An account of The Beatles during the Hamburg years, their signing with Brian Epstein and their inevitable rise during the early sixties.An account of The Beatles during the Hamburg years, their signing with Brian Epstein and their inevitable rise during the early sixties.An account of The Beatles during the Hamburg years, their signing with Brian Epstein and their inevitable rise during the early sixties.
Michael Ryan
- Pete Best
- (as Ryan Michael)
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This is a rather overlooked film, though one with many good points. It goes through the now familiar story of the development of the Beatles, ending (I think) with the tragic death of Stu Sutcliffe. Unlike the later Backbeat, which, though a good film, was flawed by its 'arthouse' approach, Birth of the Beatles tells the story fairly straightly. I'd imagine that casual fans would be more interested in this then die hard fans. But check it out anyway - the performances (particularly that of John Lennon) are very good.
I've been a Beatles fan for most of my life. Grew up 30 miles from Liverpool a few years later than the boys did. So I could be mean and point out some of the liberties the filmmakers took here. But all in all this isn't bad. The actors are easily recognisable as their characters and the accents aren't too far off. The major players in the Beatles story are all there, and the settings (Liverpool, Hamburg) evoke the era and are believable. The songs come over really well - sounds like Rain were a decent band in their own right. The larking about on stage is also captured perfectly. But Astrid looks a little too much like Anne Robinson (and not blonde enough) for my liking - she even winks at one point!
The early relationship between Brian Epstein and the Beatles seemed very real. Well, Pete Best was there at the time and, as an adviser, should have helped them to get it right. He obviously believes (to this day) that there was a long-running conspiracy to replace him with Ringo. And I think he's right.
I think my favourite cameo in the film is Nigel Havers as George Martin. The posh tall classically trained English gent, running a comedy label as part of EMI, was the only record executive to recognise the unique talent that changed popular music for ever.
Good job, lads.
The early relationship between Brian Epstein and the Beatles seemed very real. Well, Pete Best was there at the time and, as an adviser, should have helped them to get it right. He obviously believes (to this day) that there was a long-running conspiracy to replace him with Ringo. And I think he's right.
I think my favourite cameo in the film is Nigel Havers as George Martin. The posh tall classically trained English gent, running a comedy label as part of EMI, was the only record executive to recognise the unique talent that changed popular music for ever.
Good job, lads.
I haven't really paid attention to the accuracy but I did pay attention to the acting. As far as I'm concerned, each actor had the mannerisms of their respective characters down. I thought it was an energetic film and I enjoyed it even though I only saw it twice, 44 years apart! Stephen MacKenna did a brilliant job as John Lennon and I thought the film pointed out key elements of their time together before their fame. Costumes were great. Definitely one of the better musical biographies I've seen. The film really does a great job of showing their beginnings and how hard they worked and basically that they paid their dues.
There are a number of things that are not correct, although this is not too important since what happened to whom and when is still in dispute. The most blatant liberty with the facts I think is when they start to play at Bruno Koschmidder's Kaiserkeller, when in fact they played at the Indra and moved to the Kaiserkeller later.
I agree with Semprinni20 that the film was biased in favour of Pete Best's version, but if he is the story consultant then I guess he calls the shots. I also agree with Semprinni that the recordings Pete Best plays on say the last word on the subject of why he was fired.
Although the film is not such a lavish production as the later film "Backbeat", I prefer this film because it is more accurate, and because it has a better script with deeper characterisation.
There is plenty in the film that is quite substantial - such as Brian Epstein trying to hide the fact that he has been "queer-bashed," only to find out that the band knew he was Gay all along. Little touches like the band going into a café and ordering "Corn-Flakes mit Milch." My favourite scene, which does have some bassis in fact, is where at an audition Stuart Sutcliffe has just bought his bass guitar but can't play it, so he stands with his back to the impresario and tries faking it, but gets caught. That's rock 'n' roll.
Well worth watching.
I agree with Semprinni20 that the film was biased in favour of Pete Best's version, but if he is the story consultant then I guess he calls the shots. I also agree with Semprinni that the recordings Pete Best plays on say the last word on the subject of why he was fired.
