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While the arrival of wealthy gentlemen sends her marriage-minded mother into a frenzy, willful and opinionated Elizabeth Bennet matches wits with haughty Mr. Darcy.While the arrival of wealthy gentlemen sends her marriage-minded mother into a frenzy, willful and opinionated Elizabeth Bennet matches wits with haughty Mr. Darcy.While the arrival of wealthy gentlemen sends her marriage-minded mother into a frenzy, willful and opinionated Elizabeth Bennet matches wits with haughty Mr. Darcy.
- Nominated for 2 BAFTA Awards
- 2 nominations total
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10mayrose
I have seen the movie with Greer Garson and the new BBC mini-series, and this 1979 version is my favorite of the three. But they all have something to recommend them. The Greer Garson movie is gentle and courtly and it doesn't take itself seriously at all...the new BBC series is *very* romantic. But I think the Garvie/Rintoul series really does capture the spirit of the book. What some people have described as stilted reading is, I think, just evidence of the care that Austen took with each phrase, so the words are carefully chosen and carefully spoken...and, assuredly, the Darcy/Elizabeth exchanges are filled with emotion underneath the surface of propriety. David Rintoul does a wonderful, wonderful job, he is totally believable as the enigmatic Darcy, and Garvie as Elizabeth is wise and restrained, yet also shows her youth. The other characters are also well-played, and the music is very appropriate. The sets are simple, yes, but they seem very authentic, and the scenery is marvelous. Although I did enjoy both other versions I saw, it is in this one where I feel the real passion is, despite of, or, perhaps because of, the restrained actions of the characters...you can see them boiling underneath the veneer of civility. :) But the lush BBC version and the gentle, kind movie version have much to be said for them, too...they are all good in their own ways, and, therefore, should be enjoyed for what each of them brings to the novel. Enjoy. :)
This version aired on UK TV fifteen years before the renowned Colin Firth/Jennifer Ehle adaptation of Jane Austen's famous book. As such, it shows its age, being rather studio-bound and stiff in its construction.
However, Elizabeth Garvie does come across as closer to Austen's conception of Lizzy Bennet that either Jennifer Ehle or Greer Garson in the Hollywood film. Sabina Franklyn is particularly good as Jane, not a mouse but just a genuinely nice person, while Clare Higgins (Kitty), Tessa Peake-Jones (Mary), and Natalie Ogle (Lydia) are good as the remaining Bennet sisters.
Of particular interest though is David Rintoul's Darcy. Of a very different stamp to the brooding landowner of the 1995 version, he gives an extremely interesting portrayal, just as attractive in its way, and again, closer to the character depicted in the book. Others of note in the cast are Moray Watson as Mr Bennet, and Judy Parfitt as Lady Catherine de Bourgh.
However, Elizabeth Garvie does come across as closer to Austen's conception of Lizzy Bennet that either Jennifer Ehle or Greer Garson in the Hollywood film. Sabina Franklyn is particularly good as Jane, not a mouse but just a genuinely nice person, while Clare Higgins (Kitty), Tessa Peake-Jones (Mary), and Natalie Ogle (Lydia) are good as the remaining Bennet sisters.
Of particular interest though is David Rintoul's Darcy. Of a very different stamp to the brooding landowner of the 1995 version, he gives an extremely interesting portrayal, just as attractive in its way, and again, closer to the character depicted in the book. Others of note in the cast are Moray Watson as Mr Bennet, and Judy Parfitt as Lady Catherine de Bourgh.
The movies are too short to capture the beauty of the book. And the new mini series by A&E and BBC is just plain tacky! This series, however, has it all! The most important aspect is the quality of the acting. Elizabeth Garvie and David Rintoul are excellent. They ARE Lizzy and Mr. Darcy. But the great acting doesn't end there. The quality of the cast is superb. From the most important stars all the way down to the most menial of the servants. Every actor and actress does a great job of capturing the mood of the era.
Please see this production. Buy it if you can. It is being shown on the Romance Channel, too. See it at all costs!
Please see this production. Buy it if you can. It is being shown on the Romance Channel, too. See it at all costs!
