The Evictors

I remember seeing this movie back when we first got HBO in the early eighties as a kid. The movie had a PG rating, no gore, no masked men wielding a knife, and no big production qualities and yet still managed to scare the heck out of me. There was something about the brooding atmosphere and dark haunting score that did it for me. I also remember the film had some narration in it which made it even more creepy because it gave the film a more sinister fear of the unknown quality.

Like other psychological horror film classics such as Rosemary's Baby, The Others, and the Blair Witch Project(I'm sure some will disagree with me on that one)those films allowed the viewer to create the scariest horror of all, the horror that resides in our own heads.

As horror films go, THE EVICTORS is slightly above the usual stuff that was released back then. The acting and production values are good. The cinematography is gorgeous. The Vestron VHS tape I watched had the film in an uncompressed anamorphic transfer. Everything looked squished but my TV has a 16x9 option and when I activated it, the VHS image was widescreen and beautiful. I loved the sepia toned scenes (they are flashbacks). They give the film a distinctive quality. The film's biggest weakness is the story. It sorta comes into its own by the end of the film but even so it's still pretty weak.

The story is about a couple who are terrorized by a mysterious man who lurks around a house they recently moved in, a house with a long history of suspicious violent deaths. The wife (played by the wonderful Jessica Harper) is repeatedly terrorized by the lurker when the husband is away. This storyline works on a certain level but the character who plays the lurker/murderer is no Michael or Jason. That aspect of the story was severely underwritten and when the revelation of who this lurker is and why he's terrorizing the couple, what gloomy & mysterious atmosphere the film so meticulously created vanished in a blink of an eye. But the revelation is not bad enough to destroy the whole film. It's just too corny, too a la Scooby Doo.

The other annoying thing about this film is the pacing. It's a tad slow going. The action eventually picks up in the second half but the first half was very casual.

Even with all its faults, I still enjoyed THE EVICTORS. It's a gorgeous looking horror film and there's Jessica Harper, which always makes anything worth watching.

"The Evictors" takes place in a rural Louisiana town in 1942 and is also based on a true story. A young couple from New Orleans move into their dream house in the woods of Louisiana. The home seems ideal for a wife to fix up while the husband is out working his new job. The previous owners are still attached to the house and will do anything they have to in order to get it back for themselves. The new owners begin to fear for their lives as a mysterious stranger stalks and violently threatens them.

I've found a new favorite director in Charles B. Pierce. He is the perfect example of a filmmaker who doesn't need to lean on graphic imagery and gore to get a viewer's blood pumping. He is a believer in the "less is more" school of thought and it works perfectly for him. Pierce slowly builds tension and then lets it explode on you at the last minute. You know something dreadful is coming but are still creeped out about it when it finally arrives.

Although "The Evictors" isn't a completely true story, all you have to do is a little investigating to know there's still quite a bit of validity in what happens on screen. I think that's what makes the film even more frightening. The thought that real people went through these ordeals in some form or another.

I also found it interesting that besides some bad language, "The Evictors" was rather clean for this type of movie. There wasn't any nudity to be seen. I was wondering why this was until I read that director Pierce was a Baptist.

Keep your expectations low and you might have some fun with this movie from director Charles B. Pierce, which, like his earlier "The Town That Dreaded Sundown", is a period thriller based on a true story. It doesn't add up to much when it's all over, but it's well made and has some good moments. It's really the cast that helps to maintain viewer interest as it plays out with a rather deliberate pace.

Michael Parks and the lovely Jessica Harper play Ben and Ruth Watkins, a couple who move into a house in a small Louisiana town in 1942. It seems, however, that realtor Jake Rudd (Vic Morrow) hasn't been forthcoming with them about some details. The house has a violent history: all people who previously tried to move into the house came to bad ends. And before long Ruth begins to be menaced by a glowering redneck who shows up, usually at night, with a big sharp knife.

Pierce gives this movie some semblance of style, especially the flashbacks - set in 1928, 1934, and 1939 - which are shot in a sepia tone. The scare scenes that occur really aren't that scary, but Harper is just so watchable that she makes up for any lack of suspense. She and Parks make for a very likable couple, and they're well supported by Morrow and the great Sue Ane Langdon as cheery neighbour Olie Gibson. Familiar character actors Dennis Fimple and Bill Thurman can be seen in small roles.

As in "The Town That Dreaded Sundown", the period recreation is nicely done, and the score by Jaime Mendoza-Nava adds a lot to the atmosphere.

Ultimately, there's really nothing here that's surprising, but "The Evictors" is still passably engrossing, and it does offer up a fairly interesting ending.

One of the final few films for the legendary American International Pictures.

Seven out of 10.

I saw this move when I was 15 yo and found it rather atmospheric and creepy. The main actors are good, Jessica Harper and Michael Parks especially, but there are a few amateurish performances as well. The flashbacks to the murders of the past were nicely done too, they are quite tense and suspenseful actually, and the main characters in this flick behave in a manner that I at least found plausible. It's not a "no-holds-barred" terror movie or some "Friday the 13th"-clone, just a handsomely put together, semi-independent movie. Nice cinematography also and beautiful locations. However, the claim that this is a true story, is ridiculous and, considering the ending, not something even the filmmakers believe in.