IMDb RATING
7.4/10
15K
YOUR RATING
After being shipwrecked with a magnificent horse off the coast of Africa in the 1940s, a boy bonds with the stallion, and trains him to race after their rescue.After being shipwrecked with a magnificent horse off the coast of Africa in the 1940s, a boy bonds with the stallion, and trains him to race after their rescue.After being shipwrecked with a magnificent horse off the coast of Africa in the 1940s, a boy bonds with the stallion, and trains him to race after their rescue.
- Nominated for 2 Oscars
- 8 wins & 6 nominations total
Larbi Doghmi
- Arab
- (as Dogmi Larbi)
John Karlsen
- Archeologist
- (as John Karlson)
Donald Hodson
- Taurog
- (as Don Hudson)
Featured reviews
I watched this movie tonight for the first time in 15 years and was surprised to realize it could bring tears to my eyes after such a long time - grown up, adult tears. The TV copy was bad with a noisy soundtrack and cloudy images but the beauty of its cinematography seems to be stronger than time, amazingly new and powerful. The island scenes are pure poetry... so delicate is Carroll Ballard's way of catching the rising love between boy and horse - love shining out from innocence. Music is sublime, touching like the most poignant and fragile themes from Erik Satie's.
Many interpretations can be given to "The Black Stallion". To me -who saw it again after losing a friend in tragic circumstances- it is a beautiful and hopeful tale about death. Alec meets the Black -figure of death, wild and unpredictable- the night of his father's passing away and the world falls apart -the boat sinks into flames and cold water. The Black saves Alec, waking up then on a pale morning, alone on a lonely island made of black stone, translucent waters and white, dry sand. Then begins mutual taming between wild animal and young boy. How long will they observe each other, how long does it take for the Black to run gently besides Alec and for Alec to stand by the Black's tall silhouette? It feels like a few hours in this timeless land, but it could be a lifetime.
Then fear is gone, so are individuals - are they not one, running in suspended waters between sky and dust? Desire exists no longer... what do they want, but each other? If the horse is Death then Death is a friend, Death is peace and love and the abolition of time. And dreams are real just like the Black is real against Alec's hands, while in Alec's hands is clutched the unmoving and lifeless figure of a black horse given by his father on the night of his death.
Suddenly comes back the world of men, and horse and boy return to Life, witch is limits and rules and time. Yet when death has been tamed and accepted, frontiers don't matter anymore, and Alec makes peacefully his way into the world, growing along with the beautiful friendship connecting him to his horse. Together, horse and boy, they will prove that boundaries can be broken between man and animal, between dreams and reality.
Moving.
Many interpretations can be given to "The Black Stallion". To me -who saw it again after losing a friend in tragic circumstances- it is a beautiful and hopeful tale about death. Alec meets the Black -figure of death, wild and unpredictable- the night of his father's passing away and the world falls apart -the boat sinks into flames and cold water. The Black saves Alec, waking up then on a pale morning, alone on a lonely island made of black stone, translucent waters and white, dry sand. Then begins mutual taming between wild animal and young boy. How long will they observe each other, how long does it take for the Black to run gently besides Alec and for Alec to stand by the Black's tall silhouette? It feels like a few hours in this timeless land, but it could be a lifetime.
Then fear is gone, so are individuals - are they not one, running in suspended waters between sky and dust? Desire exists no longer... what do they want, but each other? If the horse is Death then Death is a friend, Death is peace and love and the abolition of time. And dreams are real just like the Black is real against Alec's hands, while in Alec's hands is clutched the unmoving and lifeless figure of a black horse given by his father on the night of his death.
Suddenly comes back the world of men, and horse and boy return to Life, witch is limits and rules and time. Yet when death has been tamed and accepted, frontiers don't matter anymore, and Alec makes peacefully his way into the world, growing along with the beautiful friendship connecting him to his horse. Together, horse and boy, they will prove that boundaries can be broken between man and animal, between dreams and reality.
Moving.
I just saw the film (I know, I know,- it's an old,old film) and I was transfixed by the acting performance by the kid, Kelly Reno. It is strange how life turns her fate in a one-moments incident that changes life forever. This is something many of us have come to understand. Still, I wonder what Kelly would have accomplished in the film industry, had he not suffered from his accident. His portrayal of Alec Ramsey was so believable, that I was certain he made many more films. All we can do, is hope that our lives turn out to be happy and fulfilling. I have learned to live for the moment and I hope he has, too.
