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IMDbPro

Moscou ne croit pas aux larmes

Original title: Moskva slezam ne verit
  • 1980
  • PG
  • 2h 10m
IMDb RATING
8.0/10
15K
YOUR RATING
Vera Alentova and Aleksey Batalov in Moscou ne croit pas aux larmes (1980)
ComedyDramaRomance

Three young provincial women come to Moscow in search of what people in all the capitals of the world are looking for - love, happiness and prosperity. Their destinies develop exactly as the... Read allThree young provincial women come to Moscow in search of what people in all the capitals of the world are looking for - love, happiness and prosperity. Their destinies develop exactly as the character of each of the girls suggests.Three young provincial women come to Moscow in search of what people in all the capitals of the world are looking for - love, happiness and prosperity. Their destinies develop exactly as the character of each of the girls suggests.

  • Director
    • Vladimir Menshov
  • Writers
    • Valentin Chernykh
    • Vladimir Menshov
  • Stars
    • Vera Alentova
    • Aleksey Batalov
    • Irina Muravyova
  • See production info at IMDbPro
  • IMDb RATING
    8.0/10
    15K
    YOUR RATING
    • Director
      • Vladimir Menshov
    • Writers
      • Valentin Chernykh
      • Vladimir Menshov
    • Stars
      • Vera Alentova
      • Aleksey Batalov
      • Irina Muravyova
    • 54User reviews
    • 13Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Won 1 Oscar
      • 3 wins & 1 nomination total

    Videos1

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    Trailer

    Photos63

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    Top cast79

    Edit
    Vera Alentova
    Vera Alentova
    • Katerina 'Katya' Tikhomirova
    Aleksey Batalov
    Aleksey Batalov
    • Georgiy 'Gosha'
    Irina Muravyova
    Irina Muravyova
    • Lyudmila Sviridova
    Aleksandr Fatyushin
    Aleksandr Fatyushin
    • Sergey 'Seryozha' Gurin
    Raisa Ryazanova
    Raisa Ryazanova
    • Antonina Buyanova
    Boris Smorchkov
    Boris Smorchkov
    • Nikolay
    Yuriy Vasilev
    Yuriy Vasilev
    • Rodion 'Rudolph' Rachkov
    Natalya Vavilova
    Natalya Vavilova
    • Aleksandra - Katerina's Daughter
    Oleg Tabakov
    Oleg Tabakov
    • Volodya
    Yevgeniya Khanayeva
    Yevgeniya Khanayeva
    • Rachkov's Mother
    Valentina Ushakova
    Valentina Ushakova
    • Nikolay's mother, Anna Nikitichna
    Viktor Uralskiy
    Viktor Uralskiy
    • Nikolay's father, Mikhail Ivanovich
    Zoya Fyodorova
    Zoya Fyodorova
    • Aunt Pasha
    Liya Akhedzhakova
    Liya Akhedzhakova
    • Club director Olga Pavlovna
    Tatyana Konyukhova
    Tatyana Konyukhova
    • Self
    Vladlen Paulus
    Vladlen Paulus
    • Pyotr Lednev
    • (as V. Paulus)
    Innokentiy Smoktunovskiy
    Innokentiy Smoktunovskiy
    • Self
    Georgiy Yumatov
    Georgiy Yumatov
    • Self
    • Director
      • Vladimir Menshov
    • Writers
      • Valentin Chernykh
      • Vladimir Menshov
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews54

    8.015.1K
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    Featured reviews

    kurtrus

    Small Theme with a Big Heart

    Culturally interesting since this occurs in a Communist country that US propaganda gave little insight on the values and realities of the people. We see idealistic poets who say the older generation made mistakes, women promoted to executive positions, a film produced by the State yet approaching sexual themes, Western idolization, the drudgery of repetitive industrial work, and class distinctions between the haves and have-nots.

    Also of interest is the protagonist's view of herself. Without revealing plot twists, it is suffice to say that a woman is socially seen as submissive to the man. This is a shock to Western sensibilities of women's equality, especially as we see her ordeals as a result of a man's selfishness and dominance. What is revealing is that she, herself does not rebel against the System. She works within the parameters, creates her own success, and becomes transformed.

