Petey Wheatstraw

I saw rented this movie in the mid 90's as I walked through the aisle at Blockbuster. My friend and I saw the awesome cover (much funnier than what has) and saw the name and we decided we must watch this.

From the beginning, the movie is a joke. It starts on a funny and strange note and there are a handful of funny scenes, but it gets mixed with a lot of boring "meh" moments. I'd say watch it while you're doing something else and be prepared to rewind in case you walk back into it in the middle of a funny scene.

Years ago, I wrote a hostile review of Petey Wheatstraw for IMDb. What can I possibly say to justify that? I was young, and foolish. And the greatness of this film had not yet revealed itself to me.

Well, "greatness" is too strong a word. Petey Wheatstraw is not great, but rather "amusing" and somewhat "crazy." If you permit yourself to be drawn into the film's wacky universe, you may have a thoroughly enjoyable viewing experience.

Petey Wheatstraw, in short, is about a kung-fu fighting stand-up comedian who makes an unwise bargain with Lucifer. It's part comedy movie, part horror movie, part gangster movie, part sex movie, and part kung-fu epic with intentionally (I hope) bad choreography. The film bounces breathlessly between these genres, especially in the early scenes, which are disorienting and seem totally unconnected. But soon enough, the story settles into a kind of weird rhythm.

Needless to say, the production values are poor (Lucifer's demon minions are men in ballet tights and Halloween masks), the editing is choppy, and the acting is of highly variable quality. The script, however, has a weird poetry to it. The comedy dialog, though extremely crass, is sometimes really funny, and some of the "character" scenes when Petey and Lucifer get together are bizarrely effective.

Now I feel all weird, because I'm trying to defend what is, in essence, an extremely tacky bad movie. But it's a *witty* bad movie, and I can appreciate the effort that went into its production. And the film undeniably captures a time -- a place -- a bizarreness. It's sort of hypnotic.

Let me put it this way: I bought Petey Wheatstraw as a bargain DVD years ago, hated it on the initial viewing, and almost pawned it. But I never did get rid of that DVD. It survived several years of DVD trading-in, numerous changes of address on my part, and other seismic events in my life that might easily have caused Petey Wheatstraw's demise. But that DVD survived through it all; I still have the movie, still think about it sometimes, still smirk when I see it on my shelf. And that's the best endorsement I can give it.

Petey Wheatstraw (1978) marks the end of Rudy Ray Moore's great run at independent film making. The 70's were about to end along with the great era of self produced films. The big movie companies were about to crush the small market studios once and for all.

Enough soapboxing on with my behalf, let's get on with the brief review. Rudy Ray Moore plays a signifying performer who some how manages to get mixed up with the Devil's personal affairs. He makes a deal with old Lucipher (watch the film to get that joke) and tries to welsh on his end of the deal. This film is flat out funny. Loosely based upon one of his stand up skits (Dolemite and the Human Tornado were also based on stand up routines)and technically sound (for a low budget production) Petey Wheatstraw is a must watch.

I highly recommend this film.

I had trouble watching Dolemite (horrible acting) one month ago and Disco Godfather (crazy-a** halucination scenes, going on very long!) today!!! BUT!!! - Petey Wheatstraw had me laughing pretty much through the entire thing - watermelons, Petey's magical gift he recieved from the Devil, and Leroy & Skillet - hahahaha!!! Great actors, funny as hell! If you want to check out a Rudy Ray Moore film, check out this one! It's got a GREAT soundtrack, and the acting is better than his others (although I haven't seen Human Tornado in a while, very funny Kung-Fu moves by Rudy).

In 1977, comedian Rudy Ray Moore must have gotten tired of the same old Dolemite routine and wanted to branch out into new characters. Rather than go through all the trouble of developing a new character with it's own brand of humor, Moore and writer/director Cliff Roquemore created a carbon copy of the Dolemite character and slapped a new name on him. Thus, we were blessed with Moore's third film, PETEY WHEATSTRAW: THE DEVIL'S SON-IN- LAW. I'm not sure why they saw the need to create an all-new character, but there you have it. If you're a fan of Moore's previous DOLEMITE movies, there is enough here to elicit some chuckles. It's Moore's usual brand of humor with the same flaws we've come to expect from his movies. Petey Wheatstraw (Moore) is…what else…a comedian. Born to his mother as a near ten-year-old child with a watermelon, he is soon taken under the tutelage of the wise old Bantu who teaches him martial arts and the importance of wisdom. Years later as Petey's comedy career explodes, he becomes the target of bumbling duo Leroy and Skillet. The two want to off the comedian before his local performance can damage the profits from the grand opening of their own club. At first it appears their plan has worked and Petey is gunned down, but the Devil has other plans for the comedian. He gives Petey the chance to return to life and seek vengeance in return for marrying his daughter and giving him a son.

Also, there's a magic pimp cane.

As I made my way through my collection of Rudy Ray Moore movies, PETEY WHEATSTRAW is about where my interest began to wane but not enough to keep from enjoying the film. It's still chock full of Moore's trademark humor with the added absurdity of the supernatural storyline. Even after two movies and a few years of experience, Moore and his crew still haven't learned how to tell a proper structured story on film. The movie, as with the two previous, is all over the place. The first act is all about Leroy and Skillet's attempts at sidetracking Petey from performing the same night as their grand opening. The second act introduces the Devil plot but continues to focus on Petey's vengeance against his attempted murderers (and discovering his new powers via the magic cane). And then the final act, which almost feels tacked on, is Petey trying to outsmart the Devil and avoid the marriage to the Prince of Darkness's hideous daughter. The whole "Devil's Son-in-Law" portion of the movie is largely unimportant until the final 30 minutes, after the whole Leroy/Skillet plot has been resolved and most movie's would end. It's a shame too because the whole Devil storyline, the part I was most interested in watching has some of the better WTF moments. It should have been the focus of the movie. With its horrible makeup effects and crappy professional wrestling style demons, there are some awesome fight sequences that'll have you laughing so hard it hurts.

There is a lot of promise for a comedian like Moore in such a bizarre concept but it's all wasted for yet another "save the club" plot. Another interesting point I've noticed: the movie is obsessed with watermelon. Seriously, there is a LOT of it here: Petey's mother gives birth to one, characters are always eating it, and a truck load of watermelons is even blown up. It's everywhere, and this is the only Moore film where he plays so heavily on this stereotype. Not important, just something that really stood out to me. Anyway, the cast is really what makes this movie so fun. Moore is doing his usual routine, but the rest of the cast adds some new flavor. Lady Reed is missing from this movie, and you won't hear a complaint from me. For a women who was billed as a comedian, she couldn't act and I was glad to see she sat this one out. Leroy and Skillet are probably the best part of the movie. A couple of goons, their evil scheming and total idiocy are some of the funniest bits. As funny as the duo are, I would have liked to see them show up in more of Moore's movies. And then there's the Devil himself, G. Tito Shaw. I love it…the man is chewing the scenery with his bravado and attempt at a commanding presence. The characters are a blast and the humor hasn't quite run dry in PETEY WHEATSTRAW; so while it's a little boring at times and the structure needs serious work, I would still recommend this movie to fans of Moore's movies.