Alligator

This film starts with a photographer being flown by helicopter to a hotel/resort in the middle of the jungle, because he has been hired to take some publicity photos for the owner. Once there he is introduced to everyone of any interest (to the viewer anyway) and is given a guided tour of the place (once again more for the viewers benefit than his, a quick and lazy way to set the story up). After this opening ten or so minutes its on with the story, this photographer falls for the owners assistant and tries to chat her up when she is alone, outside. At the same time two locals sail to a nearby island and make love. On their way back they are attacked and killed by a giant alligator, of course the photographer and his soon to be lover hear their screams. The next morning one of the two killed the night before is reported missing, the photographer puts two and two together and along with a broken boat realizes something is not quite right. The hotel owner however is not convinced, and as he has his first guests coming to stay he doesnt want to start a panic. Its now down to the photographer and his girlfriend to prove the great alligator exists. I like all these italian rip off movies from the late seventies and early eighties and this one isnt too bad at all. Sergio Martino is a solid director who seems to make good, handsome, well made movies that are better than their low budgets would suggest, mountain of the cannibal god, A man called blade and 2019 after the fall of new york are a few examples. There is not much gore and the alligator is rarely seen, but the locations are nice as is the camera work. I liked the ending as well. Some may find the film a bit dull and slow but I liked it and recommend it.

This movie has generally been critically lambasted over the years, and quite unfairly. It's generally been regarded as a "Jaws" rip-off even though the only thing it really has in common with "Jaws" is a fake-looking beastie and a guy (Mel Ferrer) who doesn't want to scare off the tourists from the luxury hotel he is operating in an undisclosed Third World jungle location. The giant caiman (incredibly, this movie has even been taken to task by some people over its inaccurate English-language title)may not be just a normal overgrown monster, but may actually be the god of a nearby group of indigenous people (do you remember that from "Jaws"?--I sure don't), who turn out to be even more dangerous to the hapless tourists than the caiman. There is also a mad missionary (Donald O'Brian)living in a cave who might be the Robert Shaw figure, but might just as well have been "ripped-off" from the novel "Heart of Darkness" as from "Jaws".

The hero (Claudio Cassanelli) is a photographer(i.e. not a sheriff)who comes to the resort for a fashion shoot. But then his model gets together with a native to make the beast with two backs out on a river island, after which they're both promptly eaten by the giant beast with one back, so it is up to the photographer and the PR spokeswoman for the hotel (Barbara Bach)to stop the rampage of this enraged "god" before he chows down on more tourists. And they also have the murderous and sacrifice-happy native tribe to deal with. This movie has a real social and environmental message about the developed world exploiting the developing world and despoiling nature. It's pretty muddled (not much more convincing than the ones found in most Italian cannibal films) but it's also very un-"Jaws"like.

This movie has also been unfavorably compared to director Martino's previous cannibal outing "Mountain of the Cannibal God". This movie doesn't feature a naked Bond girl like Ursula Andress (and clothed latter-day Bond girl Barbara Bach is admittedly a poor substitute), but it also doesn't contain tasteless animal atrocity footage (watching people get eaten by a patently fake caiman is a lot more fun than watching a real monkey get slowly eaten by a real snake). It also gives the underrated Claudio Cassanelli a chance to shine, away from the shadows of big international and American stars like Andress or Stacy Keach (there's certainly no danger of Bach upstaging him). Sure the caiman's pretty fake, but this is still infinitely preferable to Tobe Hooper's "Crocodile" or other recent CGI garbage. Watch it and judge for yourself.

Some kids bathtub toy goes on a killing spree. I mean, some ancient jungle god (in the shape of a Giant Alligator!) gets offended by a resort being built in the heart of the jungle. Then a supermodel sleeps with a native and REALLY cheeses him off! Actually, I suspect it might have been the incredibly irritating "bocka-ch-wocka" disco music that plays relentlessly through the entire film that drove the reptile to kill in the first place. The Great Alligator goes on a boring munchfest, eating more innocent natives than guilty white people and requiring that soaking wet and barely dressed shapely women be tied to rafts and offered as a sacrifice. Yeah, okay. Poor Richard Johnson plays some weirded out prophet who lives in a cave and looks like the guy from Monty Python. I kept waiting for him to run up to the camera and croak out: "It's!" at any given moment. The alligator is silly, bobbing back and forth and looking like a big rubber toy. This was obviously "Jaws" inspired, and sadly, imitation is NOT always the sincerest form of flattery. Stick with Piranha. This movie makes "Eaten Alive" look better than I originally gave it credit for.

Although this is billed as a Jaws rip-off, the whole theme park threatened by a huge lizard sounds a lot like Jurassic Park too me, more than ten years before Michael Crichton published that book.

In some country, somewhere, photographer Claudio Cassinelli has been employed to take publicity shots for new resort owner Mel Ferrer. This new resort is seems to be smack bang in the middle of a jungle surrounded by hostile country and natives who help the newcomers, but also seem pretty superstitious and twitchy. Claudio, like in Island of The Fishmen, loves to do a bit of snooping, and finds that Mel isn't beneath some dodgy antics to get the tourists in, like having sidekick Romano Puppo feed musk rats to the local crocodile population.

Also like in Island of the Fishmen, Claudio sets his eyes on Barbara Bach, Ferrer's assistant who can talk with the natives (basically the same role she had in Island of the Fishmen then!). Whereas everything seems to be going okay for everyone, there are rumblings from the natives that all these newcomers have angered the God of the river, and that he's come back as an Alligator (not a crocodile - they do have a discussion about this). So, is monster Alligator real, and more importantly, how many people is it going to eat?

This is a film of two halves, really. There constant bickering of the characters and the lack of gore is a complete letdown, and yet the elevated cheese factor completely saves the film in the end. While it takes ages to get to any action, it's worth waiting until the film gets to Richard Johnson's appearance as a crazy priest. His demented performance as a man driven insane by the alligator is hilarious. Director Martino also saves most of the action until the end, and although we never do get a gore-fest, the alligator does get to go radgy and attack every person in the resort, at exactly the same time every person in the resort is trying to escape from the angry natives!

Although made in 1979, just check out that eighties vibe with the dancing tourists. I was already to hate this one but then Martino pulls it out of the bag in the last thirty minutes. Well done m'man! Martino's next four films are comedies, so I'm giving them a miss.

For many people this is one of the worst by Sergio Martino, but I really love it. First I gotta say that I love Sergio Martino and for me he is maybe the best exploitation Italian director, better than Di Leo and Lenzi too. Big Caimano River is a real b-movie, and I say that as a compliment: a real b-movie as today nobody do anymore. It's a sort of "Jaws" rip-off, with a big alligator which scares a small village in the forest. The movie is sometime stupid, but is so funny. You can easily see that the alligator is fake, but this doesn't disturb me. Instead, I think it's almost touching: that time is over, the time of the house made fx-effects. The underwater ending sequence is fantastic. Also the truck is fake but, you know, that's b-movie. And that's what I like.