Sister Cristina (Florinda Bolkan) plays a nun who takes the teenage girls in her care to a remote house where they rehearse A Midsummer Night's Dream. Three thugs show up, brutally raping an... Read allSister Cristina (Florinda Bolkan) plays a nun who takes the teenage girls in her care to a remote house where they rehearse A Midsummer Night's Dream. Three thugs show up, brutally raping and terrorizing the girls, killing one by raping her with a cane, until Bolkan renounces her... Read allSister Cristina (Florinda Bolkan) plays a nun who takes the teenage girls in her care to a remote house where they rehearse A Midsummer Night's Dream. Three thugs show up, brutally raping and terrorizing the girls, killing one by raping her with a cane, until Bolkan renounces her teachings and seeks bloody revenge.
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- Titti
- (as Karine Velier)
- Matilde
- (as Annalisa Pesce)
- Bank Robbery Hostage
- (uncredited)
- Man in the Bank
- (uncredited)
- Maid
- (uncredited)
- Hostage
- (uncredited)
- Man in the Bank
- (uncredited)
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Florinda Bolkan (Flavia the Heretic) is Sister Cristina, who has some Catholic schoolgirls in a beach house rehearsing a play when some dastardly evildoers crash the party.
The maid (Isabel Pisano) gets killed almost immediately and this serves to terrorize the group. When they strip the nun and make her put on her habit, the camera is on everyone but her. They even rape her off-camera. They did brutally rape one of the schoolgirls (Sherry Buchanan - Zombie 3), and raped and killed another with a stick.
Sister Cristina has had enough. As one of the thieves is suffering and pleading for help, she put him out of his misery. She then shows her capability with his gun. All the girls join in and have their fun with the last one.
Not nasty enough to be banned by Britain, but nasty enough.
I had high hopes for this film as I enjoy the stylistic violence of Italian horror. Wes Craven, however, was more creative with his movie. The Terror may take the torture to extremes, but it's a less powerful film. Craven's cast was also more convincing.
The camera work is excellent and the movie is well directed. Still, I was left unmoved at the conclusion and maybe that was because I'd seen it done better before.
The main thing I like about these sorts of films is that the focus tends to stay on just one idea, which means that the audience is allowed to see into the situation. This film doesn't do it as well as, say, The House on the Edge of the Park, did; but all the actors play their parts well, and considering that there's barely any character on display; it is testament to their talent that we are actually allowed to feel for the characters. Then again, it's always going to be difficult NOT to feel for someone that is being brutally raped and humiliated. This film never received the notoriety of some of its counterparts, and that's hardly surprising as the violence is never particularly shocking and the rape scenes don't go on for long, nor do they occur often. The girls in this film are typically young, which gives it a lot more shock value; but the real problem here is that there isn't a lot of invention, and it ponders along, which may annoy some. I do have to say that I enjoyed the relaxed style of this movie, however, and since I personally found the action interesting; I am perhaps rating is a little above the rating that many exploitation fans would give it.
Did you know
- TriviaThe disco scene shown on TV is from Voyeur pervers (1977), with Roberto Pregadio's "Favolosa Festa Di Danza" dubbed over the earlier film's "Disco Boogie."
- GoofsWhen using a rake as a weapon, you naturally want to use the sharp tynes to inflict the most damage, yet one of the girls stupidly pokes much less effectively with the blunt handle end.
- ConnectionsFeatures Voyeur pervers (1977)
- How long is The Last House on the Beach?Powered by Alexa
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