Les nouveaux monstres

20 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute. The last sketch (a funeral) is symbolic : the death of the Italian comedy, which made Italy the second country in the world for cinematographic productions during 50's and 60's. Roberto Benigni's "Life is beautiful" was a great attempt, but the Italian comedy (and Italian cinema) is still in the grave.

I NUOVI MOSTRI is a sketch movie composed by 14 short stories which have a common feature between them: they are all about real life circumstances where, somehow, the main characters assume a disruptive conduct turning themselves into real life monsters; as they put their own interests above everything else! It's more evident in episodes like "Senza Parole", "Come una Regina" or even "Auto Stop". In fact it's a sarcastic and black comedy - a pure "commedia all'italiana" - which is also a satire to the Italian society of that time! "First Aid" episode is hilarious portraying the Italian's health system difficulties of that time...

The cast is great, full of excellent actors of the 70's. The directors of these short stories were also just three of the most important Italian directors of all time: Ettore Scola, Dino Risi and Mário Monicelli!

I saw "Viva Italia" not long after its release, and still remember it. It felt, then, as a revival of the wonderful short-story format used by the French and the Italians to provide concentrated value at smaller expense than a full feature, thus raising the chances of the film being made. They were wonderful showcases, too, for the immense talent resident in those countries. Ugo Tognazzi's brilliant performance as impulsive chef of a small restaurant will stick in my memory forever; the whole movie is well worth watching if it were only for this particular episode. Pity it was not a revival, but a farewell to a fantastic era of wit, skill, hearty performance, and sophisticated direction.

In many ways,'I Nuovi Mostri' is an extension of Dino Risi's film "I Mostri".However,its episodes were shot in color whereas the original "Monsters" film was shot in black and white.Most episodes of this film are about human nature especially shortcomings of people which reveal a negative facet of their lives.There are also episodes where the spotlight is on revealing the hypocrisy present in modern society due to strange rules and regulations.For example : an episode features an injured man who cannot be admitted to any hospital as there is no more room in a general hospital,no medical service after 23:00 in an hospital run by nuns and only military personnel with proper identification papers can be given treatment in a military hospital.Italian film 'Viva Italia'! is also known as "I Nuovi Mostri".It is the tale of new Italian monsters who represent weaknesses present in an average Italian.These people have been called "monsters" as their personal interests are always on top of their minds.These are the people who do not hesitate a bit in order to ensure their happiness at the cost of their beloved ones.An excellent film for all those cinema admirers who wish to learn more about Italian way of living.

The following review is of the cut edition of the film, with a runtime of 87 minutes and a number of 9 episodes. The original version, banned in some places, consists of 14 episodes and has a runtime of 115 minutes. Sadly, it is very hard to find nowadays. The episodes not included in the cut version are "Il sospetto", "Mammina e mammone", "Cittadino esemplare", "Pornodiva", and "Sequestro di persona cara".

Fourteen years after the release of the first one, I nuovi mostri offers a look into Italian life in a series of 9 episodes, directed by Dino Risi, Ettore Scola and Mario Monicelli, and starred by Vittorio Gassman, Ugo Tognazzi, Alberto Sordi, and Ornella Muti.

Like the previous one, this new anthology focuses on questionable aspects of human nature and adds touches of comedy and satire. The quality varies, and, while entertaining and fun, it doesn't live up to I mostri from 1963.

My favorite episodes were: "Autostop" a man picks up a young woman hitchhiking, "Pronto soccorso" a nobleman (Alberto Sordi) finds a man injured in the streets, "Senza parole" a young stewardess meets a foreign man and falls in love.