A magician who entertains children temporarily transforms his young spectators of a village into animals. However, a boy transformed into a dog misses the moment to break the spell and has t... Read allA magician who entertains children temporarily transforms his young spectators of a village into animals. However, a boy transformed into a dog misses the moment to break the spell and has to wait for the magician to return.A magician who entertains children temporarily transforms his young spectators of a village into animals. However, a boy transformed into a dog misses the moment to break the spell and has to wait for the magician to return.
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What a lovely little film this turned out to be! Seeped in the rustic goodness of a Malayali village and the charmed music from God's own country, this mythical tale was a breath of fresh air. Dotted with songs that will have you humming along, the film follows a gang of children and their fate when an old man turns up in their village, and is labeled as Kummatty, or the Bogeyman.
The film stays honest to its setting - somehow managing to weave the peace and simplicity of the village into its characters, into its dialogue, and into its fluid song sequences. The relationship between the young and the old is beautifully captured, and when the film comes a full circle, Chinda, our main protagonist, realizes a thing or two about freedom and captivity.
This film may very well be India's own Pied Piper of Hamlin, and is a slice of folklore that is very unique to the country. Kummattikali is a dance form still practiced in Kerala during the Onam festival - and the legend seems to have arisen from the Mahabharata, where the Kummattis, or the ghost-companions of Lord Shiva, were called upon to dance and celebrate the virtue of Arjuna. And yes, masks have a huge role to play in this film, as they do in the dance form. A deliberate start but a great story in the end.
The film stays honest to its setting - somehow managing to weave the peace and simplicity of the village into its characters, into its dialogue, and into its fluid song sequences. The relationship between the young and the old is beautifully captured, and when the film comes a full circle, Chinda, our main protagonist, realizes a thing or two about freedom and captivity.
This film may very well be India's own Pied Piper of Hamlin, and is a slice of folklore that is very unique to the country. Kummattikali is a dance form still practiced in Kerala during the Onam festival - and the legend seems to have arisen from the Mahabharata, where the Kummattis, or the ghost-companions of Lord Shiva, were called upon to dance and celebrate the virtue of Arjuna. And yes, masks have a huge role to play in this film, as they do in the dance form. A deliberate start but a great story in the end.
The film is a Pied Piper-like figment of Malabar's folklore about a partly mythic and partly real magician called Kummatty (bogeyman).
Aravindan's Kummatty is a movie which is at the highest form of art.
Every song, every frame, the viewer will dissolve in it.
A film which defines what arthouse is.
Kummatty has something magical, and that's what a film must have, especially an arthouse piece of cinematic work.
Aravindan's Kummatty is a movie which is at the highest form of art.
Every song, every frame, the viewer will dissolve in it.
A film which defines what arthouse is.
Kummatty has something magical, and that's what a film must have, especially an arthouse piece of cinematic work.
The great thing about this movie is more is depicted in folk songs played and the long shots that have been captured just beautifully ...
The movie follows basic idea but executes it
beautifully.i would ve understood it even well if i was known with malaylam lieterture more but the folk songs are just beautiful.
You can watch it on youtube its uploaded by potato eater collective.
The acting by actors is great they have still faces and expressive ones ...a mivie where there is a lack of dialouge and such close ups make us feel how the charecter is feeling... it tries to potray people living in period of the film and accomplishes it well... U should give it a try for sure.
You can watch it on youtube its uploaded by potato eater collective.
The acting by actors is great they have still faces and expressive ones ...a mivie where there is a lack of dialouge and such close ups make us feel how the charecter is feeling... it tries to potray people living in period of the film and accomplishes it well... U should give it a try for sure.
I'm astonished by the low ratings this movie has received! It's truly an amazing film with stunning cinematography, especially considering the limited budget. The storytelling is a beautiful tribute to freedom, which I'm surprised more people haven't picked up on. One poignant scene that stood out to me was when the boy, transformed into a dog, is adopted by a girl who puts a chain around his neck. However, when he falls ill, they release him, and he returns home. The next day, a parrot converses with him, highlighting the special connection between animals. When the boy reverts to his human form, he immediately frees the parrot, showcasing his newfound understanding of liberation. Great work by the filmmakers!
Capturing the soul of a Malayali village movie tells the story is great depth.
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