La folle escapade

I am twelve years old and I personally loved it. It is one of the most touching films I have seen. All to do with these rabbits hardships. Some of it made me laugh whilst other bits made me cry, but thats just me. It is very good and also makes you think about what could be happening in real life. My dad used to take me shooting rabbits, but after Watership Down I never went again. The graphics may not be as high quality as some of the newest releases but don't let that put you off. It is a remarkable film and I loved it. Don't think that older films are no good because Watership Down is AMAZING! I think if you are under the age of eight then you might not like it due to some violence and gore, but eight plus with love it. Even adults will enjoy it.

While not as good as the book itself, the movie was well done indeed. This was one of those books I lived in when I first read it, never has Richard Adams come close to what he achieved here, able to pull you the reader right down into the grass roots along with Hazel, Fiver and BigWig. And the animators did him justice...I don't have much to add here that others here haven't, save to say I enjoyed the classic voices used here a lot-from Joss Ackland as the 'Black Rabbit of Inle' to the late, much lamented Harry Andrews as Woundwort. Now THAT guy was as tough and ornery a character actor as ever I saw onscreen, and he did the brutal Woundwort character justice indeed.

Of course I recommend this-***1/2 outta ****, the book being ****.

The first great animated film to come around in the entire history of motion pictures! It's not only original(shying away from the traditional "Disney" formula), but it's the first animated film to ponder the meaning of life itself! I was really moved by it! With "Disney" films, you know what to expect. This was like watching a Terrence Malick film; beautiful, subtle, spiritual, and important for our lives. The only difference is that it's animated with "cute & cuddly" cartoon characters. This is a film both adults and children alike will enjoy and learn from, because it is a social commentary on facism, and it is a spiritual film. It's spirituality lies in it's initial message, which is about facing death, and avoiding it as well. Not that you can avoid death, but that you can have a sense of self preservation, purpose, and a place in life. The most inspirational line of the movie is "All the world will be your enemy. And when they catch you, they will kill you. But first they have to catch you.". All of your life, you will continue to meet people who like you, and those that will attack you. Be strong, stand tall, "and your people will never be destroyed.". That is basically, in a few words, what the world and the meaning of life is really all about!

I would never spoil the wonder that is "Watership Down". The book and the film are timeless classics. I think it is the greatest adaptation of a novel (any genre) ever made and one of the most under-rated movies of all-time. They managed to capture more of a long novel (nearly 500 fantastic pages) than most films can compile from a 200 page source work. The soundtrack is beautiful (I'll be getting one for a Christmas present--thanx for the info IMDb!!) and matches the mood of the scenes perfectly.

Viewers will recognize someone they know in nearly every rabbit and, with unbiased observation, probably see themselves. It is at once gripping and gentle, heart-rending and endearing. You will find yourself humming the tunes incessantly for months afterward. I recommend reading the book first (also try "Traveler" by Adams, another classic), then purchasing the film, then the soundtrack--wait, better yet, write your Congressman and demand a DVD release. I long for another wide-screen viewing (hint, hint)!

I have noticed multiple comments that state the movie is too violent for children (it is somewhat graphic--to it's credit). For very small children, I would whole-heartedly agree, however, I think it depends on the individual. I was lucky enough to have a Father who took me to see it at the theatre when I was a youngster (about 5) and it did not scar me or give me nightmares--rather I learned the importance of the symbiotic circle of existence and the reality and necessity of life and death. It is still a comfort to me in times of sadness. In addition, the movie is highly layered and something new can be gleaned with nearly every viewing.

I enjoyed it for years and only later realized many people had never even heard of it...I take every opportunity to recommend it and not once, not once, have I heard anything but thanks for the suggestion. Most of them end up owning the film. Both symbolic and blunt, "Watership Down" is a triumph of emotional proportions and is exemplary of what adaptations, animation, scoring and good film-making should be about. This wonderful adventure is an asset to any collection...10/10.

Being an Australian, it's rather difficult to sympathise with the plight of rabbits. Following their introduction to our continent in 1859, the European Rabbit population has multiplied at an absolutely phenomenal rate, destroying the natural environment and helping to drive numerous native marsupial species to extinction. They've survived countless attempts to eradicate their numbers, and are now largely resistant to both Myxomatosis and calicivirus. At home, I'm always sure to congratulate my pet dog, Cassie, whenever she trots into the backyard with a rabbit clutched between her teeth. You'll forgive me for launching into a tirade about a troublesome Australian pest, but I'm just trying to convey my general abhorrence towards the species. It would have taken a mighty piece of film-making to make me forget that I hate rabbits, and yet 'Watership Down (1978)' had me utterly engaged from the opening moments. Not only did I care about Hazel, Fiver and Bigwig, but I genuinely fell in love with them, and for 100 minutes I was completely absorbed in their strenuous but noble struggle for survival.

The film is based upon the 1972 novel of the same name by Richard Adams, and was both adapted and directed by Martin Rosen. What struck me most was how incredibly rich the story was, with Adams having created not only a wealth of multi-layered characters, but also an entire rabbit culture and mythology. 'Watership Down' opens with a fascinating Creation story, as the God-like deity Frith (symbolised by the Sun) creates planet Earth and every creature within it. In a double-edged blessing, Frith condemns the mischievous rabbit prince El-ahrairah to forever be hunted, but also to always have the skill and agility to survive: "All the world will be your enemy, Prince of a Thousand Enemies. And when they catch you, they will kill you. But first they must catch you." The events take place in the English countryside, with the title stemming from a hill at Ecchinswell in the county of Hampshire; despite my initial preconceptions, 'Watership Down' was certainly not the story of a sinking ocean liner!

Hazel the rabbit (voiced by John Hurt) may not be physically-imposing, but he is selfless, intelligent and mature, and this makes him a fine leader. His younger brother, Fiver (Richard Briers), is runtish and neurotic, yet he possesses a sort of mystic flair that means his peculiar "feelings" almost always prove significant. After Fiver foresees danger approaching their warren, a small group of rabbits – including the brutish but noble Bigwig (Michael Graham Cox) – flee their home in search of a safer locale. Their journey is certainly not a walk in the park, and allow me to be the one millionth reviewer to warn parents that many scenes in this film are not suitable for young children. As the group trudge across the English countryside, they are greeted with an assortment of creatures who would be more than happy to make a dinner out of them, including hawks, dogs, cats and humans. However, the rabbits' greatest obstacle before happiness is the nasty, tyrannical Chief-Rabbit, General Woundwort (Harry Andrews), a bloated, domineering lump of a villain who is both reminiscent of George Orwell's Napolean and, oddly enough, Orson Welles' Police Captain Hank Quinlan.