women who sometimes take off their tops, lots of action, and a generous dose of humour to let us know that this is all in fun, and that none of this is ever meant to be taken that seriously.

This viewer personally loves stories of the "assembling characters for a mission" variety, and Drew is there to narrate and therefore talk our way through the plot, giving us essential information. It's quite an engaging example of this sort of story, with excellent pacing and a fair amount of hard-hitting violence. Plus, it's not entirely unrealistic in the way that the mission won't go 100% smoothly.

Bright, sunny photography by a D.P. identified only as "Quito", and a vibrant music score (which may be stock music since there's no composer credited) help to make this superior entertainment. The aforementioned sense of humour extends to the movies' most memorable gag, when a hero eliminates a sword-wielding villain by simply shooting him, the same gag later made famous in "Raiders of the Lost Ark".

A rich assortment of familiar faces - Reggie Nalder ('Salem's Lot' '79), Seth Sakai ('Hawaii Five-O'), Lenny Montana ("The Godfather"), Martin Kove ("The Karate Kid"), Terry Kiser ("Weekend at Bernie's"), John Alderman ("New Year's Evil"), and Tadashi Yamashita ("American Ninja") - further adds to the good vibes.

Classic exploitation entertainment, and one of Sidaris' best efforts.

Eight out of 10.

Good old Andy Sidaris.

You can always count on his movies for a little action, a little intrigue and...say it with me...a little skin.

Flicks like "Seven", for example. This one features a covert team led by William "Big Bill" Smith who is out to kill off the baddies threatening the peace-loving government of Hawaii. Of course, there's always plenty of time to show some dynamic women in all their glory along with the maiming and killing.

But if your movie diet consists of films of this ilk, you could do a lot worse than "Seven". In fact, a lot worse.

TIDBIT - This movie features the famous gag seen a couple of years later in "Raiders of the Lost Ark", where a guy is beset by a swordsman and simply draws a gun and shoots the blade-wielding baddie dead. Not bad.

Seven stars. Who woulda guessed?