La malédiction de la panthère rose

Peter Sellers returns as Chief Inspector Clouseau in this fifth and final installment of the `Pink Panther' series, in `Revenge Of The Pink Panther,' directed by Blake Edwards. This time around, Clouseau becomes the target of a drug lord, Douvier (Robert Webber), who finds it necessary to prove to colleagues that he is still `strong.' When the assassination attempt is summarily pronounced successful, it affords Clouseau the edge of pursuing the criminals through the use of disguise and the deft application of stealth as only Clouseau could effect. Meanwhile, former Chief Inspector Dreyfus (Herbert Lom) is pronounced fit, and returned to his position at the department. And, as would be expected, it all adds up to a bad time for the criminals, as well as the hapless Dreyfus. Edwards does a good job with this film, though it's not on a par with the previous outing, `The Pink Panther Strikes Again,' which was arguably the best (and funniest) of the series. There are scenes involving behind-closed-door meetings of the criminal element that seem to bog things down a bit, but with Sellers on hand they seem almost insignificant, for as soon as Clouseau arrives on the scene they're up and running once again. And Sellers has some classic moments in this one: Trying on new disguises at the establishment of Dr. Auguste Balls (Graham Stark), a veritable haberdashery for undercover surveillance; posing as a rotund `Godfather' and insinuating himself into the mob; and a foray as a peg-legged pirate with an inflatable parrot on his shoulder. The story line in this one may be considered thin-- Edwards gives it just enough to serve as a setting in which to showcase the talents of his star-- but there's nothing wrong with that; it's funny stuff, and watching Sellers work is worth the price of a ticket alone. One of the most memorable moments in the film, however, is courtesy of Herbert Lom, as Dreyfus gives the eulogy for the `late' Chief Inspector Clouseau and can barely contain his mirth, with his tears of joy construed, of course, as grief. And for the first time in the series, Clouseau's faithful manservant, Cato (Burt Kwouk) accompanies the Inspector during his investigation, which adds to the merriment, but is not necessarily a boon to getting the case, as Clouseau would say, `solv-ed.' The supporting cast includes Dyan Cannon (Simone Legree), Robert Loggia (Marchione), Tony Beckley (Algo), Andre Maranne (Francois), Charles Augins (Vic) and Douglas Wilmer (Police Commissioner). With "Revenge Of The Pink Panther,' Edwards delivers an above average comedy that is good for a lot of laughs, and he finishes it off with an extended, slapstick finale that really gives some sock to the overall movie. What will stay with you forever, however, is the image of Clouseau, and recalling his antics will provide you with some chuckles for a long time afterwards. In the end, this film stands a tribute to the great Peter Sellers, as proof positive that NOBODY does it better. I rate this one 8/10.

Peter Sellers is once again Inspector Clouseau in "Revenge of the Pink Panther," a 1978 film also starring Herbert Lom, Dyan Cannon, Robert Webber and Robert Loggia. A mobster decides to get Clouseau out of the way with disastrous results for everyone around the clumsy detective. In one of the best scenes, Clouseau picks up a good-looking woman, ladies man that he is, but she turns out to be a transvestite. Clouseau is forced to change clothes with her and is left on the highway. When the car crashes, the dead body is identified as Clouseau's, and the world mourns, with one exception - Clouseau's superior, Dreyfus (Lom) who feels that now, he can start living again. Forced to give the eulogy and on the verge of a psychotic break, Dreyfus keeps laughing as he speaks. A great scene. When Clouseau returns to his house, he finds that Cato, believing him dead, has turned it into an Asian brothel, making for more hilarity This isn't the best Blake Edwards-Peter Sellers collaboration, but it has some great moments. There is a tremendous amount slapstick; some of it is funny, and some goes a long way. Seeing Sellers as Clouseau, however, is always worth it.

It appears that Peter Sellers' number is finally up, but the attempt on his life fails and he takes it upon himself to find the person who tried to have him assassinated. Naturally Sellers trips into every situation and the results are once again hilarious and tedious at the same time. The by-the-numbers-film-making is apparent here, but still Sellers is able to make the material work to an extent. Sadly this would be his last "Pink Panther" film as he would pass away before the next could come out (the next one just has archived footage of Sellers). Fair once again, but probably the weakest of the first five in the series. 2.5 out of 5 stars.

Be forewarned--no matter what you see, this is THE last Pink Panther movie. Shortly after this film, Peter Sellers died and the studio had the nerve to try to continue the franchise! On the first, we have a female cop take on the case and interview all the characters from the previous films. In the second of these awful films (THE TRAIL OF THE PINK PANTHER), we find outtakes and clips from the previous Panther films being strung together with a tenuous plot. In the third, Roberto Begnini stars as Clouseau's son (a pretty lame way to continue the series). And just recently Steve Martin (whose career really seems in the dumps during the last few years) reprises the role. Uggh! Just let it go, folks! In this FINAL Panther movie, Sellers is up to his old craziness but the film isn't quite as way out and weird as the last. Chief Inspector Dreyfus is out of the mental asylum after it is widely reported that Clouseau is dead. Kato also thinks Clouseau is dead and turns the apartment into a kinky Chinese brothel. But, Clouseau is NOT dead and Kato's scheme is quickly uncovered. However, Dreyfus is not informed of this and when he sees Clouseau again, he thinks he's once again going mad. A cute entry and well worth seeing, despite Robert Weber and Dyan Cannon not exactly being the best supporting cast the series has seen.

4 out of 10

That sound you hear is the engine conking out on a car that has been driven too long and too far. The formula here has become dried up. Nothing new is injected and absolutely nothing is clever. The first half deals with the most basic of pratfalls. The second half comes to an almost screeching halt while the final third wraps up in Hong Kong in a desperate attempt to liven things up. Nothing works and if star Sellers hadn't died so soon afterwards this film series most certainly would have anyways.

One of the biggest problems here is that it's predecessor THE PINK PANTHER STRIKES AGAIN was so good that this by comparison seems like a major letdown. Lom, as the villain in the predecessor, was both lively and campy. Webber, as the villain here, seems very wimpy and boring. Even a silly comedy needs a villain that is somewhat threatening. There is also some glaring loopholes. One involves the presence of Lom himself. He supposedly got evaporated in the previous entry and yet here is looking perfectly healthy and no explanation. He is also diagnosed as being 'cured' and able to return to his former job with no loss in status despite having tried to destroy half the planet.

The addition of Cannon is the only plus. She is older than most of the past female leads and yet is still gorgeous and distinctive. She has a lot of energy and personality and doesn't seem used just to help the scenery.

The formula of having a blundering idiot that is considered brilliant by everyone who doesn't know him is still a good one despite the weak script. The genius of Sellers manages to still get a few laughs. His characterizations and timing are impeccable. The Closeau character is a joy to watch all in itself. The part where he dresses up like a Marlon Brando type Godfather is hilarious and should have been played out more.