Marathon d'automne

And what kind of opposition to the film are you talking about at all? In 1981 he was awarded the Vasilyev Brothers State Prize of the RSFSR so that and his Awards San Sebastian Film Festival (1979) - the main prize Golden Shell and the FIPRESCI Prize Venice Film Festival (1979) - Italian Journalists Award for Best Actor (Eugene Leonov) and FIPRESCI Prize All-Union Film Festival in Dushanbe (1980) - the main prize Shamrousse International Comedy Film Festival (1980) - Grand Prize Berlin Film Festival (1980) - prize of the international evangelical jury - special recommendation (Forum program) IFF comedy films in Gabrov (1981) - special prize; State Prize of the RSFSR named after the Vasiliev brothers (1981) and and there was no need to invent any problems with Danelia's employment, the film was praised very much in the USSR.

I enjoyed watching the film. I wasn't quite sure what to expect. The film seemed to lack any action when I first watched it.

Initially, my thoughts were he was just a man trying to have it all. He was always willing to help people and wanted the most out of life. There seemed to be a lot going on in his life.

After discussing it with a few others, I realized how little he was in control of happenings.

Overall, It was a good film that held my interest throughout. There was a good amount of humor that I extracted from the film. I just wish there was a little more action. I was waiting for an interesting twist to come into light, but it just seemed like a normal guy doing somewhat unscrupulous things.

I would recommend this film if you want to kill time. It was pretty funny and semi engaging. It didn't have anything that was outstanding about it though.

Niffiwan from Toronto is not right (Interesting to note is that the director was female). The director is male and strong Caucasian macho with mustaches, born in Georgia. By the way Georgi is the name, like George. There is a rumor that heroes of his movies have latency homosexual complex but it is just a joke. But who knows? The film is pure genius. This is the story about soviet intellectual (not an average soviet man from Brezhnev's era), English to Russian interpreter, who read some lectures in some university. He live in a big apartment with many rooms - it is very unusual situation in Soviet Union for family with one child (the hero have one daughter). This is the symbol of privileged position for brain workers in Sovet Union society. But his work is silly and insignificant. He is in trouble with his slinky mistress (genius actress Marina Neelova), smart and understanding wife (also genius Natalya Gundareva, RIP), colleagues and so on. The problems are snowball running and his life is start to decline. This is not a comedy - this is a sad story that may be associated with brothers' Cohen movie "Fargo" or something like that. The quality of actors play is brilliant and absolutely realistic. I strongly recommended another Danelia astonishing film called "Kin-Dza-Dza" (strange adventures of mid-aged soviet foreman and his accidental fellow young Moscow student on another planet, kinda postapocaliptic totalitaristic Mad Max style world - the strong satire on all human civilization)

As a subjective concept 'goodness' is interpreted in various forms. However, it can be easily assessed if it is seen through the prism of 'actions' performed by people. Russian film Osenniy Marafon (Autumn Marathon) is a tragicomic tale wherein the concept of 'goodness' abounds through the portrayal of an English-Russian translator who would help anybody in need. His weakness is that he doesn't know how to refuse anybody who has come to seek help. However, there is more trouble in store for him due to his tendency to intentionally utter numerous false statements to both family members and colleagues. Russian director Georgi Danelia put himself in a creative quandary by making a film about a man who has too many negative qualities despite having a charming outer appearance. This is one reason why authorities who worked for the promotion of Russian cinema were reluctant to promote this film as it chose to depict a philandering liar who would cause immense grief to both his mistress as well as wife. Although the film's theme might appear a little outdated to contemporary viewers but it was an immense success during its release in late 1970s. This brings us to question why there was tremendous opposition to this film in official circles as adultery has always remained a recurring theme in Russian literature. It is not a secret that many duels were fought with loss of lives over extra marital affairs. Lastly Russian actors namely Oleg Bassilashvili, Natalya Gundareva and Marina Neyolova are credible in their respective roles as husband, wife and mistress who suffer immensely as a web of lies is woven around their erratic lives.

As a student of Russian language and culture, one of my biggest pet peeves is the way people who lived during the Cold War talk about the Russian people and about Russian society. Most people have terrible misconceptions about Russian Society. One of the most interesting epochs of Soviet History is the Brezhnev Era. Some of Russia's most celebrated dramedies such as Rjazanov's "The Irony of Fate" were coming out at this time. If you want to get a small taste of what Russian Society was like (although it is impossible to fully understand what you don't live through), this is one of the best films you can find. In addition, it's quite witty and even belly laugh funny at times Andrei's neighbor and the Danish professor go mushroom picking. If you enjoy films, which perhaps don't focus on plot, but rather conduct deep character analyzes by portraying a series of events and their effect on the characters, then this is the film for you. It is actually slightly reminiscent of American comedies by Wes Anderson and Alexander Payne. ABSOL'JUTNO STOIT VAM SMOTRET' I KAK MOZHNO BYSTREE!!! NU CHTO ZH SIDITE-TO.. BEGOM!