Although the film is not such a lavish production as the later film "Backbeat", I prefer this film because it is more accurate, and because it has a better script with deeper characterisation.
There is plenty in the film that is quite substantial - such as Brian Epstein trying to hide the fact that he has been "queer-bashed," only to find out that the band knew he was Gay all along. Little touches like the band going into a café and ordering "Corn-Flakes mit Milch." My favourite scene, which does have some bassis in fact, is where at an audition Stuart Sutcliffe has just bought his bass guitar but can't play it, so he stands with his back to the impresario and tries faking it, but gets caught. That's rock 'n' roll.
Well worth watching.
70's cars everywhere and inaccuracies! That's what comes to my mind when I think about this movie. Everything feels rushed, like they didn't have the time to find the correct guitars, the correct sets, the correct backgrounds. And they didn't have the time to tell the story correctly either. Scenes jump from one to another without any sense of segue. For any knowledgeable fan of the Beatles, it feels simplified to the extreme.
But on the other hand, the actors playing John, Paul, George and Ringo are good (Paul is often on the verge of overacting though) and they got the voices down! You could listen to the movie without watching it and you would be able to tell who is speaking! It's still a fun movie to watch, even if it's only to pick up flaws and inaccuracies!
But on the other hand, the actors playing John, Paul, George and Ringo are good (Paul is often on the verge of overacting though) and they got the voices down! You could listen to the movie without watching it and you would be able to tell who is speaking! It's still a fun movie to watch, even if it's only to pick up flaws and inaccuracies!
Did you know
- TriviaJohn Lennon, Paul McCartney, Ringo Starr and George Harrison all opposed the making of this film and wanted it to be stopped and never to be released.
- GoofsWhen the Beatles are in Hamburg in 1961, George Harrison sings "Don't Bother Me" on stage, the first song he wrote for the group but in actuality Harrison didn't write the song until 1963, and it was included on the Beatles' second album.
- Quotes
Paul McCartney: Hey, when you're rich and famous, what are you gonna be?
George Harrison: A millionaire.
Paul McCartney: And do what?
George Harrison: Buy a bus for me dad! He's putting his foot down. Wants me working.
John Lennon: Don't be thick! People die here... never knowing if they've ever lived. Well, you won't find me working 9 to 5.
- Alternate versionsA European version exists, and is a different cut from the American version. The following changes were made to the European version:
- Some of the dialogue and text in this version is different.
- The opening narration is now done by a British narrator, with the opening text superimposed on a black screen as opposed to a blue screen.
- The prologue, which includes John saying that he wants to see Mickey Mouse is omitted.
- The opening theme song is "My Bonnie" instead of "She Loves You".
- A scene in an art school with a naked woman is included.
- The scenes where The Beatles perform at Der Kaiserkiller are longer. They also include two additional song scenes: "Kansas City" and "Shake, Rattle and Roll" (the former has them trip on the stage floor, while the latter has them break it).
- The scene where they find Stuart badly beaten has extra dialogue.
- The scene where Stuart and Astrid have their moment in bed together is different. The other version has him showing her her new necklace, while this version, has the two of them making love to each other.
- John's bedroom scene with Stuart has extra shots of the others in bed.
- The scene where they first talk to Brian Epstein is a little bit longer.
- The scene where Brian goes to find The Beatles performing "Love Me Do" at a venue is longer.
- The scene where Brian goes to tell the Beatles about George Martin and EMI, has him getting out of a taxi.
- In the scene where Cynthia tell John about expecting a baby, John asks her "What are we gonna call him?"
- The scene where the Beatles arrive at New York City is longer.
- The end credits feature "She Loves You", instead of "My Bonnie".
- ConnectionsFeatures Toast of the Town: Meet The Beatles (1964)
- SoundtracksI Saw Her Standing There
Written by John Lennon and Paul McCartney
Performed by Rain (Eddie Lineberry, Chuck Coffey, Bill Connearney, and Steve Wight)
- How long is Birth of the Beatles?Powered by Alexa
Details
- Runtime
- 1h 44m(104 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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