    Being Western, I found myself questioning whether she had truly achieved something. The crown of achievement, we are taught, is independence, equality. Whereas she achieved that in a career and in her lifestyle, in her heart, she yearned for a man, to be the little wife, and to submit herself to a patriarchal marriage. But, in the end, who are we to judge another's happiness?
    10akoumare

    Very good movie

    This was one of the last movies I have seen before leaving Russia. I am watching it every time with a lot of pleasure. It is funny, and touching to tears some moments. It is also very realistic, as many women in Russia went through the same problems as the three girls, and it touches most of people in Russia. It is also showing that it is never late to restart and suceed in your life, and in spite of difficulties it is possible to reach your goal and success (whatever it means for you).
    10lenatigress

    story about Soviet Cinderella

    If you try to understand the meaning of Soviet mode of life (especially place of woman in Soviet society), this film represents the best one you can find for this purpose. The destinies of three women are depicted in clear and awesome way, and the most important you can see is that whatever happens in life, try to be optimist and to do everything not to give up living and being happy.
    7toqtaqiya2

    A film about three women out for love.

    Moscow Does Not Believe In Tears is an appealing comedy-drama with much to say about Soviet society from the 1950s to the 1970s. The cast deliver standout performances, and this is the film's greatest strength. The story is about their lives. The city's scenery is often featured, with cinematography that's good for a Soviet drama film. The score, however, is standard fare, but there are a few notable songs. Considering its high entertainment value it's no wonder that Moscow Does Not Believe In Tears became one of the most popular films in the Soviet Union. It even won an Academy Award for Best Foreign Language Film in 1980. It's just one of those films where everyone involved in making it contributed to a result that delivers on all fronts. If the acting or the direction was worse then the result could have been another forgettable drama. Soviet filmmakers, however, specialized in drama films. This is because of the restrictions that were put on them by the government. Many good dramas were released during the Soviet period, and Moscow Does Not Believe In Tears is one of the most memorable. I definitely recommend seeing it.
    s347999

    Let's remember this is a Russian Comedy

    Being of Russian descent and a first generation Australian, I first saw this film in the original Russian a year or two after it came out. At the time I thought it was one of the funniest things I had seen in a long long time. I saw it again when our World Movie channel broadcast it and I laughed just as hard and just as long. To understand the comedy in what appears to be a story of feminist angst you need to be Russian. There is no other way to see it. We don't see that the supposed conflict between between the heroine and her lover is that she is a manager and he is not. It's much more primal than that. It is because she EARNS more than he does. Women held managerial positions in the USSR since they first began driving tanks and tractors during the second world war. Most of us are brought up to believe that we can do just about anything, and a lot of the time we have to. So please, if you see this film, remember to laugh. Remember that Yes, Russians aren't happy unless they're miserable but the story of this film is also about the joy of rebuilding lives and relationships for both men and women and about the triumph of the human spirit over seemingly impossible odds.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      One of four Russian films ever to win Academy Award for Best Foreign Language Film. The other are Guerre et paix (1965), Dersou Ouzala (1975) and Soleil trompeur (1994).
    • Goofs
      When Lyudmila and her friend approach the office building she is wearing a pair of white shoes. Once inside the building the shoes color changes to black.
    • Quotes

      Lyudmila Gurina: Don't cry.

      Lyudmila Gurina: You know what Moscow thinks of tears.

      Lyudmila Gurina: We shouldn't be sitting around, we should do something.

    • Connections
      Featured in Lyubov i golubi (1985)
    • Soundtracks
      Aleksandra, Aleksandra
      Written by Sergey Nikitin and Dmitry Suharev and Yuri Vizbor

      Performed by Tatyana Nikitina and Sergey Nikitin

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    FAQ17

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    Details

    Edit
    • Release date
      • April 14, 1982 (France)
    • Country of origin
      • Soviet Union
    • Official site
      • Mosfilm [rus]
    • Language
      • Russian
    • Also known as
      • Moscow Does Not Believe in Tears
    • Filming locations
      • Moscow, Russia
    • Production companies
      • Mosfilm
      • Vtoroe Tvorcheskoe Obedinenie
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $900,000 (estimated)
    • Gross worldwide
      • $217
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 10m(130 min)
    • Aspect ratio
      • 1.37 : 1

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