Le prisonnier de Zenda

This is pretty fun, there is a lot of things going on that become garbled especially toward the latter from the plot like badguys switching to be good guys suddenly? This is cancelled by the nonstop narrative that just becomes action of people battling and all that stuff and it is here there is a vortex of hypnotism as you just follow this narrative without thought but just action. As I check this I keep thinking this must be a mid-60s movie and am surprised to check the release here. If you like candlelit castle locales at night well this movie is for you.

An amusing parody about the commoner forced to impersonate a beleaguered and weak king . This The prisoner of Zenda¨ (1979) by Richard Quine boasts a good cast with Peter Sellers , Lionel Jeffries , Elke Sommer , Lynn Frederick , among others . This is a story of royal romance , humor with tongue-in-cheek , as well as breathless and flashing sword play . This is a fun swashbuckler concerning an innocent cabbie , Rudolf V's identical double , in a small European country , as he results to be the exact doppleganger of its king and gets involved in a murder plot . In order to save King Rudolph of Ruritania from assassins and murderous usurpers , the kingdom aristocrats hire a look-a-like London man to impersonate the Monarch . Sellers stars in the double role of Prince Rudolph of Ruritania and a cockney cab driver named Syd (Peter Sellers) when the Prince is jailed by his nasty brother (Jeremy Kemp) to take the throne .Is the cabbie the King or is the King the cabbie ? Confusion reigns in Ruritania.

His is a slight and budgeted enough retelling about the durable Anthony Hope's novel with all-star-cast . Stars Sellers who plays the nobleman forced to impersonate a king in a mythical European country , as he's asked to risk his life and impersonate the would-be king when his relative is kidnapped before his impending coronation , a situation that rises to some moments from which filmmaker Richard Quine manages to extract intrigue , humor and tension enough . A warm and comical movie despite the lack of critical acclaim , it is packed with derring-do , suspense , a sensitive love story , action , drama and thrilling as well as dazzling swordplay . And , of course, lots of gags and sketches , some of them funny but in the movie lacks a real freshness , including grotesque situations and above all , it especially contains catching touches of humor and irony . Resulting to be an entertaining and zany swashbuckling with lavish production financed by Walter Mirish , glamorous gowns , lively musical score by Henry Mancini , brilliant photography by Arthur Ibbetson and luxurious settings . Sellers is not too fun as the foppish king , but nice as the London cabby who steps into his shoes . In spite of it , Sellers gives a hilarious acting , but inferior than other previous classic roles by playing a look-alike communer who stands in for the endagered king of Ruritania . The fifth of six movie versions of Anthony Hope's famous adventure that failed at box office at its day . This is a flashy Technicolor remake of the notorious and better 1937 Ronald Colman and 1952 Stewart Granger retellings . As the tale carries its excitement with thrills , noisy action , swashbuckling , hilarious scenes , an attractive romance and anything else . Cast and support cast are frankly excellent , such as Jeremy Kemp who's stylishly over-the-top as the main villain, the jealous brother , Stuart Wilson whose Rupert of Hentzau is a well-modulated spoof of Douglas Fairbanks Jr , as well as Lionel Jeffries ; furthermore , three gorgeous actresses as Elke Sommer , Catherine Schell and the early deceased Lynne Frederick who in real-life married Peter Sellers .

There are several versions about this classy story , these are the following ones : ¨The prisoner of Zenda¨(1922) by Rex Ingram with Lewis Stone , Alice Terry , Robert Edeson , Stuart Holmes , Ramon Novarro . ¨The Prisoner of Zenda¨ (1937) by John Cromwell with Ronald Colman as Major Rudolf Rassendyll / The Prisoner of Zenda , Madeleine Carroll as Princess Flavia , C. Aubrey Smith , Raymond Massey . ¨Prisoner of Zenda ¨(1952) with Stewart Granger , James Mason, Louis Calhern, Robert Coote , Janet Leigh.

The 1979 remake of Hope's Zenda story is a prime example of the sort of poor judgement Peter Sellers was so often subject to in his choice of films. The whole thing is roundly dispiriting to watch, and "palpably uneasy" as Halliwell's Film Guide comments. The script lacks any sense of the comic or adventurous that one would expect of a Zenda filming with Sellers. So often, exaggeration and chatter take the place of any sort of acting. Even Sellers, often impressive in such bad films, creates two very uninteresting characters, based it seems, solely on the rather stereotypical voices he creates for them. Other performances pass by, indistinguishable from each other and unwanted. John Laurie has nothing to do whatsoever, the token females are particularly dull... the whole thing is completely pointless and all too far from being enjoyable... Most certainly as bad, if not worse than the more derided "The Fiendish Plot of Fu Manchu". Rating:- */*****

I should probably begin this review by mentioning my familiarity of the source material - or rather, the lack of it. I have never read the novel, nor have I seen any of the previous film versions. Pretty much all I knew about "Zenda" before watching this movie was the basic premise. I also knew the story was originally serious in tone. But I was open to it being done in a comic fashion, because with stuff like mistaken identity, the premise did indeed have comic possibilities.

Sadly, everyone involved with this movie drops the ball. I'll start with Sellers. I have found him funny in other movies, but he simply isn't funny here. His performance here simply lacks energy and seems sluggish. I do know he was having health problems at this point in his life, and this may explain his lack of enthusiasm.

But even if Sellers was in top form here, it's unlikely he could have saved the movie. The movie is terribly directed - the slow-moving story feels as sluggish as Sellers. And when it comes to delivering the (very sporadic) comedy, there is a curious feel to it. The comedy feels like it's being directed by someone intentionally trying to make it as serious as possible. Though many of the gags would still be dead on arrival even with a top comedy director, since they are predictable and very familiar.

Judging by the ragged look of the old print Universal is currently using for the movie's television appearances, they are in no hurry to restore this movie. No wonder.

This is a very lavish looking, picturesque romp that should have been a sure fire hit. "Porridge" scriptwriters Dick Clement and Ian Le Frenais were the men responsible for turning the classic Anthony Hope into a comedy, which shouldn't have been too difficult bearing in mind the ridiculous scenario linked to the main story. However, this scenario is all they went for, and any characterisation or satirical touches are abandoned and a lot of cartoonish setups such as Gregory Sierra's role and also other segments such as the explosive bowls game and the early scene in the restaurant replace any serious comedy. Therefore, in his dwindling health and sorrowful state, Sellers looks a bit out of place amongst the diving into the water routines and the jumping of a tall castle stints. It is very similar to his Fu Manchu experience two years later (when he also played two roles) in that he's still putting the work in but to little effect. The film is a reminder of his earlier years and really backfires as a poor man's Pink Panther. However, he still proves that he can act (which is a lot more than most actors these days) despite the poor material and backed by a host of regular artists such as Catherine Schell, Elke Sommer (both stars of Pink Pantherfs), Graham Stark, John Laurie, Jeremy Kemp (who had starred in Sellers' The Blockhouse in 1972) - it should have been better considering the quality of Sellers' other films at the time, but it does fall very flat.