Jack le magnifique

It has been more than a week since i last watch Saint Jack, the after effects of it still lingers. That shows it is not an ordinary film.

I went into the theatre without much expectation, when the film starts with the opening credit rolling, i sat up very straight, devouring the fascinating font selected. The long tail of each font stretching beyond its normal alignment gives me a hint that this is going to be a different experience. This is not the usual crappy 70s sleazy film made. There is a humour exuding even from the font. Its gonna be interesting.

As Jack walks into the Chinese shophouse and greeted by a young Indian chap who talks and spray mosquito around him, i found myself unable to hide my humored smile behind the dim theatre. Such fascinating and improvisational like mis en sense repeats throughout the entire film.

The 70s is an era which i was born into. I was too young to have a vivid memory of it. When the landscape and the people scape were unfolded in front of me, instinctively i feel this film is depicting a rather accurate portray of my country. Although the film revolves around the character of pimp, Jack Flowers, Jack is not the only main role. Singapore is in fact the other protagonist. All the caricatures of small roles that appears throughout the film etches a multicultural developing nation with an array of characters that Jack immensely enjoy interacting with. It is the same feeling whenever i visit other developing country.... fascinating.

Honestly, i think the plot is thin. but the rich characters made up for everything. It is an underrated film that has finally seen its daylight (in Singapore). the delightful feeling is an accidental discovery of a film treasure that records an era with so much nuances and humour.

The Marking of Saint Jack:Kinda Hot. A book written by Ben Slater adds even more fun to the entire experience.

Singapore 1973 – Jack Flowers (Gazzara) a worldworn drifter, has finally found his niche. He is a small-time pimp, eking out a living arranging liaisons for jaded ex-pats and burned-out GIs. Everybody knows Jack and everyone likes him – a situation that changes rapidly when he decides to open his own house of ill repute.

Saint Jack is Peter Bogdanovich's most accomplished film. Made long after his Hollywood star had waned it is a low-key, character driven piece full of memorable scenes and performances. The Singapore it depicts is long gone, buried under acres of concrete and glass. The world Jack Flowers' inhabits is old school orient - sampans, alleyways, bustling markets and street hustlers. Denholm Elliot excels as the bemused, vaguely melancholy accountant Jack takes under his wing. Rodney Bewes and Joss Ackland do memorable turns as aimlessly Englishmen abroad. Former James Bond George Lazenby puts in an appearance as a slimy US senator and director Bogdanovich plays a CIA operative.

For a movie produced by Roger Corman and Hugh Hefner it's far from the exploitation fare its subject matter might suggest. Photographed by the great Robby Muller and based on a novel by Paul Theroux it's well worth a look. 8/10

**Also recommended for fans of this movie is "Kinda Hot: The Making of Saint Jack in Singapore" by Ben Slater (ISBN: 9812610693) - a fascinating behind-the-scenes look at the making of the film.

Set in the early 70's of Singapore as a pimp has his ups and downs in the sex industry. Pay close attention to the clever time frame and enjoy Ben Gazzara's wonderful performance. Bogdanovich hasn't made a decent film since this! A story nicely told.

an interesting story that probably worked better in print than film.I did not read the novel.Good Singapore location shots. There's probably more depth to the character Jack Flowers than most Gazzara roles as we watch him roam the underbelly of Singapore soliciting women, and in one scene,a pair of transsexuals.Technically, it's well done with slightly above average acting and direction.Good performances by some unknown actors. Still, one walks away wishing there was a little more substance to the main character and the film overall.All 'n all, it is worth seeing although it lacks in certain areas.

Ben Gazzara is not the Jack Flowers I saw in Paul Theroux' novel; he's too self-confident by half. But different in tone as they may be, both Theroux' and Bogdanovich's "Saint Jack" are successes. The location shooting in Singapore and the utter lack of background music are among Bogdanovich's own touches. It's a fine, solid little film, sexy, political and all over bright. Gazzara works as a gofer for a Chinese business to maintain his visa. But his dream is to open his own brothel, which with the backing of a few friends, he does. But the Chinese "mafia" closes him down (the confrontation with a Chinese midget and his musclemen is memorable). And then the CIA, represented by Peter Bogdanovith, subsidizes Flowers in a new brothel for Viet troops on R&R. It lasts as long as the war does (his former Chinese employer rags Gazzara about the Vietnamese victory). Then Gazzara is forced into some sleazy blackmail which, finally, he rejects. A moral decision in a very amoral story. British actor James Villiers has a small but distinctive part as Frogget. In a conversation with bar cronies he says: "The last time I was in UK they made homosexuality legal. I said to my wife, I said let's get out of here before they make it compulsory." This is not on DVD yet. Why the hell not?