Le Héros magnifique

Without the aid of their buddy Jackie Chan, the icons of Hong Kong cinema demonstrates that kung fu comedy exists before and after Jackie appeared on the scene. Magnificent Butcher is one of the many examples of great Kung Fu minus the action superstar, the story follows many strands of the Kung Fu genre with masters and schools coming against eachother, complete with climactic battles and a heavy dose of boys own humour that is the template of this succesful era of kung fu. What makes this one of the greats is its simple charm, Yuen Woo Ping breathes so much life into this movie by treating the audience to a feast of distintly Hong Kong movie ideas.

Only in Hong Kong action could their contain a scene whereby a characters uses the infamous farting technique to shame his opponent, or a blind begger mistakes a water vase being held by Samo as a toilet, and in the same movie contain an attempted rape, knives being plunged into the stomachs and the lead actor smashing his enemies head with a pray stone in extra slow-mo. Only in Hong Kong would a director attempt to gel these distinctly contrasting scenes and attempt to convey a cohesive story. And in Magnificent Butcher we have something close to success, as Samo effectively conveys emotions of comedy and extreme outrage in the blink of an eye. What is strange is how quickly these charaters forget their injustices and gripes which eventually lead to the climactic fight sequence where everything ends in triumpth, as we the viewer dispel with the plot and relish the movies subsequent closing. Magnificent Butcher, or Lin shi rong, is part of the era of Hong Kong movie making whereby anything that makes the audience laugh and cry for its duration was deemed a success, as the emphasis of movies made in this era was fun twinned with an element of truth, and this calloboration between Yuen Woo Ping and Samo sets the precedent for nearly everything that has been great about Hong Kong cinema ever since.

Kung fu comedy at its most shameless, an undeniable classic for fans of Hong Kong cinema.

A great film. Sure it's a 70's kung fu film, but this one seems somehow to rise above many of its ilk. It starts quickly and from there, it feels like there's never 10 minutes go by without a cracking fight scene. And that's just the thing - ALL the fight scenes are cracking... even the ones you would expect to be minor throw-away scuffles are awesomely executed, filmed and edited! As a 70s Hong Kong Kung Fu film, it still has some fairly broad humour, but it feels more hit than miss. The pantomime style farcical elements here don't seem as forced or as protracted as in many movies of this type. It has some genuinely moving moments and the plot, although straightforward and formulaic, is also refreshing in that it doesn't deviate too much with irrelevances. Nor does it get too tied up in itself. However, there is enough plot there to keep interest in the brief bits between fights.

And this film IS about the fights. There is some awesome kung fu with just the right mix of reality-grounded martial arts, and odd touches wire-assisted flair. Sammo, as with many of the main players, is clearly at his peak, and with his input, the fights can be pretty brutal at times. They are fast, lengthy, hard, and fast and are just starting to move away from the stilted nature of the 70s films. Yuen Biao gets a great showcase fight too - one that shows his martial arts ability more than his acrobatic prowess. This is a film about the martial arts - there are some impressive acrobatics but they are kind of the run of the mill stuff of these films, rather than the jaw-dropping acrobatics of say Wheels on Meals or Dragons Forever. Sammo pulls out some impressive flips though. As does Beggar So's character.

This is my new favourite 70s kung-fuer... and I found it more enjoyable, even, than... dare I say it... Drunken Master!!! Yes - it's that good!

For the fan of the classic Hong Kong kung fu movie, this one is just plain fun. Sammo Hung is comic, fierce, expressive, and a joy to watch in action. Yuen Biao is conniving, devious, and mean. The action is wild, the kung fu is fast and furious, the stunts are convincing, all in all a great chop-sockey type movie. If you enjoy this sort of thing, give it a try!

This has everything you want from a classic kung fu film - lots of superbly choreographed action, plenty of cheesy but fun humour, and even a reasonable plot, which actually gets quite nasty at times. The fighting really is the main reason to see it though, it really is something to behold. Plenty of somersaulting, using props, and crazy moves with ridiculous names, theres even a bit of weapon fighting too. The film never gets the coverage or respect it deserves unfortunately, but if you read this, I hope it will move you to watch it, love it, and tell all your friends. Trust me, if you're into old style kung-fu along similar lines to Drunken Master, you're in for a treat.

This a great Kung Fu film based on legendary historical figure Butcher Wing, played by Sammo Hung. The choreography is brilliant and powerful - the action sequences are full of energy and ferocity. The amount of talent within this film is phenomenal. You have Sammo, Yuen Biao, Hoi San Lee, Wei Pei, and the awesome Lam Ching-Ying.

The drama in this film swiftly elevates as particular gruesome events take place within Butcher Wing's own house, thus drawing attention from a rival Kung Fu School led by Hoi San Lee's character - armed with the deadly and quite hilarious "Cosmic Palm" style.

The clash between the two schools is cataclysmic, with some of the best choreography ever recorded on film. Yuen Biao vs. Lam Ching-Ying is of particular quality. Also, the drunken beggar character adds some welcome comic relief as well as some of the funniest action sequences I have seen. This character (resembling legendary Master So Hai, and to originally be played by Simon Yuen), acts as a catalyst for the film.

This is one of the best Sammo Hung projects that is available to see. His Kung Fu seems to be at it's peak, and the choreography really is ground-breaking - at least check out the calligraphy scene!