The Odd Angry Shot

The posters have been accurate, but there are a couple of points to make.

1) When Graham Kennedy made this, it was well past his crow imitating days - he was trying to crack into movies (and doing generally quite well)

2) The original novel was based on the experiences of the author. That is how he saw his experiences in the SAS. The movie is an excellent adaptation. So when you ask if these guys would have stormed Kosovo, the answer is 'YES!' There is a very well done scene where they clear out a temple (i hope). This shows the true level of professionalism in the SAS at that time, despite all the nonsense they carry on with....

3) What most war films don't do is the extreme boredom felt by soldiers between combat ... this film does do that. Even Saving Private Ryan didn't quite make it...

4) Apart from those minor quibbles, I agreed with the reviewers... Find this film and watch it. While it is flawed, it is possibly the best Vietnam film, and the one with the least political baggage...

A really well constructed Australian film, that accurately portrays the Vietnam 'feeling' in this country. Best described as a sad thought provoking work, with some excellent and funny performances by the skilled cast. A low budget film that 'over achieves' its message.

Terribly underrated, and generally unknown in the US. Although the film deals with Australian troops in Viet Nam, this could very easily have been any of the US units. Any of us who served on the ground there will recognize these men as buddies we knew. The combat sequences in this film are among the best ever filmed, and until "Platoon" came along, it was one of the few films that portrayed the combat experience in Viet Nam as it really was. Like "84 Charlie MoPic", it's a small film that tells a large story without beating you over the head with its message. When people ask me which are the best films about that endless mess in Viet Nam, this is one of the first films I refer them to (along with "MoPic"). My VHS copy is just about worn out; I never tire of its grim humor and honest story. (USMC, Viet Nam 67-69)

On recent viewing, I have been surprised by how well the film reflected upon individual Australians' involvement in The Vietnam War. It also, through a couple of monologues from old hand, Graham Kennedy, dispassionately reflected upon the ultimate futility of Australia's involvement. Perhaps its greatest strength was documenting the Australian male character of the times without reverting to a "lovable larrikins" approach. The battle scenes are done without heroics or dramatics. There is a matter of factness about the activities and reactions of the unit that makes them seem all the more realistic.The boredom, routines and irritations of jungle warfare are there as well as the odd angry shot that punctuates guerilla warfare. Loved the low-key ending which resisted taking aim at the unjust treatment of the returning vets but did reflect their estrangement as a presentiment of their future problems in readjusting.

THE ODD ANGRY SHOT is a slice-of-life war film following the misadventures of a squad of Aussie soldiers who've signed up to do their duty for their country. Australia isn't the first country you think of when it comes to the Vietnam war, so seeing it depicted through their eyes makes for an unusual viewing experience.

In any case, this is one of the most distinctly Australian-feeling films I've seen. It's packed full of that unique brand of laid-back humour and bravado, and the funny script is by far the best thing about it. That, and the fact that the cast list has been populated by future stars (Bryan Brown, John Jarratt) alongside seasoned veterans (Graeme Kennedy).

THE ODD ANGRY SHOT is perhaps one of the most realistic war films out there in depicting real life for soldiers fighting on the front line: an uneasy mixture of brief, bloody fire-fights mixed with a lot of boredom, camaraderie and attempts at entertainment. It's hardly the kind of film to set the world on fire, but it is well made and it holds the attention throughout.