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Répétition d'orchestre

Original title: Prova d'orchestra
  • 1978
  • Tous publics
  • 1h 12m
IMDb RATING
7.1/10
5.4K
YOUR RATING
Répétition d'orchestre (1978)
ComedyDramaMusic

An orchestra assembles for a rehearsal in an ancient chapel under the inquisitive eyes of a TV documentary crew, but an uprising breaks out.An orchestra assembles for a rehearsal in an ancient chapel under the inquisitive eyes of a TV documentary crew, but an uprising breaks out.An orchestra assembles for a rehearsal in an ancient chapel under the inquisitive eyes of a TV documentary crew, but an uprising breaks out.

  • Director
    • Federico Fellini
  • Writers
    • Federico Fellini
    • Brunello Rondi
  • Stars
    • Balduin Baas
    • Clara Colosimo
    • Elizabeth Labi
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    5.4K
    YOUR RATING
    • Director
      • Federico Fellini
    • Writers
      • Federico Fellini
      • Brunello Rondi
    • Stars
      • Balduin Baas
      • Clara Colosimo
      • Elizabeth Labi
    • 23User reviews
    • 30Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win & 2 nominations total

    Photos115

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    Top cast27

    Edit
    Balduin Baas
    Balduin Baas
    • Conductor
    Clara Colosimo
    Clara Colosimo
    • Harp player
    Elizabeth Labi
    • Piano player
    Ronaldo Bonacchi
    • Bassoon player
    Nando Villella
    • Cello player
    • (as Ferdinando Villella)
    Franco Javarone
    Franco Javarone
    • Bass tuba player
    • (as Giovanni Javarone)
    David Maunsell
    • First violin
    Francesco Aluigi
    • Second violin
    Andrew Lord Miller
    Andrew Lord Miller
    • Oboe player
    • (as Andy MIller)
    Sibyl Mostert
    Sibyl Mostert
    • Flute player
    Franco Mazzieri
    Franco Mazzieri
    • Trumpet player
    Daniele Pagani
    • Trombone player
    Luigi Uzzo
    • Violin player
    Cesare Martignoni
    • Clarinet player
    • (as Cesare Martignon)
    Umberto Zuanelli
    Umberto Zuanelli
    • Copyist
    Filippo Trincia
    • Head of orchestra
    • (as Filippo Trincaia)
    Claudio Ciocca
    • Union man
    Angelica Hansen
    • Violin player
    • Director
      • Federico Fellini
    • Writers
      • Federico Fellini
      • Brunello Rondi
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews23

    7.15.3K
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    Featured reviews

    7jimeneznitay

    Awesome

    I read some people saying that this film made no sense, and that it's just a orchestra rehearsal; it hurst how wrong they are. As any other Fellini, you have to scratch the surface, and you will find a great meaning. That's what I love about his films, they make you think! If you think nothing happened in this movie, go watch a Transformers film, you'll probably thing that there's a lot going on while there's nothing at all. While it may lack Fellini's characteristic powerful visuals, it has a very powerful meaning about politics, society and life. Awesome movie, and great for it's lenght
    8xenophil

    appears to be a parable

    This miniature movie's tempo builds, stops and starts in that comical, jerky way characteristic of Fellini. It's one of the things I like.

    The interviews are a riot!

    It appears to be a parable of the last few hundred years of European history.
    8ecaprarie

    A 'documentary'?

    It is rather neglected a movie by Fellini, but I agree with those who see it as a 'metaphor' of the Italian society; not of the Italian society in general, but of the Italian society at the end of the '70s. After 1968, there was turmoil in the country and the artist's message is quite clear, apparently: prolonged social strife can lead to dictatorial outcomes. The message is not so clear at the beginning of the film and it might be seen as a sort of a 'documentary', but when that huge stone 'ball' starts pounding on the building where the 'orchestra' are rehearsing and a faraway voice starts becoming more and more clear and strong, Fellini's message becomes obvious.
    10Mihnea_aka_Pitbull

    Unique, hyper-significant, Fellini over himself

    Some fully creditable critics deemed "Prova d'orchestra" as being Fellini's main masterpiece. Although recognizing their slight exaggeration, I still can fully empathize with their point. The movie is one of the most intelligent, stylish and personal instances of the much used (and abused) recipe of the "social microcosm". Of course, Fellini's trick to build up a parable of society by using the orchestra parallel is not only original, but also very efficient: the metaphors and symbols resulting from this are both powerful and humorous, in an atrociously satyric vein.

    Also, it's very interesting to note the gradual glissando from realism to hyperbole, and from cold detachment to paranoid hysteria; as such, what started as a pseudo-documentary, impartial and technical, gradually turns into a major pandemonium, to culminate with the hallucinatory profiling of the demolition iron ball, as an omen of doom - that being the point where the artist really meets the divine, both as meaning, and as means.

    One should also notice the masterfully style of shooting the orchestra, the people and the instruments, to build up the cinematographic symphony layered over the musical one, and to create that irresistibly fast-paced narrative in images, that makes the movie so exciting and captivating - it's literally to be watched on the edge on your seat, although nothing more spectacular happens than an orchestra rehearsing in a disaffected church... all being the result of Fellini's skillful cinematography.

    At last, one couldn't depart any reference to this masterpiece without mentioning at least in passing the haunting finale. Although I always regarded with political objectivity and historical honesty the national-socialist ideology, goals and means, I must confess that I fully assimilate Fellini's powerful warning about any dictatorial excesses. Balduin Bass' voice rising in a Hitlerian monologue is an efficient and pointed mean of expression and style - and his last line after fade out, "Signori... Da capo!", indeed MAKES A POINT!
    7Marat-2

    Disappointing, but worth a look

    Fellini's "Prova d'orchestra" was originally made for television, and there it should have stayed. As a cinematic event, it does not deliver. Yes, it's well directed and nicely acted, it has an interesting idea in it, but it's not enough for me to enjoy it. Eventually it looks like an exercise by some cinema student and not like a piece by Fellini, one of a few cinema genius of our time. I was disappointed, even though I enjoyed parts of it. My Grade: *** (out of *****)

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    Storyline

    Edit

    Did you know

    Edit
    • Goofs
      When they are interviewing the first violinists, the harpist in the background is clearly not playing but harp music is audible.
    • Connections
      Featured in In Search of Fellini (2017)

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    FAQ15

    • How long is Orchestra Rehearsal?Powered by Alexa

    Details

    Edit
    • Release date
      • June 8, 1979 (France)
    • Countries of origin
      • Italy
      • West Germany
    • Languages
      • Italian
      • German
    • Also known as
      • Orchestra Rehearsal
    • Filming locations
      • Cinecittà Studios, Cinecittà, Rome, Lazio, Italy(Studio)
    • Production companies
      • Daimo Cinematografica
      • RAI Radiotelevisione Italiana
      • Albatros Filmproduktion
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 12 minutes
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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