La folle escapade

I had absolutely no knowledge of WATERSHIP DOWN was going to be about except that it featured rabbits in some capacity . I had an inkling it was going to be some patronising , juvenile crap that anyone above the age of seven would find nauseating . It says something about the quality of television on the run up to Christmas when a bitter and twisted 39 year old man sits down to watch a feature length about talking rabbits - Talking rabbits ! OMG , it's not like the author Richard Adams meant the story to be some drug metaphor is it ? OMG talking rabbits just how pathetic is that ? And the one thing that I remembered on its initial release - And which I'm still trying to forget to this very day - is that gawd awful song by the guy with the worst hairstyle in the history of pop music . You know the song .... " bright eyes burning like fire " . Bad enough I saw BARNEY'S BIG ADVENTURE the previous day . Now I was going to be watching equally childish sentimental crap with talking rabbits

Oh hold on . I've just seen WATERSHIP DOWN this very minute . Can everyone reading this review please ignore erroneous phrases like " Childish pathetic crap " because this is not how the story plays out . I do confess that perhaps the original story has perhaps been slightly flawed in the adaption with the hierarchy of the original warren somewhat unexplained ( For example why is it treason to leave the warren and search for a new one ? ) but that is my one and only criticism of this superb animated adventure which can be enjoyed by anyone of any age

In a nut shell WATERSHIP DOWN resembles one of those post apocalypse dramas by John Wyndham or more especially John Christopher except instead of humans it features rabbits that talk . No seriously forget all about the characters being humanized bunnies , this is a dark dramatic adventure where survivors of an eco-disaster try and find sanctuary in a bleak , desolate and dangerous world . As crazy as it sounds some people have picked up on the coincidence that the plot resembles 28 DAYS LATER and one can't help thinking that it's a little bit stronger than coincidence . If you've seen one you can't noticing the quite striking similarities between the two especially the climax . Of course it could be that the original novel of WATERSHIP DOWN was influenced by Conrad's HEART OF DARKNESS which seems to have influenced much of Alex Garland's work but even so

A thoroughly enthralling adventure that may have children weeping at the sad bits will certainly keep adults interested as they try and spot analogies . Let me repeat once again that while there's sad scenes there is nothing sickeningly sentimental and is a shockingly sophisticated tale . I certainly rate as being one of the greatest British productions of the 1970s

The first great animated film to come around in the entire history of motion pictures! It's not only original(shying away from the traditional "Disney" formula), but it's the first animated film to ponder the meaning of life itself! I was really moved by it! With "Disney" films, you know what to expect. This was like watching a Terrence Malick film; beautiful, subtle, spiritual, and important for our lives. The only difference is that it's animated with "cute & cuddly" cartoon characters. This is a film both adults and children alike will enjoy and learn from, because it is a social commentary on facism, and it is a spiritual film. It's spirituality lies in it's initial message, which is about facing death, and avoiding it as well. Not that you can avoid death, but that you can have a sense of self preservation, purpose, and a place in life. The most inspirational line of the movie is "All the world will be your enemy. And when they catch you, they will kill you. But first they have to catch you.". All of your life, you will continue to meet people who like you, and those that will attack you. Be strong, stand tall, "and your people will never be destroyed.". That is basically, in a few words, what the world and the meaning of life is really all about!

Being an Australian, it's rather difficult to sympathise with the plight of rabbits. Following their introduction to our continent in 1859, the European Rabbit population has multiplied at an absolutely phenomenal rate, destroying the natural environment and helping to drive numerous native marsupial species to extinction. They've survived countless attempts to eradicate their numbers, and are now largely resistant to both Myxomatosis and calicivirus. At home, I'm always sure to congratulate my pet dog, Cassie, whenever she trots into the backyard with a rabbit clutched between her teeth. You'll forgive me for launching into a tirade about a troublesome Australian pest, but I'm just trying to convey my general abhorrence towards the species. It would have taken a mighty piece of film-making to make me forget that I hate rabbits, and yet 'Watership Down (1978)' had me utterly engaged from the opening moments. Not only did I care about Hazel, Fiver and Bigwig, but I genuinely fell in love with them, and for 100 minutes I was completely absorbed in their strenuous but noble struggle for survival.

