La petite soeur du diable

I loved this film, 'Killer Nun' (aka Suor Omicidi 1978). When I first found out about it, I knew I had to see it! This came out a year after 'Communion' (aka 'Alice, Sweet Alice') and both of these seem very similar in their approach by their directors. Both seemed to be from the same vein of film-making. European! The film is about a Nun (and a sexy one at that, played by Anita Ekberg!) who is addicted to morophine and who is losing her mind...or is she?! What's wild is that she can get away from the convent and stalk the streets for a casual sexual liason, which is one of the high-lights of the movie! She goes back to the convent and really bad things start to happen, people die....at first, they seem like 'accidents' or 'suicides', but as the film goes on, you start to see what is really happening - but I won't spoil it for others here! Just see it, rent it, buy it if you find it. The DVD is excellent. There's an interview with the director at the end and it gives insights of how they filmed this movie - inside an actual convent! And how they were able to get away with filming so many sexy scenes! There's plenty of hot sexual situations and nudity in this Euro-trash nunspoiltaion film, as well as some 'tasteful' violence! A must see for ANY Euro-horror, babe-loving film fan! I give it about a 7 1/2 out of 10! *******1/2

This is an interesting film about nuns and murder that was shocking in it's day, but suffers in three areas.

First, it stars Anita Ekberg in her most skintastic role. No, you don't get to see her 40-23-38 body, just a brief flash of bun as she manages to get a quickie in town while she is stocking up on her drugs. Yes, she is a junkie nun and she also has a mental illness or brain disease. You never know which as everyone denies there is anything wrong with her. However, she is prone to fits of rage. Is she capable of murder? The murders starts when she returns from town. They are not particularly gruesome, and those looking for giallo will be disappointed.

Finally, there is a hint of lesbianism, but those looking for full blown nunsploitation should look elsewhere. Her roommate is Italian Playboy Playmate Paola Morra, in her first film. Now, Paola does swing both ways and does give full frontal. She is definitely something to see as she is incredible beautiful, but there is no action between her and Ekberg - you just have to imagine it.

The film was well directed and well written. It was an interesting work, but I feel that it will disappoint more than it will entertain.

a very, very silly film. not once will you feel horror or revulsion (unless you are the sensitive type or a nun) but you may smirk, and you may laugh and you may even find yourself cheering on dear old sister gertrude as she goes on her rampage of false teeth destruction, morphine addiction, random sex and abuse and an extreme misuse of stockings. somehow this all ties together in a film which is somewhat cohesive, quite impressively directed for the most part, beautifully scored, very well acted and just generally entertaining. certainly not for everybody though, you do have to have a slightly bent idea of entertainment or at least enjoy cinema on the edge, on the edge of what, im not quite sure. over all, an enjoyable psychodrama with a touch of taboo.

Sister Gertrude (Anita Ekberg) is one of those fun nuns. She spends her days doing the Lord's work, which includes a strict regimen of prayer, shooting up morphine, and cruising for men. Poor Gert is also recovering from brain surgery. Thankfully, her astonishingly hot roommate, sister Mathieu (Paola Morra) sleeps naked, and is very helpful.

Most of the real action in THE KILLER NUN takes place in a rest home run by the church, where the residents are happy and content. That is, until they start dying in horrible "accidents". Has Gertrude finally flipped her habit? Has she decided to add murder to her list of favorite vices?

This film is a gloriously trashy bit of blasphemy. While rather tame by today's standards, it was quite a shocker in its day! Watch for the magnificent Alida Valli in a tiny role as the Mother Superior...

Killer Nun is a crossover between two of sleaze cinema's most popular subgenres; the graphically titled 'nunsploitation' and the more popular Italian thriller known as Giallo. I can't say I'm very experienced with the former, but I'm a big fan of the latter; and the fact that this film was a part of the Video Nasty list back in the eighties ensured that I had enough reason to see it. As a Video Nasty, this film isn't all that good and is unfortunately one of the more tame entries on the list, and to be honest; I can't see a good reason for banning it, other than the obvious implications of a nun taking it upon herself to begin killing people. As a Giallo, this film isn't all that good either - as there isn't a lot of mystery going on, and the murders aren't too imaginative. However, as a slice of sleaze; this film works a treat! The plot follows a nun who finds herself addicted to morphine after having an operation on a brain tumour. However, this isn't the most dangerous element of her psyche; as the patients at the hospital she works at believe that she is behind a series of murders!

The film clearly knows what its main strengths are, and director Giulio Berruti delights in showing things such as lesbianism and torture to his audience. The idea of one of God's disciples going around murdering people isn't the most original idea ever conceived, but it's well worked as the film always appears to be completely serious and manages to stay away from the comic book styling's of many Giallo, which would ultimately have harmed the film. Cult actress Anita Ekberg takes the lead role and delivers a strong performance, which despite not winning her any plaudits; works well in the context of the movie, and she does carry off the nun look well. Joe Dallesandro joins in the fun, and the rest of the unknown cast are good enough for this sort of film. The lesbian scenes in the movie are well done and actually rather erotic, thereby guaranteed to delight the movie's target audience. The plot is always secondary to the sleaze, and therefore isn't too interesting; but it plays out nicely, and while the ending isn't particularly strong; this is a good example of sleaze cinema and is recommended to the relevant people.