The Life of Henry the Fifth

I'll start with a correction to another review: Like most or all of the other BBC Shakespeare productions I've watched, this has some minor abridgments, e.g., the haggling about "Heir to France" in V.2. It's nothing like as extreme as the "Good Bits" approach that Branagh took, and indeed leaves in some passages that suggest that even Shakespeare nods, such as Fluellen's nattering about Macedonian and Monmouth rivers immediately after mourning the massacre of the boys.

Like most of the other BBC Shakespeare I've watched, it's mostly competent, low-key, and not very dramatic. (After Olivier and Branagh, it was kind of interesting to see a sedate Crispin's Day speech.) There are some outright mistakes in the directing, at least in the light of Branagh. I don't see how anyone, for instance, could ever have directed Nym's leave-taking from Mistress Quickly as casual. But there are bits of Shakespeare here you won't see anywhere else, so it's worth watching, once you've seen Olivier and Branagh.

Alec McCowen's Chorus triumphantly opens the play with a summons for a Muse of Fire, but unfortunately someone handed this Muse a fire extinguisher, and flashes of insight, or even energy, are few and far between.

The usual small budget and brief shooting schedule forced videotaping in the studio, but the absence of grand vistas and real battles is not really a problem. Shakespeare's text has the Chorus apologizing for the inadequate scale of combat simulation in the confines of the Globe, and we are instructed to use our imaginations.

This video is a distinct notch below the preceding two Henry IV plays, even though it shares the same director, David Giles. Playing off Anthony Quayle and Jon Finch, David Gwillim's Prince Hal was forced into some level of theatrical vitality. Here Gwillim's weepy, whispery Henry is the whole show, and he doesn't carry it comfortably on his shoulders.

The supporting cast is notably weak, with such accomplished scene stealers as Thorley Walters, Julian Glover and Anna Quayle uncharacteristically ineffective. And both the Fluellen and Pistol are actively annoying.

Individual scenes may work well, like the exposure and condemnation of the regicide plotters or the final scene with Henry and Katherine, but all too often the pulse stops completely, and we sit there with mild hostility, waiting until someone finds a way to switch it on again. Not recommended for classroom use, as it may provoke small arms fire and lifelong hostility to the Bard.

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Another BBC take on Shakespeare's histories, this production is of somewhat dubious quality. Completely unabridged, the play can be difficult to follow for those who have not read it, also, the poor camera angles and lacklustre performances from the cast fail to emphasise on certain points. David Gwillim, whom certainly looks more like Henry V than Olivier or Branagh, has a mixed performance in the lead role. His Henry, while amusing and likeable at times, tends to whimper his speeches, most notably when he meekly whispers his way through the St. Crispins day speech before leading his men against three or four pitiful French whom, we are to believe, are actually Sixty-thousand strong. In fact I lie, Henry does not even lead his men, we only see him trudging towards us after the "battle" has taken place. The characters than have the audacity to boast that ten-thousand French have been slain, when we have yet to see one dead body (discounting the solitary dead "boy")

The scenery is poor as well, instead of filming on location, the play is filmed on a horribly unrealistic set, the walls of Harfleur are evidently made from cardboard or some such substance, and the scenic field of Agincourt is in fact a wall. Cinematography does not change, almost all of the play is filmed in bright cutesy colours and Agincourt seems a remarkably pleasant "telly-tubby" place (all we need is the. We just cannot believe for a moment that what we are watching is real. The lack of music as well must be stated, since it strips the play of drama and tension.

This play could have been so good, the cast is capable, but the direction is so poor. If music, on-location sets, and better cinematography (i.e mud, fire, blood at Harfleur and Agincourt) had been used, then for very little extra money, the play could have been brilliant.

I want to reply to one of the claims made by the 2010 reviewer (who puerilely refers to Shakespeare as "Will"). This reviewer states that the play is presented "with minimal, if any cuts." If the reviewer takes the time to read the play instead of making uninformed pronouncements about it, he or she will discover that numerous cuts have been made in the BBC's production. To be sure, most of the abridgments are pretty well judged, and there are considerably fewer abridgments than in the Olivier and Branagh versions. Nonetheless, the claim that the BBC's production presents the text uncut or nearly uncut is flatly incorrect.

As for the production itself, it's quite a good rendering of an uneven play. I agree that David Gwillim is too "weepy" and "whispery", but he performs several of his scenes well (for example, the scene with the tennis balls -- until he starts to throw them -- the scene of the exposure of the traitors, and the scene in which he woos Katherine). His rendering of the magnificent St Crispin's Day speech is very disappointing, but his rendering of the riposte to Montjoy shortly after that speech is excellent. Likewise, although he starts the great "Once more unto the breach" speech quite lamely, he finishes it well. Other members of the cast are generally proficient. In particular, the actors who appear as the French nobles seem to enjoy their roles, and they perform those roles adeptly.