A ventriloquist is at the mercy of his vicious dummy while he tries to renew a romance with his high school sweetheart.A ventriloquist is at the mercy of his vicious dummy while he tries to renew a romance with his high school sweetheart.A ventriloquist is at the mercy of his vicious dummy while he tries to renew a romance with his high school sweetheart.
- Nominated for 1 BAFTA Award
- 2 wins & 5 nominations total
Anthony Hopkins
- Corky
- (voice)
- …
Steve Hart
- Captain
- (as Stephen Hart)
Robert Hackman
- Father
- (as Bob Hackman)
Michael J. Harte
- Minister
- (as Michael Harte)
Featured reviews
Hopkins doesnt seem to mention Magic much. While it isnt the fastest pace movie around,it is creepy,thoroughly well acted,and I dare you to find a movie with better use of a harmonica/accordian in its soundtrack. But my all-time favorite thing about Magic is the puppet- "Fats". A truly overlooked classic character. FACT: Fats was designed by Disney employees,but Disney didnt want to be associated with such a dark film. Also,the films Production Designer went on to win several Oscars.
This was one of the first films I ever saw that absolutely creeped me out as a kid; I hadn't seen it in years and just caught it recently on Bravo, and I have to say that it still gives me the willies! Anthony Hopkins's performance is nothing short of remarkable (he's a great Lechter, but really, his first Oscar nod SHOULD have been for this film); his scenes with Fats - and the voice he provides for the character - still make my flesh crawl. If you can get past the low production values, and hang in there past the first 15-20 minutes (plus if you can actually find this in a video store), you're in for a pretty frightening psychological ride. Hey, DVD distributors, somebody pick this one up (and get a commentary track with Hopkins, Attenborough and Ann-Margaret!)
Ventriloquist "Corky" is about to hit the big time when he starts to realize fame and fortune isn't all it's cracked up to be. He retreats to a lakeside cabin owned by the woman he fell in love with as a teenager but things turn nasty. He is suffering from schizophrenia and uses the dummy to voice the things he can't bring himself to say. This is done superbly and Anthony Hopkins plays it all extremely convincingly. Ann-Margret puts in a mostly believable performance too although at times she seems a little unlikely. It doesn't detract though, her screen presence adds a lot to the movie and she looks radiant as ever. For a while when watching this film I had a horrible feeling that the dummy would turn out to have an intelligence of its own and would start walking around with a knife in its little wooden hands. Thankfully this doesn't happen and it's a much more sinister and impressive film for it. Overall this was surprisingly watchable, well made and at times genuinely scary. The violence is filmed well and doesn't resort to bloodfests to get the message across. One of the few 70's horror flicks I've seen with good acting and a credible plot, well worth watching!
I liked Magic. Its a far more sophisticated movie than Child's Play, Bride of Chucky and other unrealistic horror movies with doll's taking on a life of their own. In fact, Magic is less horror and more a study of a deeply disturbed man. Hopkins is the shy unsuccessful magician who creates an alter-ego in the form of Fats, his puppet. Together, the magician and Fats make for a very successful act and the magician starts to achieve notable success. When asked to give a health test in order to sign on for a lucrative TV deal, he refuses and runs away. He stays at an isolated island as a paying guest with his now unhappily married college crush - played by Ann-Margret. As romance starts to blossom, the Fats side of Hopkins personality also starts to take over.
Magic reminded me of The Wicker Man - a low budget but chilling Brit horror flick. To be honest, I thought Magic was the better of the two. The similarities it shares with Wicker Man are low budget, reliance on atmosphere, relative realism for the horror genre, a macabre performance by the leading man Hopkins/Christopher Lee respectively and an isolated setting close to the sea. Magic draws the viewer in more because of Hopkins performance which shows likability and vulnerability. 60's sex symbol Ann-Margret, a talented actress, has yet another small role that completely under utilises her.
I can't understand the reason for the low rating on IMDb and obscurity of this film. Even after Hopkins carved out a name for himself in the celebrated horror movie Silence of the Lambs, this was never revisited.
Magic reminded me of The Wicker Man - a low budget but chilling Brit horror flick. To be honest, I thought Magic was the better of the two. The similarities it shares with Wicker Man are low budget, reliance on atmosphere, relative realism for the horror genre, a macabre performance by the leading man Hopkins/Christopher Lee respectively and an isolated setting close to the sea. Magic draws the viewer in more because of Hopkins performance which shows likability and vulnerability. 60's sex symbol Ann-Margret, a talented actress, has yet another small role that completely under utilises her.
I can't understand the reason for the low rating on IMDb and obscurity of this film. Even after Hopkins carved out a name for himself in the celebrated horror movie Silence of the Lambs, this was never revisited.
Sir Richard Attenbourough does a fine job directing this film about a magician that has little charm, personality, or self-confidence who must take a dummy into his act to let himself become famous. The only trouble is that the fine line that exists between the dummy and the ventriloquist becomes much too fine. Anthony Hopkins is really good as this shy, awkward man slowly descending into a world of madness as great success looms over the horizon. Hopkins also does the voice of the dummy, Fats, and lends his unique voice talents to create a very disturbing, eerie screen presence. The dummy is in many ways larger than life, and he steals almost every scene he is in. No supernatural puppet coming to life here, yet the character of Corky(Hopkins) gives his life to this dummy in a very unique way. The film is suitably creepy with some very atmospheric shots. As one reviewer noted, the scene where Hopkins is to not speak through the dummy for five minutes is easily the best. Each moment of that scene passed with incredible tension. It is downright chilling in fact. The other actors do very well. Burgess Meredith is made out to be much older that he was at the time, and I think he did a fantastic job. What can I say about Ann-Margaret. Stunning. She does a credible job acting, and let's face it, she looks like a million bucks(she even shows us more than expected as well). A spooky film, and a great screen performance by a much younger Anthony Hopkins.
Did you know
- TriviaGene Wilder was the original choice for Corky, and director Richard Attenborough and writer William Goldman wanted him, but producer Joseph E. Levine refused, on the grounds he wanted no comedians in the movie to distract from the serious nature of the story.
- GoofsMembers of the crew are reflected in the cabin window when Corky gets his jacket before going out in the boat with Duke.
- Quotes
Ben Greene: Sadie, what's the first rule for being an agent?
Sadie: Never forget an actor killed Lincoln.
Ben Greene: Head of the class!
- Crazy creditsCredits: Fats Anthony Hopkins
- Alternate versionsMost commercial TV broadcasts of "Magic," strongly censor "Fats's" R-rated dialogue completely, or replace it with PG rated content.
- SoundtracksAh! Sweet Mystery of Life
(uncredited)
Music by Victor Herbert
Lyrics by Rida Johnson Young
Portion sung by Anthony Hopkins
Details
- Release date
- Country of origin
- Language
- Also known as
- Magia
- Filming locations
- Blue Lakes, California, USA(Le Trianon Family Resort)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
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