IMDb RATING
5.7/10
6.5K
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Three Italian-American brothers, living in the slums of 1940's New York City, try to help each other with one's wrestling career using one brother's promotional skills and another brother's ... Read allThree Italian-American brothers, living in the slums of 1940's New York City, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.Three Italian-American brothers, living in the slums of 1940's New York City, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
- Awards
- 1 win & 2 nominations total
Aimee Eccles
- Susan Chow
- (as Aimée Eccles)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Stallone made this film between "Rocky" and "Rocky II" and it shares alot of similarities with those films. It's the story of three brothers who dream of busting out of the poverty of Hell's Kitchen in New York during the mid-1940's.
Sly plays Cosmo Carboni, the street-wise hustler with no visible means of support but a head full of get-rich-quick schemes who hatches a plan to promote his brutish but gentle-natured brother (who's job is hauling giant blocks of ice all over the city) as a professional wrestler. Armand Assante plays his other brother, a cynical war veteran who was wounded in combat and now works as a mortician.
The story is peppered with colorful Damon Runyon-esque characters and a nicely balanced combination of humor and drama. Stallone writes and directs well, getting good performances from all his actors, and the film has a rich flavor and feeling for the period.
One of Stallone's least-known and least appreciated films, but it's well worth seeking out. Nicely done and entertaining.
Sly plays Cosmo Carboni, the street-wise hustler with no visible means of support but a head full of get-rich-quick schemes who hatches a plan to promote his brutish but gentle-natured brother (who's job is hauling giant blocks of ice all over the city) as a professional wrestler. Armand Assante plays his other brother, a cynical war veteran who was wounded in combat and now works as a mortician.
The story is peppered with colorful Damon Runyon-esque characters and a nicely balanced combination of humor and drama. Stallone writes and directs well, getting good performances from all his actors, and the film has a rich flavor and feeling for the period.
One of Stallone's least-known and least appreciated films, but it's well worth seeking out. Nicely done and entertaining.
... and maybe pick up an award or two. This movie is very well-done on every level, and LOT of fun to watch. Stallone's characterization of a lazy goofball who wants everybody else to bust their butts to make his dreams come true for him is just brilliant, possibly his very best performance. Actually, there's not a single bad performance in this whole movie and that's saying a lot, considering that some of the major roles were filled by guys who were professional boxers or wrestlers. In addition, the sets/costumes/lighting give a very good sense of place and time -- only the hairdos on the female leads tip you off that this was made in the late '70s.
Probably Stallone's most under valued work, this film reminds the viewer just what talent he had behind the camera (see also Rocky II to IV). The story follows the three Carboni brothers in 1940s New York, as they each try to make their way through life in the slums of Hells Kitchen. Cosmo (Stallone) plans to turn his tough but dim brother Victor into a champion wrestler, and with the help of their third brother (Assante) they set about making their fortune. There are echoes of Rocky throughout the film, (small time nobody becomes admired champion), but what sets it apart is the humour. There are great lines throughout the film delivered with dead pan perfection from the mostly excellent cast, which also includes Stallone regular Joe Spinell. If you can make it through the hilariously bad opening number (sung by Stallone himself), there's plenty here to appreciate. This film is long overdue a release on DVD... come on Universal, how about it?
Stallones directing debut is a forgotten gem, back when it was released crushed by the critics and snubbed by the audiences. Wrongfully so, because this is great film that especially today makes you wonder whatever happened to Sylvster Stallone the artist. Here he was in all his glory: writer, director, star (even singer of the title song), and maybe that was the reason this film was ignored and critically lambasted back then. When Rocky came out, everybody body loved the writer-actor, but as we know, more sooner then later, people (especially the press) love to turn on the one they once favoured. Paradise Alley is a beautiful fim that needs to be rediscovered. Its made by someone who loves to tell a good, human story, captured in beautiful shots (just watch credit montage - the rooftop contest) Its full of colorful characters, full of warmth and feeling and wonderful humor. This film was a promise Stallone sadly later on never fulfilled, maybe because everyone turned so harsh on this one, which is something I will never understand. After decades of forgettable movies I wish Stallone would finally defy all nay-sayers and go back to stuff like this. He did by starring in Copland, but since then he made horribly choices as an actor, doing movies which didn't even make it to the theatres.
I have to admit that this film to many critics was a turgid mess, but I cannot help but enjoy and have true sentimentality for it. You have to watch Paradise Alley when you are in the right kind of mood. What mood is that? The mood I was in when I saw it on TV years ago.
It's got heart, good wrestling, believable characters, funny moments, a couple of hot babes, suspense and a bit of violence. It even has a good "Rocky" feel ending that wins your heart ending with a strong ballad. This is entertainment and who cares if it doesn't live up to any purists idea of good film-making. It's fun. If this movie were to be redone it might have a chance at the Oscars. It's quirky and offbeat and contains all the elements to get your moneys worth.
It's got heart, good wrestling, believable characters, funny moments, a couple of hot babes, suspense and a bit of violence. It even has a good "Rocky" feel ending that wins your heart ending with a strong ballad. This is entertainment and who cares if it doesn't live up to any purists idea of good film-making. It's fun. If this movie were to be redone it might have a chance at the Oscars. It's quirky and offbeat and contains all the elements to get your moneys worth.
Did you know
- TriviaSylvester Stallone actually wrote this before Rocky (1976) and tried to sell it to producers for years, to no avail. Once Rocky (1976) became a smash hit, producers were willing to look at the script, and Universal Pictures green-lit the production due to the overwhelming success of Rocky (1976).
- GoofsWhen Cosmo drives Victor's ice truck up on the curb, the back panels fall of before they crash through the window. As the drive away, the wood panels are still on the truck.
- Crazy creditsOpening credits use the 1940s Universal logo.
- Alternate versionsAll UK versions are cut by 42 secs by the BBFC to remove shots of a tethered and gagged monkey in Cosmo's closet.
- SoundtracksToo Close to Paradise
Lyrics by Carole Bayer Sager and Bruce Roberts
Music by Bill Conti
Performed by Sylvester Stallone
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Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $7,185,518
- Gross worldwide
- $7,185,518
- Runtime1 hour 47 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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