American Graffiti, la suite

'More American Graffiti' is a worthy follow up to it's predecessor 'American Graffit' Back again for this episodic slice of sixties nostalgia is Paul Le Mat as Drag racer John Milner and his racing exploits and the cute subplot involving the 'Swedish girl'

Bo Hopkin's and Charles Martin Smith's Exploits in Vietnam and Smith's recurring methods to get sent home are hilarious but ultimately tragic.

Ron Howard's marriage which is verging on break up amid the draft burning riots.

the ever likable Candy Clark's exploits as a go-go dancer in San Francisco and her 'Trips' Look out for Harrison Ford as a quick Cameo as a Traffic Cop.

From a technical standpoint 'More American Garffiti' is an interesting film as the film 'experiments' with Aspect Ratio's for instance the Vietnam sequences are 16mm 1.37 : 1 Candy Clarks San Francisco exploits are a mixture of 2.35 : 1 with 'Woodstock' like split screen effects. Ron Howards scenes are 1.85 : 1 it is an admittedly distracting effect but it makes for an interesting viewing.

The almost forgotten film MORE AMERICAN GRAFFITI, the 1979 sequel to George Lucas' masterpiece AMERICAN GRAFFITI is not as bad as critics thought, but nowhere near as good as the original. Lucas was the executive producer, but B. W. L. Norton wrote and directed this sequel. All of the cast returned except for Richard Dreyfuss.

It's actually a very ambitious films as it takes place over the course of four New Years Eve day and evening during the middle 1960's. Yet, some stories are more compelling than others. The weakest is Toad in Vietnam. It's the most farfetched story out of all of them. Compared to other films dealing with Vietnam such as APOCALYPSE NOW!, which came out the same year, it pales in comparison.

Lori and Steve story is okay but nothing great. Lori has a fight with Steve because she would like to work and not be a stay home mother. She visits her younger brother, a college student, protesting the Vietnam War and gets caught up in riot between protesters and police.

Debbie's story is more interesting as she has joined the hippie counter culture movement in San Francisco's Haight/Asbury district. The way it was filmed was interesting with multiple camera shots going on at the same time. It reminded me a bit of WOODSTOCK.

The most compelling and bittersweet story is John Milner drag.racing at the Fremont Drag Strip in Fremont, CA on New Years Eve Day 1964, the last day of his life. Between races he meets a young lady from Iceland who doesn't speak English but nevertheless they are attracted to each other and fall in love.

Overall, an uneven film with some good moments. 6/10/

The final frames of the original "American Graffiti" provide one-line summaries of the fates of the film's four central male characters. While somewhat sexist in omitting the female characters, the ending of the original film provided all the information about those people that even the most ardent fan of the movie would want. However, someone felt that mega-bucks could be made by detailing the dreary lives of these characters after the original film ended. Bad move. Making an insurance salesman and his wife, a nerdy private in Vietnam, a drag race driver, and a overgrown hippie into interesting characters in interesting situations was far beyond the talents of those who wrote this nearly unwatchable movie. While most of the original cast is back, with only Richard Dreyfuss having the good sense to stay away, "More American Graffiti" is a mess of silly situations that involve protests, car races, country singers, and the Vietnam war. The use of split screens, once thought innovative and daring, is overused here to the point of distraction and adds confusion to the already confused goings one. This is a sequel that demonstrates nearly everything that can go wrong with a sequel. Perhaps it should be screened in film schools as a lesson. Even the use of period music, which was a delight in the original, is poorly done here. If you want more "American Graffiti," see the original twice.

First off, you can not expect a sequel to excel. We get lucky sometimes but usually they are either totally lame or they fall into some sort of formula hellhole. This film, as many many reviewers have pointed out, does have flaws. Most films do. It is not that different in structure from the original either, following different story lines with different characters, albeit in different years rather than in the same night. The Vietnam sequences with Terry the Toad and Little Joe from the Pharohs gang are the best part of the movie. They could almost have made a single full-length sequel following that story line. A lot of reviewers liked the Milner sequences more than the Debbie sequences. I sort of go the other way around. I thought the Milner storyline was weak and there just wasn't much there. Maybe the hippie sequences were more familiar to me, but I related to that and thought most of it was hilarious. They could have dropped the entire other sequence as well ... it just labored to tell their story against a backdrop that was much bigger than they were.

Also liked the cameo by Falfa, Harrison Ford.

Anyway, maybe someone will come back and make the rest of the Terry-the-Toad in Vietnam story. Feel the same way about D-Day "whereabouts unknown" in Animal House. There's a movie there waiting to be told.

"American Graffiti" while overpraised, is certainly one of the best films of the early 70s. It made tons of money and jump-started the careers of many stars. So, naturally they made a sequel--but why? At the end of the original it told us what happened to the main characters--there was absolutely no surprises here. That being said it's an OK movie.

The different types of screen sizes are nice--70mm for the race car sequences; small, hand-held for the Vietnam sequences; multiple screens for Candy Clark and the hippies and regular size screen for Howard and Williams "normal" couple. But, storywise, there was nothing new here and the different screen sizes can only hold you interest for a while. It was just an average movie--but a big let-down from the original. This was not a big hit when it was released--it disappeared quickly.

This is mostly a forgotten movie--as it should stay.