La vengeance est à moi

In late 1963 a serial killer and conman Akira Nishiguchi gained nationwide attention in Japan by murdering five people, several of them while on the run from the police. In the late 1970s a book based on his life inspired the master director Shôhei Imamura to use his story as the basis for a cold crime film titled Vengeance Is Mine. The film starts with the capture of the killer Iwao Enokizu (Ken Ogata) and advances non-chronologically, depicting the detectives interviewing his family and former lovers and how Enokizu first came to know them. Particularly the muted relationship of Iwao's wife Kazuko (Mitsuko Baisho) and his Catholic father Shizuo (Rentarô Mikuni) is paid attention to, so is his stay at a brothel-like inn managed by Haru Asano (Mayumi Ogawa) and her ex-con mother Hisano (Nijiko Kiyokawa). The scenes ranging from Enokizu's childhood to his time in death row cast light on what kind of man he is, but avoid serving easy, clear-cut explanations of his inner motives.

Imamura has taken an unspectacular, down-to-earth approach to his enigmatic subject. Some techniques, such as identifying the victims' names and causes of death by subtitles, are not far from the style of documentaries. While some of Enokizu's killings take place off-screen, the depicted murder scenes are not softened by turning the camera away or fading to black, making especially the sexual violence hard to watch for sensitive viewers. Still, Vengeance Is Mine is more of a character study than a crime thriller, as in the latter parts of the film the detectives' role is diminished and the focus turned to Enokizu. He is portrayed as having been belligerent and self-confident from young age, soon blossoming into a full-blown psychopath to whom other people's feelings are of little concern, as exemplified by his cruel psychological treatment of his family. Even if Iwao's basic nature is inherent, it could be possible that the suppressed atmosphere in his parents' home has affected the way he turned out: the deeply Christian father sparks Iwao's hatred for weakness and humility, prompting him to openly mock the lack of action from the family's part when feelings develop between Kazuko and Shizuo.

Besides his twisted relationship with his family, another defining element in the film is Enokizu's stay at the inn with Haru, a mistreated woman who has to look after her unreliable mother. Imamura's portrayal of Haru is highly forlorn; to her Iwao's presence represents a possibility of freedom from her gloomy life, even when his past is no longer a secret to her. It is also during this time when the stress of being a fugitive is starting to take its toll on Enokizu; he turns from a self-confident fraudster to a more serene and openly menacing figure, an interesting change as we, the audience, already know him as cocky and carefree from the first scene that has yet to happen in the story's timeline.

The very dark lighting in the interior scenes and the slow-paced, detached storytelling will alienate those expecting a suspenseful serial killer thriller, but as a flat-out drama Vengeance Is Mine provides a fascinating trip into the world of the suave killer. Ken Ogata handles the lead role with natural charm, effortlessly fitting in the various roles Enokizu assumes over the course of the film. Rentarô Mikuni also makes a great counterforce to him as the guilt-ridden father, but especially the unlucky women Haru and Hisano are powerfully brought to life by Ogawa and Kiyokawa. The visuals are not as aesthetically striking as in Imamura's earlier masterpiece Unholy Desire (1964), but the mood is so heavily tied to the reality of Japanese society in the 1960s and 70s that the depressing mundanity of the surroundings is never out of place. The only moment rising above the strictly realistic atmosphere would be the very final scene on the top of a mountain: Enokizu's spirit will remain lingering in the lives of those around him. All in all, Vengeance is Mine should not be ignored by any enthusiast of crime cinema, but admirers of slow-burning character dramas are probably the ones to find it the most rewarding.

This dark masterpiece pushes to the limits of my toleration for violence and sex. We get to watch the "how", "when", "where" of the story of the murderous sociopath (brilliantly portrayed by Ken Ogata) but are denied any convincing "why" by Imamura. This film seemed to have echoes of Poe -- another master at combining humor with the horrific and macabre. When it comes to cinema, though, there is no other master anything like Imamura.

No aspect of this film (acting, cinematography, script) is less than impressive. A recent 2 DVD set from Panorama (a Hong Kong company) provides English subtitles and is technically adequate (albeit far from superlative).

Immamura Shohei, one of Japan's best directors, does not put a foot wrong in VENGEANCE IS MINE, one of the best films ever made.

This is a searing, raw, uncompromising study of a disturbed, callous, opportunistic killer, husband and son.

The film, running just over two hours, takes an almost doco-style approach to the crimes of its protagonist (played with chilling conviction by Ken Ogata) and takes great pains to examine the impact his behavior had on his mother, father and wife.

A flashback, which goes some way towards explaining how Ogata developed such a disdain for authority, is a masterstroke of cinematic brevity.

Although Immamura is known mostly for such brilliant work as THE PORNOGRAPHERS, BLACK RAIN and the excellent THE EEL, this is surely his crowning achievement, a film so rich and involving that it personifies everything that is so amazing about Japanese cinema, truly a cinema of the soul.

Far from a film that explores the "whydunit?" of a ruthless but charming murderer, Vengeance of Mine bristles with all the energies Imamura believes the real Japanese possess. These people are in lower social positions and just trying to survive the brutality of day-to-day struggles. In their energy, courage, and perseverance to survive, Vengeance of Mine becomes beautiful and captivating to watch.

Admittedly, it is quite difficult to understand such stereotypes as murderer, tempted Catholic, prostitute, pimp/hotel owners, and delivery men as eccentric individuals in the space of two hours. But oddly enough, I feel a strange sense of familiarity in the hustle and bustle of these characters in the story. They may live their lives teetering on what is considered socially acceptable or healthful, but Imamura presents them with such respect and curiosity (of an anthropologist?!) - that I cannot resist feeling their robust lives leaping off the screen. In this way their seemingly bizzare and extreme behavior are very convincing, very real, and very touching.

Highly recommended for the challenging story (flashbacks, vignettes, illogical twists and turns of story and visual), quirky pace, idyllic country scenes, and the wonderful performance of Ken Ogata.

This movie recounts the many unsavory exploits and pointless wanderings of a murderous criminal. Ken Ogata plays a man with absolutely no redeeming qualities and without a shred of nuance. Although I admired Ogata's vigorous performance and found the other actors quite capable, this movie became grating rather quickly. At a certain point I looked at my watch and was very surprised to see that only one hour had passed -- despite being "action packed" this film actually drags on and on and on.

The essential problem is that whenever Ogata is on screen his mode is almost always full-on viciousness. The audience gets beaten over the head relentlessly with the obvious message that this guy is absolutely no good. Fair enough, but it's hard to sit through 2.5 hours of that atmosphere without feeling cramped, oppressed and a little (or even more than a little) bored by it all. This movie could definitely have used some serious editing.

My favorite scene involves a very fraught and intimate conversation between the murderer's wife and his father. It is played with remarkable finesse and restraint by the two actors involved and offers a welcome respite from the constant drumbeat of murders, robberies, jailhouse interviews, etc.

I'd say this thing is worthwhile if you keep your expectations well in check and don't have anything too pressing to do. Your patience will be rewarded at certain times and severely tested at others. All in all, "Vengeance is Mine" is a very mixed bag.