L'évadé d'Alcatraz

I'm undoubtedly going to get virtually molested for making statements like these, but whatever... It's my honest and humble opinion that, because of "Escape from Alcatraz" (and perhaps 2 or 3 other solid but underrated prison dramas), a film like "The Shawshank Redemption" does not deserve to be labeled as one of the greatest - or even THE greatest, according to this wonderful website - movie of all time. Don't crucify me just yet. I do concur "Shawshank" is a great film, but so many of the original and brilliant aspects that its fans praise and worship so much already featured here first, in this genius fifth (and final) collaboration between director Don Siegel and anti-hero Clint Eastwood. I won't go as far to claim the script/novel of "Shawshank Redemption" is a rip-off (although it wouldn't be the first time Stephen King steals from other sources) but it's definitely a big influence and inspiration.

The most astounding trick Siegel and Eastwood pull, is serving us a slow-paced and atmospheric drama rather than an exhilarating action flick, and yet it doesn't at all feel like a swindle. "Escape from Alcatraz" is a stoic and slow brooding, yet compelling depiction of prison life, its strict routines and its lack of privileges. The titular escape, which largely exists of tunneling out with a pair of nail clippers (!), is often even a mere footnote, while the real essence revolves around the solidarity between inmates and their collective fist against the corrupt prison authorities.

Needless to say, Eastwood is at his best portraying a cool, distant, arrogant and enigmatic Frank Morris. From the moment he arrives at Alcatraz, it's more than obvious that his sole mission will be to escape, even though the megalomaniacal head warden fanatically makes it clear The Rock is impossible to escape from. The latter is a strong role for Patrick McGoohan, by the way. Great, great film. No nonsense, no unnecessary dialogs or redundant sub plots, just pure craftmanship!

Alcatraz was America's toughest high-security prison, and has been much beloved by film-makers since it closed and became available as a set. Don Siegel's film is based on the true story of an attempted escape. Some aspects are clichéd (the psychopathic homosexual, for example) and by concentrating on the brutality of the regime the film gets you on the side of the escapees at the price of suggesting that prison break-outs are actually a good thing. But in general, this is a successful film that has aged well, with no sickly sentiment or overdone melodrama; by concentrating on the unadorned details of the story, the film allows each one to count. A strong, uncompromising movie, gripping even if you know the ending before it starts.

Frank Morris was a bank robber who has escape many prisons in his time, but for his troubles his transported from Atlanta and shipped off to the rock they call Alcatraz. Where supposedly no one can escape. The maximum security prison life is jarringly miserable and hopeless. The prison warden intends to keep it that way. Morris makes some friends, but also an enemy which wants to see him dead, after turning down his proposal with brute force. Through a small glimpse of hope and luck. Morris actually discovers a possible way of escape and carefully plans it out with the aid of a couple of inmates.

You can always count on the influential pairing of Clint Eastwood and Don Siegel. No matter what. On their filth and final partnership they come up with another genuine winner in the shape of the grippingly harrowing and sedated prison yarn shaped off J. Campbell Bruce's novel (and the supposed true story) of the only three men to break out of Alcatraz. It's hard not marvel at Siegel's sturdily compact craftsmanship in depicting the dour prison life with moody realism and how the story eventually folds out into a tautly drawn up break out attempt. The build up doesn't sway off course, but sticks to its simple narrative and characteristics with effective results. There's nothing explosive and downright exciting, but there's spirit lurking under the cold looking domain that eventually comes through. Like quoted in the film the rock would either break you or inspire you to fight on. The smartly layered plot works this into the characters very successfully and despite the predictability, it stays admirably honest without the need of sensationalising the facts and ambiguous conclusion. It starts of small and stays that way to the end, even with its dominantly large situation. The well-articulated script by Richard Tuggle is scanty with a lot of quiet patches. But it when comes to the forefront it manages to be cunning, but also touching. There's nothing overwrought here and gladly it doesn't succumb to that. Pacing is quite subdued, but this helps enhances the creaky mood and sophomoric nature of Alcatraz. Drama and action is kept to a minimal. Being shot on Alcatraz help chipped out such a towering and gritty presence the film held strongly and Bruce Surtees' fixedly expressive cinematography gets amongst the shadowy, dank and gloomy interior. Jerry Fielding's poignantly lingering and uncanny music score only adds more to the nauseating air whiffed up through the presentation. Clint Eastwood plays it quite steely and lean. He fit's the role smoothly as Morris. The support roles are reliably good, even if they are stuck with generic characters. Patrick McGoohan is sinisterly fine as the warden and Robert Blossom and Frank Ronzio are delightfully moving as two elder prison inmates. Paul Benjamin, Bruce M. Fischer, Fred Ward and Larry Hankin as the edgily weak-minded Charley Butts are memorably excellent in their parts.

We've been down this path before, but this efficient offering plays it cards in a very understated manner and is to the point that I found it hard not to be fascinated by it's bitter depiction. Take the chance with this fortress.

And Escape from Alcatraz is a great movie. Based on a true story, it's one of those rare films that doesn't contain endless mindless fight scenes, overt homo eroticism, impossible action scenes, cartoon like special effects that film makers seem to be overly obsessed about these days. Somebody on the board asked if they should do a re-make of the film. NO!!!! Escape from Alcatraz is excellent as it is. The film is all suspense and great acting. The prison scenes realistic. I'd been to Alcatraz before (as a tourist) and a lot of it is in ruins but the film makes it look like the prison is still intact.

I know some people may find the film dull, well that's fine. Go elsewhere and watch your cartoon action films. I'll stick with cool films like Escape from Alcatraz.

I first went on the evening tour of Alcatraz Island which I'd highly recommend, the prison was cast in a dark gloom which seemed appropriate as we walked around the jail cells and listened to many interesting facts on the audio tour, walked the grounds, and heard about the escape depicted in the move. Naturally, I had to go see this movie...

Watching the movie, I was very impressed with how accurate the movie mirrored what my sense of prison life and the escape would be like based on my impressions of the prison and the island during the tour. Having had walked around the space of the prison in the dim evening light really enhanced my sense of the movie's environment.

Small details like the painting of black shadows for sharp tools that they shared in the tour were also present in the movie, very authentic. The lack of action per se perfectly captures the actual mood of the prison, where boredom reigned, and I thought the film balanced this well with an entertaining cast of characters and well-timed action. Eastwood's silently intense attitude was a good fit for the role and the drama and atmosphere of the escape scene was done perfectly.

In short, I'd highly recommend the evening tour on Alcatraz, followed by a viewing of "Escape from Alcatraz", you will not be disappointed.