Le cercle de fer

I loved this movie. I loved just about everything about it. It has the perfect mix of philosophy, humor and martial arts. It's not, as far as I'm concerned, a martial arts movie.

It's an attempt to explain Eastern teachings to Western audiences. Whether it succeeds or not, depends on your attention span and how carefully you're watching. This is NOT a movie to watch while doing other things.

My favorite scene in the movie is Eli Wallach, who plays the man in oil. He's sitting in a cauldron in the middle of the desert, punishing himself for his own lust. Too funny.

I highly recommend this movie for anyone looking for something deep and different.

Bruce Lee was perhaps the world greatest Martial Artist. His many films prove to his audience that he was indeed that. As for being a writer, there is much to be desired. This is one of Bruce Lee's written works and called " The Circle of Iron. " It was originally conceived to be a teaching tool for the young student. In this offering, David Carradine plays, The Blind Man / Monkeyman / Death / Changsha all of who are guides and teachers to Cord the student (Jeff Cooper.) Cord's task is to find and defeat Zetan (Christopher Lee). Roddy McDowall and Eli Wallach round out the cast and provide philosophical statements for Cord. This film itself is a hodgepodge of information and Zen philosophy, designed to instruct those who seek to learn the Path or DOW. For audiences seeking lots of excitement and physical Martial arts confrontation, this movie is somewhat of a disappointment. Still there is enough to keep the student from wondering off till the lesson is learned. ***

In a land that has never existed, Cord (Jeff Cooper) is a fighter searching for the secrets of a book guarded by Zetan (Christopher Lee). Along the way Cord encounters a Blind Man (David Carradine) who teaches him the art of philosophy through martial arts. This all comes in handy when Cord must face a series of opponents (all played by Carradine). Wow, where has this film been all of my life? Based on an idea by Bruce Lee, this is a really enjoyable flick that is as entertaining as it is outlandish. Carradine shines in all four of his roles and he and Cooper have a nice rapport (they were apparently friends in real life). It is also wild to see a buff guy pushing 40 like Cooper to be cast in the lead role. If this was made today, it would definitely be a kid. There are some quick supporting turns by Roddy McDowall and Christopher Lee, but the film's cameo highlight is Eli Wallach as "The Man in Oil." Yup, he is a guy bathing in a big drum of oil in the middle of the desert with the hopes it will make his genitals dissolve. Seriously! The entire scene unfolds as if they let Alejandro Jodorowsky do one day of filming for kicks. Cinematographer-turned-directer Richard Moore never directed another film after this and it is a shame as he gets some great use out of the locations in Israel.

I'd been intrigued by this one for some time due its being based on a story concocted by Bruce Lee and James Coburn; when it emerged as a "Special Edition" via the Blue Underground label, I had considered purchasing the DVD but somehow never got around to it. Eventually, CIRCLE OF IRON (as it's better-known) was even expanded into a fully-loaded 2-Disc Set…but, then, I happened upon the original disc at a local rental outlet and finally decided to check it out.

As it happened, I was somewhat let down by the film: I'm all for exotic action/adventure stuff – a genre which got something of a revival during this era – but, despite the various trimmings (martial arts, mystical overtones, plus a number of rather superfluous cameo appearances by the likes of Roddy MacDowall, Eli Wallach and Christopher Lee), THE SILENT FLUTE came across as invincibly low-brow! Besides, while David Carradine is ostensibly the star (and even gets to play four different parts for no discernible reason!), the hero proper of the narrative was played a beefy protégé of his – Jeff Cooper – whose wooden performance here really drowned the film for me!!

The plot – the winner of a martial arts tournament is assigned the task of seeking the whereabouts of a famous wizard (played by horror legend Lee) who is in possession of an all-powerful book – sounds intriguing on paper but, to be honest, the way this plays out on screen it's not terribly compelling; worse still, the denouement is a real cop-out! That said, the numerous action sequences and Carradine's characterization of a blind shepherd (himself a martial arts champion) who guides Cooper on his danger-fraught journey make the film palatable for the most part.

Despite the obvious low-budget at his disposal, too, one-time-only director Moore (his more typical credit is as a cinematographer) lends the film reasonable visual style – accentuated by the expansive Israeli locations (which constitutes the film's main asset along with Australian composer Bruce Smeaton's beautiful score). As a matter of fact, Moore admits in the disc's Audio Commentary that the main reason that seemed to have gotten him the assignment in the first place was because his background as a cameraman assured (in the eyes of the producers, at least) outstanding visuals!

THE SILENT FLUTE is, ultimately, a hodgepodge of disparate ideas (with its most bizarre element being Wallach's masochistic "Man In Oil" and his diatribe on the virtues of a life without one's own genitalia!) which don't really jell and, consequently, it works only in fits and starts...

This is a silly movie and not for those who want credibility, realism, SFX, CGI, or The Rock. But, it is about some of the more exalted aspects of what it means to seek the limits of what you can do with a combination of your spirit and your self. Karate, kung-fu, la savate... they're all just ways to fight. This film is for those who know that ways to fight are stepping stones to something greater. It follows a man who does not know, but who is learning, that punching and kicking merely create freedom to explore and to learn; the benefits of his quest will come from something more than his physical self can achieve.

It's not a great movie, but it addresses great questions and, if you look at it through the lens of metaphor, it can point you towards an answer or two. As well as that, it's a punctuation mark--if not a prose passage--from the '80s era of movies that asked us to keep believing things we knew were probably not true, but would be oh-so-cool if they were.