Les Challengers

It'an innocent final 70s movie, where Linda Blair moves to skate with her boyfriend, expert roller skater Jim Bray and her friends making a plan to safe the disco palace where a devilish business man tries to build a Shopping Mall there. At the end of the night is the roller skating championship. Evertything must go perfect. The movie is bad, but you cannot denied to be amazed about the disco music, the roller skates and Linda. There's innocence in this movie. This kids loves sport, to hangout with girls not only for sex and loves have fun drinking a soda in the roller boogie place. This are times hard to get now, and the nostalgia wins a 10. Maybe will bore some, but still got it's cheesy magic.

Directed by Mark L. Lester.

Before the days of "in-line" skates there was a less forgiving variety that went in and out of fashion for a century with everyone but elementary school age children. "Roller Boogie" (1979) caught one of the periods when the activity had once again become trendy, especially with teenagers. Skate shops opened all over the place but the really trendy location was Venice, California. "Roller Boogie" involves a bunch of teens who hang around on the Venice boardwalk and do a lot of roller skating; and burn their eyeballs girl and boy watching.

Because much of the film is composed of many cinema verite ("fly on the wall film-making" where the filmmakers attempt to make their presence as unobtrusive as possible) documentary shots of real skaters engaging in real skating at this real location, the film is more interesting and impressive now than at the time of its release. "Breakin" was a similar film from the same time period which also unintentionally documented a portion of social history (insert break dancing here).

Of course those who went to "Roller Boogie" at the time of its release were mostly there to see Linda Blair in her abbreviated skating outfits; which had been widely showcased in the film distributor's marketing campaign. "Roller Boogie" was basically a cheap exploitation film that disappointed very few viewers because it delivered exactly what it promised and maybe a little bit more.

Rich girls Terry (Blair) and Lana (too old television actress Kimberly Beck) do their slumming on the boardwalk, where they skate up and down to the pop music beat from their now ancient looking transistor radio headphones. The plot is mostly about Terry's puppy love romance with Bobby (real life super-skater Jim Bray) the summer before she heads off to college.

There is also a story about developers conspiring to tear down the old roller rink. One of these is played by former "Lost in Space" pre-teen heartthrob Mark Goddard, whose career never took off after his adventures with Dr. Smith and the robot had made him famous. MST3K favorite Beverly Garland has a small part as Terry's rich mom.

Then again, what do I know? I'm only a child

I have seen this movie dozens of times and rate it as one of the best cult movies ever made. Great soundtrack featuring a song by Cher. A must see for fans of the late seventies. Linda Blair is a rebellious rich kid who falls in love with an ambitious, poor street skater. Together they thwart a mafia plan to close the local skating rink where a skating competition is going to be held. Amazing skating sequences featuring Venice Beach locals doing their thing. Hilarious and completely unbelievable street chase scene with limos vs. skaters...must see it to believe it. I was especially impressed with the performance of Jim Bray, who plays Linda Blair's love interest. Bray was cast because he was an actual champion skater of his day and he did admirably well in his acting debut. Not only is he an amazing skater but also comes off with an honest and believable acting style and he will remind any 30 something of someone they knew in highschool. The plot may be predictable and the dialog is somewhat canned and badly edited, but this movie captures that carefree, feel good era that has long gone by.

I was positively giddy when this flick came on T.V. yesterday afternoon because it wasn't something that I would actually go out and rent, wasting precious time and money. I have a morbid curiosity about stinker movies and I had heard about this one's notorious stinkiness for a while now. It was just the laugh I needed to cheer me up on a cloudy, gloomy day: the plot was ludicrous, the cast's wardrobe was just as gloriously tacky as expected, the skating was decent (but in the context... so silly!), and the script was absolutely ridiculous! Plus I loved the heavy-handed use of clichés used to hit the audience over the head, "Hey, in case you haven't figured it out yet, these people are RICH" when showing Terry Barkley (Linda Blair) and her family: 1.) her 1920's(?) era car--Hey, I know the Beverly Hills rich bitches of today drive Beemers and such, but back in the late 70's, it had to be kind of the same situation with similar model cars driven. Why would Terry's rich daddy want his precious little girl driving around L.A. in such an impractical and most likely unsafe fossil of a car! 2.) The Barkley household's princess phones--another impractical device. 3.) Terry's typical "poor little rich girl"/"my mommy and daddy don't care about me" issues.

