The difficulties of a career burglar to reinsert himself after being released on parole.The difficulties of a career burglar to reinsert himself after being released on parole.The difficulties of a career burglar to reinsert himself after being released on parole.
Jake Busey
- Henry Darin
- (as Jacob Busey)
Stephanie Ericsson
- Bar Patron
- (as Stephanie Ericsson Baron)
Jane Howard
- Employment Clerk
- (as Betty Jane Howarth)
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We meet Max Dembo (Dustin Hoffman) as he is getting out of prison on parole after six years. He has an arrogant condescending parole officer (M. Emmett Walsh) but yet he seems determined to go straight. He is supposed to go to a halfway house, but the parole officer gives him one week to find a place to live and get a job. He does that - modest ones for sure, but they qualify. He also meets a girl at the employment office in whom he gets interested, a very young Theresa Russell as Jenny Mercer. Jenny seems intrigued with Max, given that he is upfront about his criminal past.
The parole officer puts Max back in jail for suspicion of drug abuse, and after his urine test comes back clean he is released, but he has lost his job and his room. Max decides to get even with this guy and, on the way to the halfway house, commandeers the car, drags out the parole officer, and handcuffs him to a fence next to the highway with his pants around his ankles. Max takes off in his car and it is clear LA hasn't changed that much in 45 years as nobody comes to the officer's immediate aid. Max is now forced to go back to a life of crime, but it doesn't seem like he needs that much prodding. Complications ensue.
You're not sure who the real Max Dembo is. You meet all of his friends, ex-cons themselves, and they are as complex as Max is. They have working class lives with kids, wives, and cookouts, but don't need the hard sell to decide to go back to crime. It's not a hard decision for any of them. And you can see how they all got apprehended in the past - they all have their rash, greedy, and violent sides.
You never meet any of Max's family of origin. Being in his 30s you have no idea if he ever had enough time on the outside to make some kind of family of his own. Neither is ever mentioned. So he is a complete enigma, known only by what we see in this film and his criminal history, which is shown in the end credits. It's a very gritty crime film and character study, and a good example of what kind of films could be made after the production code completely collapsed that would have been hard to make just ten years before when it had only recently been disposed of.
The parole officer puts Max back in jail for suspicion of drug abuse, and after his urine test comes back clean he is released, but he has lost his job and his room. Max decides to get even with this guy and, on the way to the halfway house, commandeers the car, drags out the parole officer, and handcuffs him to a fence next to the highway with his pants around his ankles. Max takes off in his car and it is clear LA hasn't changed that much in 45 years as nobody comes to the officer's immediate aid. Max is now forced to go back to a life of crime, but it doesn't seem like he needs that much prodding. Complications ensue.
You're not sure who the real Max Dembo is. You meet all of his friends, ex-cons themselves, and they are as complex as Max is. They have working class lives with kids, wives, and cookouts, but don't need the hard sell to decide to go back to crime. It's not a hard decision for any of them. And you can see how they all got apprehended in the past - they all have their rash, greedy, and violent sides.
You never meet any of Max's family of origin. Being in his 30s you have no idea if he ever had enough time on the outside to make some kind of family of his own. Neither is ever mentioned. So he is a complete enigma, known only by what we see in this film and his criminal history, which is shown in the end credits. It's a very gritty crime film and character study, and a good example of what kind of films could be made after the production code completely collapsed that would have been hard to make just ten years before when it had only recently been disposed of.
This modest movie captured the blown out angst of the 70's better than any other film and is a worthy addition to the great tradition of noir gangster dramas that began with High Sierra (starring Bogart). It is also a high point in Dustin Hoffman's career, perhaps his greatest performance. Unlike pictures such as "Rambo," it does not so much romanticize the violence as make the viewer pity the protagonist for his tragic choice. I wonder if any parolees who saw this movie decided to go straight rather than risk the dangers of returning to a life of crime. I also wonder if any parole officers who saw it were persuaded to be more humane in their treatment of ex-cons. Haven't seen one this good in a long long time!
My wife and I saw this in the theater at the time of its release, and I've never talked to anyone else who's seen it. This is among Dustin Hoffman's grittiest work, and he is superb (I've read that this is his favorite of his own films). Gary Busey, a gorgeous 20-year old Theresa Russell,and the old pro Harry Dean Stanton are all excellent. This film is among my all-time favorites, and I recommend it wholeheartedly. Since reviews are required to be at least ten lines long, I'll add that it took me several minutes to recognize the young, skinny Kathy Bates, who was spot-on as Busey's justifiably concerned wife. I'm a fan of character actors, and M. Emmett Walsh is great as the asshole parole officer. I hope that this film will someday be re-released, ala Taxi Driver, and get a chance to prove itself to a new generation of audiences.
This is such a great film. The cast is so excellent. You've got Dustin Hoffman, who turns in one of his best performances, but it only gets better from there. Gary Busey plays Hoffman's buddy and husband to Kathy Bates-both excellent. Harry Dean Stanton (probably one of my favorite actors) plays one of Hoffman's partners in heist. His performance is right on the money as always. M. Emmet Walsh plays Hoffman's nearly inhumanly sleazy parole officer. Walsh does such a good job here too(I read somewhere that the Coens saw him in this movie and that was what led them to cast him in Blood Simple). Theresa Russell does a nice job as Hoffman's girlfriend. Eddie Bunker himself shows up as a bartender. It's no one wonder Tarantino would want to study this film-it's remarkable.
8xlp
I wasn't expecting much from this film especially since it's only 6.9 on IMDb, and barely any posts about it, but don't let that fool you, this is probably one of the most under-appreciated movies i've ever seen in my life.
I really see why Dustin Hoffman is sometimes regarded as one of the best actors of all-time.. he had such a strong performance, so congruent and alpha. It's really a movie where you just GOT to keep watching to see what happens next, and it's well worth watching, you'll love it. I think if more people see it, it's going to be a "cult favorite".
8.5/10 GO SEE IT!
I really see why Dustin Hoffman is sometimes regarded as one of the best actors of all-time.. he had such a strong performance, so congruent and alpha. It's really a movie where you just GOT to keep watching to see what happens next, and it's well worth watching, you'll love it. I think if more people see it, it's going to be a "cult favorite".
8.5/10 GO SEE IT!
Did you know
- TriviaA pet project for Dustin Hoffman, he was originally due to direct himself. Denied final cut by the studio, he ended up suing Warner Brothers over their treatment of the film.
- GoofsWhen Max is incarcerated Jenny visits him and holds up her phone number against the glass. On returning to his cell Max tears off part of a cigarette wrapper and writes it down as 6561656. When he is later on the run he unfolds the piece of paper and looks at the number. It now has 2 digits transposed and is hyphenated: 656-6156.
- ConnectionsEdited into La Classe américaine : Le Grand Détournement (1993)
- How long is Straight Time?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Straight Time
- Filming locations
- E Ave G & 198th St E, Lancaster, California, USA(Final Diner Scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $9,900,000
- Gross worldwide
- $9,900,000
- Runtime1 hour 54 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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