Saturn 3

I first watched Saturn 3 with my father when I was about 12 years old and I remembered liking it and being creeped out by it as a kid. So I revisited the film again last night. Even though it has been over 15 years since I first saw this film, I still really enjoyed it. I was very surprised to see so many negative comments here on IMDb. All in all, the film is a little dated, but it still contains some very striking visuals and original ideas. The sets used for this film were extremely well detailed and thought out, as were the costumes and props. "Hector" is perhaps one of the coolest looking cyborg/robot characters ever conceived. The scene where he is first "booted up" and filled with "cyber-blood" is just vivid and stunning. After watching this film, it was also *quite* obvious that this movie influenced some of the more modern science fiction masterpieces like Robocop, the (1st) Matrix and James Cameron's Aliens. Several of the reviews harshly criticized the acting and the story, but I however found no problems in this department. Nowadays we seldom see good films with a small cast and a simple story. Not every movie has to be as advanced and as complex as films like Minority Report. And I am sorry, but Mark Hamill and Keanu Reeves can't hold a candle to Kirk Douglas and Harvey Keitel when it comes to acting. I think people are trying to compare this film to all the super budget modern sci-fi movies. Or perhaps this movie is regarded as "crap" by many because they think Star Wars is the end all, be all sci-fi movie of all time, which in my opinion, Star Wars is MUCH more cheesy and way too light-hearted to take seriously. If you like serious, dark sci-fi flicks, be sure to check this one out. Don't listen to all those Star Wars nerds who crap on this film. Judge it for yourself. 7/10

A lot of people bag on this film and I'm the first to admit that it is not a good film but I would be lying if I said I wasn't entertained by certain things in it. I was entertained by the incredibly bad set designs. Here's a film with a good budget, big stars and directed by the great Stanley Donen and it looks like it was filmed in someone's garage! And of course Farrah gets naked. Thank god for VHS and the pause button! If your wondering why Farrah was a sex symbol in the 70's freeze the scene where she takes her clothes off. And Keitel was creepy and his voice sounded different. Maybe it was dubbed but he gave a convincing menacing performance. Not a good film but the story had promise.

Two lovers stationed on a remote moon base of Saturn are intruded upon by a murderous man and his malevolent 8-ft robot.

Its production issues, changing of directors (one of which was the late great John Barry) and budget cuts aside for a film that was made in 1980 it feels like late 60s/70s. That said, the sets that take a leaf from Alien (1979) are partially effective and the blue ominous lighting works but is sadly used sparingly.

The late Farrah Fawcett is still a major draw and although there's a cringe worthy age gap between leads it is fitting to the narratives themes. Acting legend Kirk Douglas is a little inconsistent and not on form possibly due to the script or production woes. Harvey Keitel has been unconventionally re-dubbed which is a shame, but he still is effective as the homicidal sociopath, off beat, boorish Earth Captain Benson. Although choppy, there's some great setups with the interestingly designed Hector robot and Elmer Bernstein's score if fantastic.

It's not purposely ambiguous, but it leaves many questions and loose ends. It's by no means the worst science-fiction movie, John Barry's story offers some great ideas and has clearly influenced subsequent scifi's notably the Matrix (1999) plug-in.

It's flawed and inconsistent but still worth viewing for the concept alone.

Would-be foreboding sci-fi looks all shiny and new, like a futuristic department store. Three good actors (Farrah Fawcett, Kirk Douglas and Harvey Keitel) come off looking like incompetent dummies in this derivative, cardboard cartoon. When Keitel arrives at the space station of lovers Douglas and Fawcett, he is carrying a strange metal container. Douglas offers to carry it for him and Keitel answers, "NOOOOOOOO!" in a hilariously chilly manner that makes even Richard Burton's overacting seem tame by comparison. Poor Kirk and Farrah even strip down for this one (so much for the classy reputation of vet director Stanley Donen). There is a neat scene where robotic Hector takes a splinter from Farrah's eye, but her reaction afterward (rubbing it like a child and sticking her bottom lip out) is embarrassing. This is one step beyond, all right. It's so far out it's brain-dead. *1/2 from ****

The talent working on this film should have meant the end product was a lot more coherent than it actually was.John Barry who was involved with a story credit but was production designer for Star Wars and Superman must have had a big hand in the set design for this film as it looks incredible.The sets are so good they are a character in themselves and lend effectively to creating a sense of isolation.The sets remind me of Alien,yes they are that good which would be testament to the brilliance of Barry.Its a shame then that the rest of the film is rarther poor.It shows glimpses of promise but seems to falter just as its picking up.An expressionless Harvey Kietel seems dubbed and gave a physically hollow performance alongside an energetic Kirk Douglas and an airhead Farrah Fawcett.The visual effects are actually OK but the film seems to be missing big chunks and i get the feeling there's a version out there on the cutting room floor that is actually a lot better than what we have here.This film could probably be remade quite successfully,it has a great premise and is lacking a quality director to see it through. 6/10