IMDb RATING
5.0/10
1.4K
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After being dumped by her boyfriend and about to flunk high school, Kim decides on major changes by using her body.After being dumped by her boyfriend and about to flunk high school, Kim decides on major changes by using her body.After being dumped by her boyfriend and about to flunk high school, Kim decides on major changes by using her body.
Wallace Earl Laven
- Mrs. Bentley
- (as Phyllis Benson)
Garth Pillsbury
- Lance
- (as Garth Howard)
John Yates
- Mr. Donaldson
- (as John Grant)
James Devney
- Mr. Wyngate
- (as Jim Devney)
Clarke Gordon
- Harry Ingersoll
- (as Robert Gordon)
Cambra Foldes
- Valerie
- (as Cambra Zweigler)
Featured reviews
The absolute optimum in trashy titillation, MALIBU HIGH is unquestionably one of the sleaziest movies ever made, and a classic of its kind. This deliciously contumelious soap-opera centers around Kim, an embittered and mean-spirited high school senior. She's a "bottom drawer" student, thankless daughter, and calculating bitch who gradually advances to a street-hooking, avaricious, drug-addled mob hit-woman. Her race down the road to ruin begins when she's dumped by her scrawny feather-haired boyfriend, and transpires over the course of a single school semester. All the while, she remains fiercely determined to graduate with honors, and does so by way of seducing and blackmailing her male teachers. Several scenes conclude with a bizarre electronic music soundbite which sounds a lot like the one PBS used in their 70s/80s period station-identification spots.
The ignoble elucidation of Kim's spiraling self-destruction provides one of the most hysterically unbridled marvels of transgressive debauchery in drive-in movie history. MALIBU HIGH is a zestfully artless discourse in John Waters-flavored exaggeration, though of an entirely unpremeditated nature. Rarely has a film been as unconscionably libertine and unapologetically ostentatious...it's a priceless endowment for all lovers of nethermost cinema.
This is apparently the only film credit for leading lady Jill Lansing, which is unfortunate because she manages to flesh out her fairly complex character with surprising vibrancy . Tammy Taylor, playing the school's snobby rich girl, went on to a fruitful TV career and starred in the hot-mess gore howler DON'T GO NEAR THE PARK.
9/10...a must-see.
The ignoble elucidation of Kim's spiraling self-destruction provides one of the most hysterically unbridled marvels of transgressive debauchery in drive-in movie history. MALIBU HIGH is a zestfully artless discourse in John Waters-flavored exaggeration, though of an entirely unpremeditated nature. Rarely has a film been as unconscionably libertine and unapologetically ostentatious...it's a priceless endowment for all lovers of nethermost cinema.
This is apparently the only film credit for leading lady Jill Lansing, which is unfortunate because she manages to flesh out her fairly complex character with surprising vibrancy . Tammy Taylor, playing the school's snobby rich girl, went on to a fruitful TV career and starred in the hot-mess gore howler DON'T GO NEAR THE PARK.
9/10...a must-see.
I saw this (or a very abbreviated version of this) film on TV back around 1985. It was a puzzle. I found of copy of the film, then bought my first VCR. I was not disappointed. It is the silliest movie I have ever seen! Every aspect of it's production (acting, writing, sound, composition, cinematography, etc.) is truly bad and hence it rates an 11 on the scale of 10 all-time-bad movies.
Malibu High improves with age like a fine wine - each viewing brings new insights into how bad (and how entertaining) a film can really be. I'd recommend a group viewing with like-minded friends who occassionally need to kick back and have a great laugh.
Malibu High improves with age like a fine wine - each viewing brings new insights into how bad (and how entertaining) a film can really be. I'd recommend a group viewing with like-minded friends who occassionally need to kick back and have a great laugh.
Overlooked by a lot of bad movie fans, this is one of the worst films ever. It's not just the sleazy attitude, this one is filled with technical ineptitude, lazy writing, poor acting, and that mystery ingredient that makes a film really bad. This switches gears a lot, and you get the feeling that a lot of things were cooked up as it went along. It has shots out of focus, some bad sound, camerawork that doesn't deserve the name, poor lighting, and no sense of grace, artistry, or credibility, whatsoever. Also, although she gives the most memorable performance, our lead actress displays what has to be some of the ugliest tan-lines in movie history, nobody notices, and her "customers" all act like she's a beauty queen! Don't miss!
--Judexdot1--
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It's no wonder that the Drive-ins were drug, booze and party havens in the '70s with this type of fare being shown! Even with all of it's flaws, there is something I really like about this movie. The plot alone was what made me want to watch this hooter flick in the first place. High School flunky, turned Hooker, turned Hitgirl! When Kim gets bad grades, she seduces her Teachers and it escalates from there to becoming a full blown hooker. Not on the street mind you, but in the back of a van! What more of a classic Drive-in masterpiece could this be? The acting is awful and stiff. Speaking of stiff, the sex scenes are almost, if not worse than the acting! The camera work looks more like a home movie than a theatrical presentation. The fashions in this movie look more like mid '70s than 1979 fashion. What really cracks me up is when Kim (Jill Lansing) decides to become a hooker and shows up to school in a halter top and mini skirt! Where did she get that mini skirt from? It looks like it was made of cardboard! Didn't anyone tell Kim that mini skirts were out of fashion by 1974? The other thing that makes me laugh about this movie is the music. It sounds like what you used to hear at the supermarket. That canned piped in music called "Muzak". It's not offensive, it just doesn't really suit the movie. At the same time though, it is what gives this movie it's charm. There are a couple of music selections I had heard before. One was the music that plays after Kim tells her Mom off. This music was used for the station identification on the comedy show SCTV, which ran in the early '80s here in Canada. The next selection was during the chase scene at the end. The music being used is the same music for the syndicated TV show "The People's Court" opening! The one thing that stands out in this movie is the 1971 Mustang convertible. It's the real star of the show! It is nice to see this version of Mustang caught on film forever without rust and holes all over it, which these cars were known for. If you like movies like "The Van", "The Pom Pom Girls", and "H.O.T.S.", you may find this movie disappointing. But if you are like me and can appreciate trash flicks like "The Lonely Lady" and "The Seduction", then you will enjoy this made-for-drive-in classic!
It's definitely the best story I've ever seen about a girl who wants better grades and then becomes a prostitute and then becomes an assassin. Part of the excellent "Welcome to the Grindhouse" series complete with trailers for other good trash. This movie also contains the ODDEST music cues ever; one was used on the old SCTV and they also use the song that became "The People's Court" theme. Bad acting, unbelievable plotting make this is a "MUST OWN" for connoisseurs of bad cinema. The DVD is paired with "Trip with the Teacher" another grade Z champion seemingly "inspired" by "Last House on the Left." The entire "Welcome to the Grindhouse" is essential DVD.
Did you know
- TriviaJill Lansing was asked to pose topless for the theatrical one sheet poster, but demanded to be paid an outrageous sum of money. So producers asked Mary-Margaret Humes, one of the actresses who had auditioned for the lead, to do it and she agreed even though she wasn't in the film.
- GoofsWhen Kim "shoots" the tin can, it is obvious that the can is being flipped into the air by the wooden plank under it.
- Quotes
Kim Bentley: I can't do it, Lance... I mean, I may be a hooker, but I'm not a hitgirl.
Lance: It's time you graduated.
- ConnectionsFeatured in Making 'Malibu High' (2017)
- SoundtracksLovely But Deadly
Written by Steve Myland
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- Death in Denim
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- See more company credits at IMDbPro
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- $56,000 (estimated)
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