"Pride & Prejudice" is easily the favourite of all of Jane Austen's six published novels. Many literary critics have tried to analyse why her books are still so popular in this day & age around 200 years after they were written. Probably the best reasons are that the themes of her novels, (love & marriage), are relevant at any time period & that she was just so darned good as a writer. Taken purely as a love story It is probably without equal which explains why it has been adapted for film & television so often. This 1980 version stars Elizabeth Garvie as Elizabeth Bennett who plays the sensible & spirited young lady really well but, for me David Rintoul as Fitzwilliam Darcy is even better. To my mind, he plays the proud, haughty & extremely handsome Darcy precisely as written & envisioned by Jane Austen. He is aloof, stiff & unemotional which makes it easy to see why Elizabeth dislikes him so much at first. Quite a number of reviewers of this adaptation of Pride & Prejudice have criticised Rintoul's performance. They claim he plays Darcy with too little emotion & in comparison with Colin Firth's 1995 performance is dull, uninteresting & unromantic. It is true that he isn't as outwardly romantic as played by Colin Firth but I disagree with that criticism. Rintoul nails him precisely as written by Jane Austen & what a shame we cannot get her opinion!. Another standout acting performance is given by Judy Parfitt as Darcy's aunt Lady Catherine De Bourgh. Ms Parfitt has a natural regal bearing combined with a beautifully intoned speaking voice & can just nail an upper-crust woman effortlessly. She also plays her with such a commanding air that you almost cannot help disliking her. That, too, is also true to the spirit of the book as written by Jane Austen. Malcolm Rennie is also excellent as the pompous, somewhat comical vicar Mr. Collins. The scene in which he proposes marriage to Elizabeth & is rejected by her is particularly well played by both of them. Both Priscilla Morgan & Moray Watson are also extremely good as Elizabeth Bennett's mother and father, respectively. Sabina Franklyn also does well playing Elizabeth's very pretty older sister Jane who will fall in love & marry Darcy's best friend Mr. Bingley (Osmund Bullock). Tessa Peake-Jones plays her bookish younger sister Mary who later got a more fames television role as Delboy's love interest Raquel in Only Fools & Horses. Natalie Ogle plays the youngest of the five Bennett sisters Lydia who is fatuous & will enter into a hasty, sham marriage with the handsome, (but deceitful & untrustworthy), Mr. Wickham (Peter Settelen). None of the sisters attend the marriage ceremony & when they return from their honeymoon Lydia is eager to tell her sisters all about it. Elizabeth does not want to know & delivers one of the books most memorable put-down lines. "I do not think there can be too little said on the subject!". There isn't a weak performance by anyone in the entire cast. The 1995 TV production with Colin Firth & Jennifer Ehle was pretty good, but this 1980 BBC production dramatised by Fay Weldon is closer to the book & definitely superior in my opinion.
I was surprised by some of the comments left about this adaptation. Elizabeth Garvie was fantastic as Elizabeth - so much more in the spirit of the novel than Jennifer Ehle or Greer Garson (the worst by far), both of whom just seemed petulant and, frankly, unintelligent. In fact, all of the actresses playing the Bennet girls were better cast than were those in the A&E version, although Susannah Harker as Jane Bennet was almost as good as Sabina Franklyn. Come to think of it, apart from Anna Chancellor (Miss Bingley in the A&E version - she was perfect), I think all of the actors in the BBC version were better cast. It's true that David Rintoul is very stiff. But that's really how, when reading the novel, I always envisioned him. I'm sorry to ever choose anyone over Colin Firth but I have to. His Mr. Darcy just lacks dignity. And subtlety. He's so very obvious. Really beautiful but, I'm sorry, really not Fitzwilliam Darcy.
It is also true that the production values in this version were low but really, it was the late 70s and made for the BBC! So, basically, that's too silly an argument against.
Overall, if you loved the book and want to see a version that's truly captured its spirit, see this version. If you just like looking at a lot of beautiful people standing about in beautiful clothes in beautiful surroundings, pretty much not getting the point, watch the A&E version.
By the by, the A&E version is also good for putting you to sleep.
It is also true that the production values in this version were low but really, it was the late 70s and made for the BBC! So, basically, that's too silly an argument against.
Overall, if you loved the book and want to see a version that's truly captured its spirit, see this version. If you just like looking at a lot of beautiful people standing about in beautiful clothes in beautiful surroundings, pretty much not getting the point, watch the A&E version.
By the by, the A&E version is also good for putting you to sleep.
Did you know
- TriviaEach episode opens with a watercolor tableau rendered in the style of Thomas Rowlandson (1757-1827), a famous caricaturist and a contemporary of Jane Austen.
- GoofsIn episode 1 Miss Elizabeth Bennett sits at a piano as she sings a simple song while the score on the piano shows the name of (Johannes) Brahms, who was born sixteen years after Jane Austen's death.
- Quotes
Mary Bennet: It's been my experience, that an event looked forward to with much impatient desire, does not always brings its promised satisfaction.
- ConnectionsFeatured in Pride and Prejudice Revisited (2005)
- SoundtracksThe Ash Grove
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