La foreuse sanglante

"The Toolbox Murders" follows a series of killings in a Los Angeles apartment complex, which culminate in the kidnapping of a 15-year-old girl, Laurie (Pamelyn Ferdin) who resides there with her family. From thereon, police attempt to unravel the crimes with the assistance of the building owner (Cameron Mitchell) and his employee nephew (Wesley Eure).

While it has been often written off as cheap exploitation fodder, "The Toolbox Murders" is something of a minor unsung achievement, especially when you examine the context. It was made and released pre-John Carpenter's "Halloween", and while it definitely riffs on "The Texas Chainsaw Massacre," it does deserve some credit for being an early adopter of the slasher mould. The main criticism of the film (not unwarranted) is that it makes the shift from slasher flick to police procedural at the midway point, which is a bit jarring on a tonal level. The last half of the film mainly focuses on young Laurie being tied to a bed and subject to the religious ramblings of the villain.

This issue aside, where "Toolbox" excels is in its elaborate, effective death sequences, and moody cinematography. The film is shot remarkably well by Gary Graver, and the murders--most of which occur in a slam-bang succession in the first 30 minutes--are effective and disturbing. The locations make for '70s overload, full of furnishings and styles that evoke "The Brady Bunch," but there is a seedy L.A. aesthetic to the film that gives it a gritty and sometimes unpleasant edge. Some moments, particularly the surreal, foggy flashbacks that help explain the killer's motive, predate similar sequences in Paul Lynch's "Prom Night," released two years later.

The performances here are better than the material warrants, especially from Pamelyn Ferdin (best known for her voice roles in the "Peanuts" cartoon and as Fern in "Charlotte's Web," but also in the fantastic 1971 film "The Beguiled"), who proves herself a legitimately talented young actress. Cameron Mitchell hams it up here big time, but his performance is enjoyable and over-the-top.

All in all, I truly believe that, despite its shortcomings, "The Toolbox Murders" is an underrated entry in the slasher film canon. While it does make a downshift in pace and tone in the latter half, it remains a nasty, hard-edged odyssey through the shiftier characters of '70s Los Angeles. Slasher fans will no doubt love the first half, though the second will leave them divided. My suggestion is to take the film on its own terms, and remind oneself that it was made before the slasher prototype was fully edified with "Halloween," which came in the latter part of the year. 7/10.

While this is no flawless masterpiece it is still an entertaining enough slasher that has a simple straight-forward plot, and the killers MO of killing with various tools is an interesting one. For fans of the genre this should be solid entertainment.

The Toolbox Murders is a movie that shockingly is based on real life events. Naturally the real life events are turned into a series of grizzly, shocking crimes, designed to shock in this video nasty. You can understand why it was banned for so long, although it may seem somewhat tame by today's standards. I say the film is awful, that's perhaps a little unfair, but, the acting is certainly atrocious, the direction is shocking, and the pacing is poor. You get twenty minutes of brutal killings, it's a gore fest, then a bore fest. Once you survive the first twenty minutes, you get a dialogue heavy middle and conclusion. Why oh why did the victims have to behave in that odd way, the typical seventies victims. Plenty of nudity, at times it felt more like a soft porno then a horror, it does nothing to enhance the film, I'm sure it was done purely to get audiences.

So I've slated it, but I couldn't switch it off for some strange reason, I had to stick with it, the conclusion is pretty shocking, but satisfying in a way.

Not one I'll repeat watch, but I'm glad I've finally seen it. 5/10

"Banned since 1982" screams the video box. After sitting through an hour and a half of this crud you'll be lining up to have it banned for another twenty years. Not because it's controversial, too violent, or objectionable in any way (except perhaps aesthetically), but simply to save your fellow movie watchers from having to experience this incoherent, pointless mess. And it is a MESS. Badly written, directed and acted, with no redeeming features. And I LIKE horror folks.

The first 20 minutes or so features a series of murders of young women by various items from a toolbox - drill, hammer, nail gun,etc. (why a toolbox you ask? Good question...). The victims are all attractive and seem to share a taste for MOR country music. The killer wears a ski mask and sometimes hums to himself. (Maybe he's a country purist and is offended by their lack of Hank Williams?)

Anyway, after that the movie rapidly gets duller and duller, a girl gets kidnapped, some inept cops investigate the murders and are baffled, even though you'll pick the killer as soon as you see him. B-grade legend Cameron Mitchell hams it up sucking a lollipop and singing spirituals, and the faceless supporting cast are as bad as the stinker of a script. If you haven't seen 'The Toolbox Murders' well, you haven't missed anything much. Not even bad enough to be funny.

I heard about this film at the start of last year and instantly became deeply intrigued by it. I was overjoyed to see it finally released on the 'VIPCO' video label (here in the UK) but, alas, this all seemed to be in vain. I guess overall it was somewhat of a bathos and failed to rouse any serious interest in me whatsoever. The acting was, at the best of times, marginal and the plot...let's say it wasn't exactly ground-breaking: At the same time though I doubt that director Dennis Donnelly (who has also worked on episodes of 'Dallas' and 'Airwolf'...if I recall from my childhood) was attempting to change the world with the tale of a deranged Ski-mask wearing killer wielding, amongst other items, nail guns and chisels. The killings portrayed are rather nasty and bloody but, as I am now aware, are slightly cut here in the UK. I doubt (sincerely) that if they were shown in their entirety it would have made any valuable difference.

Perhaps what I found most disturbing about the film itself was the general visual aspect ( - vague I find you asking yourselves). The film looks very much dated now, which for some may not be a problem but it tended to make me feel decidedly 'sickly'. By this I mean that it just reminds me far too much of photos from my childhood *shudders*...with its ghastly floral interiors and fashion sense. I guess this is just a reflection of my own personal dislike towards nostalgia and is no serious reason to comment negatively on the film.

To conclude, 'The Toolbox Murders' is a tedious and poor (sorry to be harsh) horror flick at best. At times it appears to imitate Tobe Hoopers classic 'The Texas Chainsaw Massacre' in the sense that the film was, allegedly, based on 'real' events. It also follows a fairly congruous and typical narrative: a series of murders followed by an abduction and, inevitably, torture...only to have the attractive protagonist narrowly escape death. The fact that 'The Toolbox Murders' focuses on the notion of the 'family-gone-wrong', a la 'The Texas Chainsaw Massacre', or Pete Walkers 'Frightmare', for example, only seems to strengthen this argument more. The main problem: it falls flat on its face in trying to do so. I consider myself to be a die-hard horror film aficionado but this was just unfulfilling; certainly not to be mistaken as a 'cult classic'.