I watched it few times many years ago.Freedom movies i like the most.That riding on the beach is one of more beautiful in the history of film.What makes it so great is your own experience of the feeling of limitations diminishing.Scenes like these lift you up so you can go for more.It is only pity that the sequence is not longer and has not slightly more inspirational melody.Two beings connected with their similarity which is love of independence,harmony.Overcoming the obstacles on the way to the ideal.Mutual help without interest if other needs it finishing in triumph.No wonder that "The Black Stallion" is the movie of which Mickey Rooney is most proud of.
This movie is a feast for the eyes with an ending that has you on the edge of your seat. It is really two movies in one. The first movie is all about a boy and a horse shipwreaked on an island and how they learn to survive by helping each other. The second movie is about how Alex saves the horse and gives it a purpose in the world with the help of Mickey Rooney. The photography and story are very strong and help make this movie a visual delight with a minimum of dialog. Isn't that what movies are all about?
First, please don't base your opinion on the last critic's remarks. You must see this movie and judge for yourself. I have been in love with this movie since I was 7 years old (1979) and I just watched it again for the first time in many years. I STILL love it!
It is one of my top ten movies of all time (Lawrence of Arabia being #1).
There isn't any bad acting. In fact, I think that Kelly Reno did a fine job as Alec...clever, introspective, and curious. Hoy Axton did a great job as his father, as well. Maybe I just connect with them because I had a similar relationship with my dad.
I challenge you to watch this film without nit-picking it to death, especially if you have an artistic soul. I thought it was lovingly directed with a lot of original camera shots (for 1979) and perfectly composed/matched music. Do you know there is an incredible length of time during this film where not one word is spoken? Nor, is it needed. Indeed, words would be sacrilege to the simple beauty of the growing friendship between boy and horse.
It's an exciting, heartwarming, beautiful, and moving tale...I can't wait to show it to my future children so I can share the magic.
*PS - make sure you turn up the bass in the beginning so you can hear the ship's heart - imagine being on that ship and hearing that all the time. It really helps set the tone and brings a conflicting sense of impending doom and comfort.
It is one of my top ten movies of all time (Lawrence of Arabia being #1).
There isn't any bad acting. In fact, I think that Kelly Reno did a fine job as Alec...clever, introspective, and curious. Hoy Axton did a great job as his father, as well. Maybe I just connect with them because I had a similar relationship with my dad.
I challenge you to watch this film without nit-picking it to death, especially if you have an artistic soul. I thought it was lovingly directed with a lot of original camera shots (for 1979) and perfectly composed/matched music. Do you know there is an incredible length of time during this film where not one word is spoken? Nor, is it needed. Indeed, words would be sacrilege to the simple beauty of the growing friendship between boy and horse.
It's an exciting, heartwarming, beautiful, and moving tale...I can't wait to show it to my future children so I can share the magic.
*PS - make sure you turn up the bass in the beginning so you can hear the ship's heart - imagine being on that ship and hearing that all the time. It really helps set the tone and brings a conflicting sense of impending doom and comfort.
Did you know
- TriviaAmong the innovations of sound editor Alan Splet, who won a special Oscar® for his work, was attaching microphones to the underside of the horse during the racing scenes to catch his actual hoof-beats and breathing.
- GoofsCyclone, the gray racehorse, changes from a soft pale gray, to a dappled gray, to a very dark gray with a white tail throughout the match race.
- Quotes
Snoe: Hey, what happened to you?
Alec Ramsey: Everything.
Snoe: Everything? That's a whole lot. It can't be everything.
- Crazy creditsA scene played throughout the end credits showed Alec and the Black's time at the beach.
- Alternate versionsMost of the home media releases plaster the United Artists logo with the 1982 variant in the 1984 VHS, 1987 variant in the 1994 VHS and 1997 DVD, 1990s variant in the 1995 VHS, and the 2001 variant in the Blu-ray and 2014 DVD. The latter two also have the opening and closing 2009 MGM logos. However, while the 2000's United Artists fanfare is high-pitched in the 2014 prints, the logo itself is reverted to its original normal pitch in The Criterion Collection prints.
- ConnectionsFeatured in Sneak Previews: Oscar Special 1980 (1980)
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- El corcel negro
- Filming locations
- Sardinia, Italy(beach and island scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,700,000 (estimated)
- Gross US & Canada
- $37,799,643
- Gross worldwide
- $37,799,643
- Runtime1 hour 58 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content