The film is based upon the 1972 novel of the same name by Richard Adams, and was both adapted and directed by Martin Rosen. What struck me most was how incredibly rich the story was, with Adams having created not only a wealth of multi-layered characters, but also an entire rabbit culture and mythology. 'Watership Down' opens with a fascinating Creation story, as the God-like deity Frith (symbolised by the Sun) creates planet Earth and every creature within it. In a double-edged blessing, Frith condemns the mischievous rabbit prince El-ahrairah to forever be hunted, but also to always have the skill and agility to survive: "All the world will be your enemy, Prince of a Thousand Enemies. And when they catch you, they will kill you. But first they must catch you." The events take place in the English countryside, with the title stemming from a hill at Ecchinswell in the county of Hampshire; despite my initial preconceptions, 'Watership Down' was certainly not the story of a sinking ocean liner!

Hazel the rabbit (voiced by John Hurt) may not be physically-imposing, but he is selfless, intelligent and mature, and this makes him a fine leader. His younger brother, Fiver (Richard Briers), is runtish and neurotic, yet he possesses a sort of mystic flair that means his peculiar "feelings" almost always prove significant. After Fiver foresees danger approaching their warren, a small group of rabbits – including the brutish but noble Bigwig (Michael Graham Cox) – flee their home in search of a safer locale. Their journey is certainly not a walk in the park, and allow me to be the one millionth reviewer to warn parents that many scenes in this film are not suitable for young children. As the group trudge across the English countryside, they are greeted with an assortment of creatures who would be more than happy to make a dinner out of them, including hawks, dogs, cats and humans. However, the rabbits' greatest obstacle before happiness is the nasty, tyrannical Chief-Rabbit, General Woundwort (Harry Andrews), a bloated, domineering lump of a villain who is both reminiscent of George Orwell's Napolean and, oddly enough, Orson Welles' Police Captain Hank Quinlan.

I am twelve years old and I personally loved it. It is one of the most touching films I have seen. All to do with these rabbits hardships. Some of it made me laugh whilst other bits made me cry, but thats just me. It is very good and also makes you think about what could be happening in real life. My dad used to take me shooting rabbits, but after Watership Down I never went again. The graphics may not be as high quality as some of the newest releases but don't let that put you off. It is a remarkable film and I loved it. Don't think that older films are no good because Watership Down is AMAZING! I think if you are under the age of eight then you might not like it due to some violence and gore, but eight plus with love it. Even adults will enjoy it.

'Watership Down' is a terrific adaptation of Richard Adams's novel. Like Orwell's 'Animal Farm', this isn't only a film for children but equally important for adults. The soundtrack is captivating and I loved the way Art Garfunkel's song was used. The characters are so richly written that the viewer immediately empathizes and identifies with them. They are brave, endearing, loyal and strong and this is all cleverly downplayed. Fiver and Hazel are the two heroes who are brilliantly voiced by Richard Briers and John Hurt. The overall voice acting is very well done.

Unlike most animated films, 'Watership Down' uses a lot of subtlety. Nothing is overdone. The music flows well, the pacing is smooth and the characters are real (rather than over the top). The animation is simplistic, created with watercolour and ink, giving it a gentle touch. It works effectively.

There story is cleverly layered and there's a lot of intriguing symbolism. The film never shies away from being brutally honest. It shows life the way it is: There's pain, there's death, there's suffering, there's determination and one needs to work hard to have the best of it, to survive. While many have complained that this is no movie for children, I think it depends more on the individual because this film is relevant for everyone. The violent scenes are a bit graphic and the sad scenes are moving but in the end it is uplifting.

There are very few novels that have been so fascinating on screen. 'Watership Down' is among them. It is a magnificently gripping adventurous tale. After 30 years it still remains a powerful story that strongly applies to today's world. I remember seeing it ages ago and then it was a must-have-on-DVD movie for me. I finally got the DVD and had the pleasure to watch revisit it today. A dazzling gem.