The Odd Angry Shot

A really well constructed Australian film, that accurately portrays the Vietnam 'feeling' in this country. Best described as a sad thought provoking work, with some excellent and funny performances by the skilled cast. A low budget film that 'over achieves' its message.

I first saw this film on tv It captures for me the feeling of Vietnam soldiers who dont want to be in a war dont know what the war is even about.

It took me years of seaching till I found a copy on VHS which think is nearly worn out. Thought provoking sad and funny the great line "Bugger all" whilst seaching the temple is totally unforgettable to me.

On recent viewing, I have been surprised by how well the film reflected upon individual Australians' involvement in The Vietnam War. It also, through a couple of monologues from old hand, Graham Kennedy, dispassionately reflected upon the ultimate futility of Australia's involvement. Perhaps its greatest strength was documenting the Australian male character of the times without reverting to a "lovable larrikins" approach. The battle scenes are done without heroics or dramatics. There is a matter of factness about the activities and reactions of the unit that makes them seem all the more realistic.The boredom, routines and irritations of jungle warfare are there as well as the odd angry shot that punctuates guerilla warfare. Loved the low-key ending which resisted taking aim at the unjust treatment of the returning vets but did reflect their estrangement as a presentiment of their future problems in readjusting.

A few Australians have already written on this site praising the film for its portrayal of the Australian SAS in Vietnam and commented at length about the scope of the film. I would like to comment about the accurate way the military operations are portrayed. I served in the US Army in the 101st Airborne Division's elite LRSD (Long Range Surveillance Detatchment)where this film was one of our favorites. It was, and still is, the only film we had ever seen that realisticly showed what long range recon patrols are like; slow, concealed, quiet, and sometimes fruitless small team patrols made up of professional soldiers. We were also impressed that the film showed the part of all patrols that movies never show, the planning phase where the operation order is given and reviewed, mission essential equipment is meted out, maps are studied, radio frequencies and callsigns are memorized, and all questions are asked. The film shows the unglamorous and sometimes dull side of special warfare, but is still a must for anyone interested in special operations units that wants to see what it's all about.

Terribly underrated, and generally unknown in the US. Although the film deals with Australian troops in Viet Nam, this could very easily have been any of the US units. Any of us who served on the ground there will recognize these men as buddies we knew. The combat sequences in this film are among the best ever filmed, and until "Platoon" came along, it was one of the few films that portrayed the combat experience in Viet Nam as it really was. Like "84 Charlie MoPic", it's a small film that tells a large story without beating you over the head with its message. When people ask me which are the best films about that endless mess in Viet Nam, this is one of the first films I refer them to (along with "MoPic"). My VHS copy is just about worn out; I never tire of its grim humor and honest story. (USMC, Viet Nam 67-69)