Meurtre au 43eme étage

John Carpenter's SOMEONE'S WATCHING ME! is an undisguised homage to REAR WINDOW, with nods to BLACK CHRISTMAS (an avowed favourite of Carpenter's) and the Italian Giallo genre, specifically Argento's DEEP RED. One elaborate scene, wherein the anxious heroine drops a knife through a grate, and then squeezes laboriously into the crawlspace beneath to hide, is a clear riff on giallo scenography.

The material is stale, but the execution is not. Carpenter's virtuoso use of gliding camera shots, shadow detail, composition, and mise en scene, ratchets up the suspense even during what would otherwise be incidental scenes in another director's hands. On occasion, TV-movie limpness creeps in momentarily, but, in the main, the picture's production is very professionally handled.

One major irritant is Lauren Hutton's protagonist, Leigh. She is endlessly spunky, constantly talking to herself, always rushing headlong into situations. It's grating right from the start, but as events unfold, her happy-go-lucky ebullience morphs (in the viewers' eyes) into a kind of blithe stupidity. Most thinking people would have closed their curtains, locked their doors, taken the prank calls more seriously, or perhaps moved away (pride be damned), much sooner than did she. Certainly most people wouldn't have walked knowingly into the stalker's trap, as Leigh does at the very end. "Someone's Watching Me" is nerve-wracking enough for one to suspend one's incredulity, and good enough to belong in, or just below, the rarefied sphere of Carpenter's two best, HALLOWEEN and THE THING.

I never expected that a TV movie like this early work from John "Thrillmaster" Carpenter could be thrilling and excellent as this one was made. Thanks Mr Carpenter. Excellent entertainment and terrific conclusion.

I couldn't believe my luck when I stumbled on to this movie at a local video store in Iceland. It had subtitles and everything. What a find! As many of you know, this is the "lost" John Carpenter movie, and it's nothing short of fantastic. It plays like an homage to the likes of Dario Argento and Alfred Hitchcock, although the Hitchcock influences are more apparent here.

Lauren Hutton moves into a fancy apartment building and starts receiving mysterious phone calls and presents. And we, as the audience, know that this stalker lives in the building across from hers and that he's watching her every move.

Although not much actually happens here, the film's gradual buildup to a terrifying finale is nothing short of brilliant, orchestrated by a very fresh John Carpenter at the height of his creativity.

The cinematography (especially the POV's) makes one think of Dario Argento but the atmosphere (and storyline) reeks of Hitchcock. John Carpenter has admitted to the fact of having been inspired by both.

I strongly recommend this film. If you can locate it, that is.

An early John Carpenter film, I had never even heard of and surprisingly effective bearing in mind its 70s TV origins. So rather leisurely at first and I had bit of a problem with Lauren Hutton's character. She has a rather off putting way of 'joking about', or 'wacky' as she refers to it and also is rather blunt in her rebuttals of invitations from the opposite sex. This slightly awkward introduction to a leading lady with some baggage is compounded in the extraordinary moment when she makes the advances in a very 70s bar. but never mind, this soon gets going, everyone does a sterling job and carpenter really comes into his own as the movie progresses. The final half hour is as good as it gets and is pretty faultless. Effective music, varied and compelling camera work and increasingly believable dialogue. Well worth a watch for anyone and required for Carpenter fans who will see much that is further developed in later films.

From the get-go this is one scary film. The daytime skyline of L.A. dissolves to nighttime accompanied by spooky music. Then, inside some room, a man's hand turns on a tape recorder and dials a telephone number. He wheels around a telescope pointed toward the window of his female target, Leigh (Lauren Hutton). After a brief vocal exchange, the man tells her: "Come to the window; all those windows out there; and I'm behind one of them".

So begins "Someone's Watching Me", a suspenseful thriller about an attractive female TV broadcaster stalked by an unknown man. One of the scariest sequences has Leigh coming back to her high rise apartment and finding the front door unlocked. She calls the manager who tells her that although maintenance men were in her apartment earlier he personally locked it behind them. She sounds innocently skeptical. As the camera slowly pans around to the living room behind Leigh, a man suddenly and silently darts across the living room carpet ...

Suspense is heightened by the fact that Leigh lives alone, and by the fact that much of the plot takes place at night. There's an effective use of silence in a couple of sequences toward the end that further enhances suspense.

Despite the obvious suspense, the script has some problems, most notably the inanity of Leigh choosing to re-locate to a more secure residence that's exactly like the one wherein she was previously stalked ... a high rise apartment that looks out toward another high rise with lots of windows. Also, some of Leigh's specific actions and some dialogue are silly and unrealistic. Further, I was quite disappointed by the film's ending.

Film direction and cinematography are fine and contribute to the suspense. Casting is acceptable. Overall performances are average. I thought Adrienne Barbeau, as Leigh's friend Sophie, gave a particularly good performance.

If the viewer overlooks the script's defects and doesn't expect too much from the story's ending, this can be an absorbing film to watch. Females might not want to watch it at night while alone.