Fast Company

Stuck between "Scanners" and "The Brood", "Fast Company" is quite a strange movie among David Cronenberg's filmography. Apparently giving away his ambitious and usual themes, Cronenberg makes a pure entertainment, very close to Burt Reynolds' universe ! So what happened? Cronenberg's attachment to this film leads us to think it could be hiding something deeper. And in fact, one of the main Cronenbergian obsessions is the subject of the film : the car races are a metaphoric expression of "the re-building of the human body by technology". Is the movie any good ? Well, for a Cronenberg fan, it's quite interesting. Others should watch a REAL Burt Reynold movie !

AN AWESOME MUSEUM PIECE OF 70'S DRAG RACING "B" DRIVE-IN MOVIE HISTORY!

As other reviewers have said, this is not Cronenberg's best movie, but you need to understand even though it came out in 1979, it was shot way before that, and was one of his first movies of this commercial nature, actually his first movie with a budget of over a million dollars. So? So lighten up a bit, and look at what is there, not what lacking!

Yes, I agree with the blackxmas review above, but beg you all to view this as a "moment in time", in Edmonton, Alberta, Canada, and Spokane, Washington, USA. You have to, otherwise it won't stand up to criticism using current movie criteria. In other words, do not buy this movie if you want an intriguing plot and award-winning acting! LOL But if you know a person who went to these two drag strips back in the 70s, make their day with this one!

I am not going to add any more film criticism here, but wanted to make the point that it is rare movie because of the age of this famous film maker, because few VHS copies were ever released and because it is a Northern-made drive in movie made by a young Canadian film maker. Yes, Canadian. LOL And, oh yes---- a certain November 1969 Playboy model named Claudia Jennings was featured in this movie, and tragically, and perhaps ironically, lost her life in a car accident shortly after. So, yes, I think Fatss Company is a collector's movie.

**Canada had just started offering incentives to U.S. film makers to come up north, so David was in the right place at the right time. A long string of very famous movies have been shot here in Alberta, and Brad Pitt is getting ready to star in a movie about Jesse James--right here--- as I am typing this.

One last thing: If you look VERY carefully in the stands near the crash scene, you may be able to see me in my Mopar ball cap----yes, I was there. Hey Honey--we're out of popcorn! See you at the movies!

Okay it's not the world's greatest movie, or even the greatest movie ever made about drag racing (that would probably be 'Heart Like A Wheel') but it does have its moments and there was a lot of effort put in to ensure the technical side of things was correct. Filmed entirely in Canada around Canadian dragstrips there is a sense of what life on the road is really like. Yes the characters are rather one dimensional - good guys wear white, bad guys wear black and snarl a lot, and the stunts do look like the camera was over-cranked but any true car fan will find it holds their interest, the first time anyway. Especially if you think of it more as a documentary than a movie. Plus the cars and female leads look great. I agree the ending is lousy though.

William Smith plays Lonnie Johnson, an aging race car driver, who's sponsor, FastCo Motor Treatment, represented by John Saxon, is about to can him due their quest for a youthful and cheaper image. Claudia Jennings is his long-distance girlfriend in a not wholly original, but fascinating look at the traveling race-car circuit and it's casualties.

This may be the ultimate drive-in feature; part-documentary, part-exploitation puncuated by moments of eerie silence that proves Cronenberg can do anything he wants with any type of material and make it interesting. Strange, lingering scenes of mechanics maintaining vehicles with up-close clinical precision (as well as surreal inside-the-car camerawork) will satisfy Cronenberg's most hardcore fans, as well as the sense of desolation and alienation amongst the highways, broken-down racetracks, and most importantly, the fans and drivers of the Pacific Northwest. This may be Cronenberg's most interesting film, since it's material you would never expect him to tackle, and because it's the least-seen movie in his catalogue. Highly recommended and worth tracking down by any means necessary.

A sentence with the words "David Cronenberg" and "car racing movie" isn't exactly something you hear every day, but yes, Cronenberg did in fact make one in the late 70s in between his horror classics 'Rabid' and 'The Brood'. Very few people outside of Canada have seen 'Fast Company', and as Cronenberg is my favourite contemporary director I've been intrigued about it for years. Now that Blue Underground have released a restored version on DVD we can all finally get to see it. Now I'd love to be able to say that's it's some kind of lost masterpiece and essential viewing for Cronenberg buffs, but to be honest it's just an enjoyable b-grade racing movie, the kind of flick AIP would have released without a blink of an eye. I seriously doubt that anyone who watched it not knowing who directed it would be able to guess that Cronenberg was involved. He himself regards it as an important movie in his career, as it was another step in his learning how to make "real" movies, and because he also met several key future collaborators. That historical interest aside it's by far the most "normal" and therefore least interesting movie he's made to date. The movie is helped immeasurably by having b-grade legends William Smith ('Run, Angel, Run', 'Invasion Of The Bee Girls', 'Boss N*gger', 'The Ultimate Warrior') and John Saxon ('Planet Of Blood', 'Enter The Dragon', 'Black Christmas', 'Cannibal Apocalypse') as leads. Smith plays Lonnie Johnson a racer under pressure from his sponsors, who are represented by the back stabbing Saxon. The two work well together and by the looks of the short interview included on the DVD seem like great buddies. The late Claudia Jennings (her final role) plays Smith's love interest Sammy, and Nicholas Campbell, who subsequently acted in Cronenberg's 'The Brood', 'The Dead Zone' and 'Naked Lunch', plays his cocky protege Billy "The Kid" Brocker. The main problem with the movie apart from the awful sub-Springsteen "rawk" score, is a dull script. With a bit more work the movie really could have been something special , but as it stands 'Fast Company' is little more than an interesting curio for fans of Cronenberg and/or 70s exploitation movies.