Violences sur la ville

John Evens Jr. High School in Greeley Colorado had a casting call prior to the filming for extras. If I remember right we got 25 dollars for each days work and we got fed.

Greeley was pretty much the perfect place for this movie. There was a huge teen violence problem there. even at age 12 I carried a pistol and roamed the city at will with other kids fearing attack from gangs of older teens. Drugs were everywhere.

The movie captured all that stupidity plus the Apathy and ignorance of the adults. I loved the scenes where we rioted in the Circus tent styled John Evens Jr. High School......made it hard to attend class the following year.

History has proved that the film makers knew what kind of society America would become...Cookie cutter homes,strip malls and teen murderers......Art predicts life.

Carl (Michael Eric Kramer) is a teenager living in the dull suburban neighborhood of New Granada, an entertainment desert where the only place for kids to hang out is the local rec center. He's not alone in his boredom, frustration, and anger. There's nothing to do except for getting drunk / high, committing vandalism, and having sex.

Enter Richie (Matt Dillon), a troubled teen whom Carl happens to idolize. Together, they attempt to find some reason to keep going.

With OVER THE EDGE, Director Jonathan Kaplan has perfectly captured the atmosphere and bleakness of the "instant neighborhoods" that sprang up like mushrooms then, and still do. One day it's farmland, the next day it's full of brand new construction on desolate streets. The oblivious, domesticated adults have their jobs and spouses, while their kids must fend for themselves.

Personally, I remember this well, and this movie is so realistic it's scary! The party scene sends chills down my spine, remembering the music, the booze, the smoke, the cops, etcetera. This is the most honest representation of this era and its cookie-cutter towns that I've ever seen. I watched it in 1980 or so, and laughed, cried, and related to everyone in it. Especially Carl. Hell, I jumped out of my seat and cheered during the fiery finale!

If you were there, you probably did the same...

I saw Over the Edge on a pay channel recently.

I was struck by how much it reminded me of my Jr High days in Central Texas in the late 70's. Some of the things that were strikingly similar my own experiences:

• the way the kids looked, dressed, and acted

• the landscape

• high school

• houses

• partially completed building sites

• basement parties

• the rec center (we had one in our town)

All very authentic. The only thing that broke the spell of realism was the somewhat stereotypical way the adults were portrayed, but I guess it was a necessary plot device.

One scene particularly brought back a memory that I hadn't thought about in some time. The kids are in the house under construction playing with the loaded gun. It accidentally goes off, and Carl pretends to have been hit.

In our town, one of the kids in the neighborhood accidentally shot in the head and killed another neighborhood kid with his father's pistol.

I first saw the movie when it opened in the spring of 1980, on a double bill with "Little Darlings". I ended up seeing it twice. I was the age of the kids in the film at the time, and my bull***t detector didn't go off once during the course of watching this film. The kids were real, the words natural and unaffected, and the whole thing about the boredom that is so prevailing when you're a teenager was right on the money. I remember as I watched the movie thinking that the clothes the kids were wearing looked worn just enough, like they had come out of the actors' own closets. Matt Dillon's first movie - I read that he auditioned for the part as something to do while he skipped school for a day. He reminded me utterly of my then high school boyfriend, right down to the voice, clothes and cocky attitude. The music was exactly what me and all my friends were listening to - Cheap Trick (the earlier, not-played-on-the-radio songs) and the Cars. Ok, so perhaps it was a little unrealistic at parts, and the soundtrack could have done without the Valerie Carter song, but wow, what a great little movie. Rent a copy, go home, slap it in your vcr, and get out your bong and a couple of beers. You won't be dissapointed, not even a little bit.

"Over the Edge" is a powerful, unforgettable 1979 film about a planned suburban community, New Granada, where all the adults are worried only about bringing much-needed money and business to the struggling, barren dump of a town. What the adults don't seem to realize is that more than half of the population is made up of pre-teens and teenagers who drink, smoke weed, do hard drugs, play with guns, and destroy property because these parents and adults have given them nothing to do; nothing constructive whatsoever. These are NOT bad kids. I felt for them. They are victims of their environment and complete lack of parental attention. When the kids finally become restless and hopeless, havoc ensues, but most of it is created by the town Police Chief Doberman, who has no business whatsoever dealing with youth. The only place the kids have to go is the recreation center, managed by a truly sympathetic and understanding young woman. Of course, the town officials fire her. In 1979, this film was rated PG. It's a STRONG "PG". If this film were made today (and I doubt it would be) I imagine it would receive at least a PG-13 or maybe even an R. Children as young as thirteen/fourteen are seen dropping acid, smoking hash, guzzling liquor, shooting guns, getting into fights, etc. AND IT IS ALL THE FAULT OF THE ADULTS, WHO ARE TOTALLY BLIND! Matt Dillon's film debut, and an unknown actor, young Tom Fergus, gives the most natural performance from a kid I have ever seen as Claude, the kid most heavily involved in drugs. SEEK THIS OUT! IT IS UNFORGETTABLE! If anyone reading this has any info on Tom Fergus, I'd love to see what he's up to now. Also features an awesome soundtrack by The Cars, Van Halen, Cheap Trick, Little Feat, and Jimi Hendrix. This has become a cult classic in many youth circles, and is an early film by acclaimed director Jonothan Kaplan. Pops up on HBO and Cinemax occasionally, is available on tape, and is said to be coming to DVD soon. A masterwork.