Autumn Born

Wow, what a terrible movie! If not for the star of this "movie" nobody would give this story the time of day. Dorothy is very attractive and gives an ok performance of an 18 year old girl being forced to submit. The only problem is that the story drags on with no interesting characters besides Dorothy. Also, the story goes nowhere! The ending is total garbage as the audience is left confused at what is happening. Who wins? What is going to happen? Is this a happy ending? If you are going to make a movie about dominating, show it! The movie teases its audience. Very little nudity for an 80 minute movie. Unless you are a fan of the former Playboy model, this movie is junk.

My review was written in July 1983 after watching a Monterey video cassette.

Made in Winnipeg, Manitoba in 1979, "Autumn Born" is an unreleased softcore pornography feature which would have undoubtedly have remained in the vault except that it toplines the late Dorothy Stratten, former Playboy playmate and victim of a sensational murder. Of obvious curiosity value, this amateurish film is currently circulating on the home video market.

Already the subject of a tv biopic starring Jamie Lee Curtis and an upcoming Bob Fosse-helmed biopic starring Mariel Hemingway, Stratten is featured here in the film's lead role, that of heiress Tara Dawson, who is kidnapped on her uncle's orders and taken to Morgan Estates, an "obedience" school for girls.

Tedious picture lamely attempts to present Victorian-era porno in modern guise, with poor Stratten subjected to frequent birching and sensory deprivation in four months of isolation, in order to break her spirit and have her sign over her inheritance to the uncle. Bondage motifs and a stock lesbian head mistress of the school are the primary diversions of the repetitive, uneventful footage.

Though there are some nude scenes. The sexual content of "Autumn Born" is quite tame by contemporary standards. Stratten is literally on display in her undergarments for voyeuristic purposes, but the device ultimately becomes fetishisticl Amidst generally awful, one-take acting by the cast, her transition from sexy 17-year-old to submissive little girl is earnestly portrayed and projects some of the appeal shown in her smaller role in Peter Bodganovich's "They All Laughed" and far more interesting than her walkthrough as a robot in her other film "Galaxina".

Ragged editing, sloppy sound and a dull keyboards musical score create a dull film, which is heavily padded by opening and end creidts to reach a 75-minute feature length.

Many elements of this movie went into Bob Fosse's film. He watched this movie and took a lot of its music, other things like that for his film. There are many campy elements that Fosse picked up on that have made this a cult movie. Dorothy driving a (I think) Rolls is a beautiful shot, you wish you were blonde and rich in 1979. Dorothy's talking style is similar to many of us girls when people have accused us of talking wooden or stilted when it is our natural speaking voice, which makes a girl feel better that we talk as good as an actress. When she tells the other girl "you're a really nice person" my friend said, she says it just like you and then I knew it wasn't really wooden.

The other actors are quite interesting in their delivery, and there is a weird little music that plays over the intercom. Dorothy yelling, stop playing that bloody music is a high point and makes you feel comfortable, if you grew up hearing people yell bloody fool and things like that.

She looks her stunning self in every scene. The end is quite clear, the uncle is trapped and they will all live in the mansion with the uncle in the little room.

The best campy line is the woman saying, when Dorothy is about to paint her toes, Oh no, I detest that rustic shade! All the elements make it a bizarre, high camp movie. But for soome reason easygoing, tolerant people can barely sit through it once.

The fictional filming of this movie is shown in the Bob Fosse film STAR 80, which is about the death of Dorothy Stratten, and is called "Wednesday's Child" instead of "Autumn Born". In STAR 80, Dorothy Stratten, played by Muriel Hemingway, is being slapped by an actor, and she bites into a blood pellet too soon, and the director gets mad at her. And then Eric Roberts, who plays Strattens crazy boyfriend/husband Paul Snider, calls her up and gets her to cry on the set. That's in STAR 80 and the movie "Wednesday's Child" is really this movie, "Autumn Born", and it's plain awful. It looks like a porno, has acting like a porno, has music like a porno, but doesn't pay off at all... There is lesbianism involved but they kiss each others noses and that's it... The sex is all edited out for the most part, and all that's left is horrific acting... They cut out so much sex that it doesn't even seem as if this movie deserves an R rating... It's awful, but somewhat fun to watch I guess. In one scene, Stratten falls in love with a wind up mouse (!!!), and then she hears voices in another room singing the Three Blind Mice song, about the farmer's daughter cutting off the mouse's tail, and Stratten begins crying and trying to hide the mouse inside the walls. Since this film mainly deals with lesbianism, they should have at least shown some real kissing, or something other than badly edited nose pecks. To note: other films mentioned in STAR 80 that in real life starred Stratten are "Ballbearings" that is really "Skatetown USA", and there's the movie "They All Laughed" shown, but that title isn't mentioned in STAR 80. Anyhow, since the Fosse film is one of my all time favorite movies, I checked out this one, "Autumn Born", aka, "Wednesday's Child", and I wish I hadn't, because it was a big tease and nothing more.

It's really much too bad that Dorthy Stratten, who was probably one of the prettiest females to grace this planet, wasn't around longer to make more and better movies. We are left with Galaxina and Autumn Born, the former being the much better known of her two movies. This movie Autumn Born is good at what it is, which, in addition to being a "sexploitation" movie, is almost a perfect, text-book account of how to brainwash someone. Though certainly an unpleasant subject, people should realize that this is a real technique that is used upon unwilling people to cause them to be subjective to other people "the masters". It's a fairly well-made film, for a low-budget feature and one of the only two movies you'll find Dorthy Stratten in, so if your a Stratten fan or interested in brainwashing, then go for it.