Other gleeful love/hate moments of sheer comedy: the opening sequence where the Roller Boogie "gang" is rolling though the streets to a Cher song (an obvious effort to get the audience pumped up and lured into the "magic" of the film... it only had me and my boyfriend rolling in laughter), the roller boogie guy with the radio strapped to his shoulder and the HUGE headphones on ALL the time, the one mobster heavy who always wore that awful-looking plaid jacket in every scene he's in (isn't that what ALL mob heavies wear???), Bobby James' lone tribute skate routine to the rink's owner Jammer that was supposed to get the audience all emotional(?!?), the shirt that he wore during this scene with his sequined "BJ" monogram on it (sooooo cheesy!), the chase scene when Bobby and Terry are skating for their lives from the mobsters and they jump over the car (can you say, WIPEOUT??? I mean, their neat little landing without any stumbling whatsover was sooooo unbelievably funny!), plus too many more to mention.

I gotta mention here that I'm even a HUGE fan of 'Xanadu,' another roller skating movie from the same time. But that movie had the redeeming factor of more charismatic actors, better plot, much better soundtrack, and awesome costumes and stage sets. It also had a dreamy, hopeful, and inspirational feel that 'Roller Boogie' never even came CLOSE to achieving. I just can't see how ANYBODY could have written the script for, acted in, or directed this classic piece of crap with a straight face. But it DID deliver the cheese factor I was craving. Thanks for the laughs, 'Roller Boogie!' May you live on as an undisputed masterpiece of bad cinema... a deliciously cringe-inducing time capsule of that age.

This one is a complete hoot. I caught this low-budget, formulaic 1979 film this past weekend on the big screen at the fully packed Castro Theater in San Francisco as part of a roller-disco midnight madness program. The crowd went wild at every absurd turn of the plot, and it's no wonder. Directed by potboiler specialist Mark L. Lester, this ultimate cheese of a roller disco musical avoids a permanent home in the video junk heap simply because of the sheer idiocy of the storyline and the wealth of unintentional humor permeating the film. There are movies that are intentionally vile and not worthy of reviewing, but this one is actually full of good spirits albeit with nothing in the way of taste, wit or common sense.

In what has to be the steepest career free-fall for a former Oscar nominee, an extremely nubile, twenty-year old Linda Blair stars as Terry Barkley, a prodigious flautist on her way to Juilliard, who tires of being ignored by her wealthy, 90210-based parents and decides to run away for a whole night. Upon meeting Bobby James in Venice Beach, the king of the disco-driven roller skaters, she decides she wants to learn some moves to win the big roller boogie contest at Jammer's, the local roller disco rink. My favorite plot point is Bobby's aspiration to become an Olympic roller skating gold medalist...even though no one tells him it isn't an Olympic event. Of course, Terry is rich, Bobby is poor, and consequently, romantic sparks are inevitable. Complications, however, occur when a thuggish land developer blackmails Jammer to sell his rink, so he can raze the building and build a shopping mall. The rest of the plot is not worth disclosing except to say that it is as preposterous as the convoluted set-up, and thanks to the wooden acting, horrendous dialogue and hilarious skating sequences, it makes for grade-A camp entertainment.

In skin-tight leotards and enough make-up to scare off a Santa Monica Boulevard hooker, Blair makes a sincere attempt at portraying Terry's teen-aged angst. Of course, it helps her professional standing that she is playing opposite real-life roller skating champion Jim Bray, a non-actor who was cast as Bobby only because the producers could not find a leading man who could actually skate. Innately geeky, the never-to-be-seen-again Bray certainly tries hard, though he is defeated by the film's numerous skating sequences which have been inserted so we can be impressed by his expertise. Instead, they provide the film's biggest laughs - the opening where he leads dozens of fellow skaters to the boardwalk to the strains of Cher's disco-diva anthem, "Hell on Wheels"; the ridiculous chase sequence through the streets of Venice where Terry and Bobby are chased unsuccessfully by a speeding car; the concluding roller boogie contest (of course); and in what has to be the absolute nadir, a solo skating number full of cornball treacle dedicated to the drunken Jammer.

Familiar faces from the baby-boomer TV generation dot the supporting cast, among them Beverly Garland ("Scarecrow and Mrs. King" and "My Three Sons") and Roger Perry ("The Facts of Life") as Terry's parents; and Mark Goddard ("Lost in Space") as the villainous land developer. If all that is not enough, there are other lures to consider - the blaring disco music; the groovy, circa-1979 clothes; the forced slapstick (in particular, a fruit-throwing mêlée and a very non-spontaneous pool dunking at a garden party). It's hard to think of a movie more execrable, yet the film has an endearing charm for all its misguided inanity. It's worthwhile just for the unintended guffaws. In the 1979-80 holy trinity of roller disco cinema, "Xanadu" may be "Gone With the Wind" and "Skatetown U.S.A." may be "West Side Story", but this one must certainly be "Citizen Kane".